ICA, London
Hebden operates with skilled precision, crashing through transcendent ragas with brutal techno and ending the gig with elegant house remixes
Kieran Hebden, aka Four Tet, stands in the centre of a dark room, hunched over a table littered with technology and surrounded by 16 strands of white beads hanging from the ceiling to the floor.
Hitting a button, he shatters the reverential silence with the sound of popping beats. The cage-like curtain around him lights up in pastel and primary hues, revealing the expectant faces of fans encircling him and the experimental producer suddenly seems more like an exotic zoo exhibit.
Continue reading...by Betty Clarke via Electronic music | The Guardian
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