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THE JAZZ CHILL CORNER IMER SANTIAGO - HIDDEN JOURNEY | Musique Non Stop

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Saturday, July 27, 2013

THE JAZZ CHILL CORNER IMER SANTIAGO - HIDDEN JOURNEY


THE JAZZ CHILL CORNER IMER 

SANTIAGO - HIDDEN JOURNEY


Link to THE JAZZ CHILL CORNER

  1. IMER SANTIAGO - HIDDEN JOURNEY
  2. NEW RELEASES - IVAN BOOGALOO JOE JONES, CRASH OF THUNDER, TRAVIS BIGGS
  3. TROMBONE SHORTY - SAY THAT TO THIS
Posted: 26 Jul 2013 10:33 AM PDT


Imer Santiago's musical journey, which began in his native Ohio with stops in New Orleans and Austin, took an important turn in 2007 when he relocated to Nashville. There the accomplished young trumpeter forged a close bond with saxophonist Rahsaan Barber, one of the local jazz scene's key players as well as the owner of Jazz Music City Records. On August 27, Jazz Music City will release Hidden Journey, Imer Santiago's impressive debut as a leader.


"You may not associate Nashville with jazz or Latin jazz," says Santiago, now 36, "but Rahsaan has an open mind to what the future can be. And he's an entrepreneur. He's one of my best friends and truly a brother. All those things led me to ask him to produce this record."

Santiago contributed most of the album's compositions and, with Barber, all of the album's arrangements. The core quintet heard on Hidden Journey, in addition to Santiago and Rahsaan Barber, is rounded out by pianist Bruce Dudley, whose The Solo Sessions was released by Jazz Music City last year; bassist Jon Estes, who also mixed and mastered the new CD and shot the striking cover photographs; and drummer Josh Hunt, currently touring with bluegrass great Alison Krauss, among other artists.

Guest musicians include percussionist Giovanni Rodriguez, who co-leads the Latin-jazz fusion band El Movimiento with Santiago and Barber; El Movimiento guitarist James DaSilva; Imer's younger brother Ivan Santiago on electric bass; trombonist Roland Barber, Rahsaan's twin; and Jazz Music City artist Stephanie Adlington, who's featured vocally on "The Very Thought of You."

Santiago plays "What a Wonderful World" as a lyrical homage to Louis Armstrong, taking the tune in waltz time instead of the usual 4/4. Armstrong had been one of Santiago's earliest favorites. While he was working on his master's degree at the University of New Orleans, Santiago's admiration grew even deeper when he discovered the profound respect New Orleans trumpet players had for the late jazz giant.

Edwin Imer Santiago was born on October 26, 1976, in Lorain, Ohio, to parents originally from Puerto Rico. He took up trumpet while in the fifth grade, and grew up listening to church hymns and to African-American gospel songs that had been translated into Spanish. Remaining active in church music, he toured from 2004 to 2007 as a member of the prominent Austin-based Christian rock band Salvador, with whom he still plays occasional dates.

After high school, where he played in the orchestra, marching band, and jazz band and discovered the music of Miles Davis and Charlie Parker, Santiago spent five years at The Ohio State University, where trumpet-playing professor Pharez Whitted was a huge influence on his musical development. After earning bachelor's degrees in jazz studies and atmospheric sciences from Ohio State, Santiago received a master's of music degree in jazz studies in 2000 from the University of New Orleans, where his instructors included Ellis Marsalis, Wendell Brunious, Harold Battiste, and Clyde Kerr Jr.

Initially drawn to Nashville because Salvador's management and record label were located there, Santiago began teaching middle school in 2007 and in August 2012 also began working part-time as an adjunct trumpet instructor at Tennessee State University. He will begin working in the fall of 2013 as the director of the Metropolitan Nashville Public Schools' ambitious new district-wide mariachi music program for students in grades 6 through 12.

Besides playing with and co-leading El Movimiento, which grew out of a weekly jam session that he, Barber, and Rodriguez launched in 2008, Santiago does sessions in Nashville studios on an average of twice a month. One of his most interesting studio dates was a recent collaboration with musicians in Mumbai, India, on a dance tune titled "Battameez Dil." Santiago recorded his trumpet, along with a horn section in Nashville, while the producers in India communicated with them over Skype. "They could see and hear us," he says of the Mumbai musicians. A lively Bollywood-style video of the song can be viewed on YouTube.

With the release of Hidden Journey, Imer Santiago steps out of the shadows as a trumpet stylist and composer to be reckoned with in the jazz world at large, and provides additional evidence of the exciting new jazz movement that's emerging in the country music capital.

Santiago will be performing a CD release show at the Nashville Jazz Workshop on Saturday 8/24 with additional dates to be announced in several cities.

www.imersantiago.com
www.jazzmusiccity.com
Posted: 26 Jul 2013 05:10 AM PDT


IVAN BOOGLOO JOE JONES - SWEETBACK

A monster set of work by one of the funkiest guitar players ever! Ivan Boogaloo Joe Jones recorded a number of sides for Prestige Records during the early 70s – but this rare gem came out after all those, in 1975, on the tiny Joka label, and never really got into proper circulation at the time – making it one of THE indie jazz funk classics of the 70s! The album's actually one of Boogaloo's best – and has a rougher edge than his Prestige albums – heard to great effect on the two standout funky cuts, "Sweetback" and "Confusion" – both of which are stunners that feature Jones really ripping away on the guitar! The whole set's nice, though – and other tracks include "You've Got It Bad Girl", "Trouble In Mind", and "Jamaica Farewell". (Limited reissue pressing with the original cover!) ~ Dusty Groove

CRASH OF THUNDER - BOSS SOUL, FUNK AND R&B SIDES FROM THE KING, FEDERAL AND DELUXE LABELS (VARIOUS ARTISTS)

A mighty dip into the legendary vaults of King Records – and one that manages to come up with a motherlode of funky grooves, even though none of them feature James Brown! The package is an essential look at the hinterland of King – artists who mostly just cut singles for the label in the 60s and early 70s, but who managed to match the groove of some of the bigger talents who charted more successfully for the company. There's plenty of gritty, funky cuts on the set – some done as soul numbers with a funky undercurrent on the bottom – others done as heavy funk cuts with a few nice soul touches on the vocals! The set was hand-picked by Mr Finewine – well known for his genius on the Vital Organs collection – and tracks include "Peter Rabbit" and "Which Way" by The Presidents, "Soul Jerk It Baby" by Jeb Stuart, "How Do You Feel" by Peggy & Artie, "Book Of Love" by Clarence Murray, "I Got It Made" by James Duncan, "Football" by The Swinging Seven, "Jo Ann" by Robert Moore, "You've Got To Be Strong" by James Duncan, "Fat Gal" by Mickey Murray, "Your Key Don't Fit Anymore" by Marie Queenie Lyons, "Let Me Be A Steppin Soul" by Charles Spurling, "Thunder" by Lord Thunder, and "Chopper 70" by Wayne Cochran. ~ Dusty Groove

TRAVIS BIGGS - CHALLENGE

Soul Jazz Records are re-issuing this lost classic album. Travis Biggs' 'Challenge' is a boogie/jazz-funk/jazz lp originally recorded in Detroit in 1975. This one off-album by Travis Biggs initially came out on his own tiny T & C label with a pressing of 500 copies and was used by Travis as a demo. As well as the track 'Tibetan Serenity' (as featured on 'New Thing' album), the album also includes super-rare versions of Stevie Wonder's 'I Wish' and a cover of the Loft/Paradise Garage classic track, Steve Miller's 'Fly Like An Eagle'. 2005. ~ CD Universe
Posted: 26 Jul 2013 04:52 AM PDT


Trombone Shorty's new album, Say That To Say This, is set for release on September 10 via Verve.  Trombone Shorty (Troy Andrews) co-produced the 10-track CD with Grammy-nominated R&B virtuoso, Raphael Saadiq. The album also features Trombone Shorty performing with funk legends, the original Meters with Cyril Neville on "Be My Lady", marking The Meters' first studio recording together since 1977. "It's really funky, like James Brown funk mixed with New Orleans Meters and Neville Brothers mixed with what I do on top… And we have a bit of R&B from Raphael's side," said Andrews about the new record. Saadiq added, "If you're a producer or musician, you want to work with other great musicians because it only betters you… I was just honored to be a part of the project."

Say That To Say This follows Trombone Shorty's Grammy-nominated For True which spent twelve weeks at #1 on Billboard's contemporary jazz chart and garnered rave reviews from major news outlets including Rolling Stone, The New Yorker, Billboard, USA TODAY, and NPR. Since For True's release, Andrews has performed at The White House and played on recent releases by everyone from Zac Brown to Rod Stewart to Eric Clapton and Cee Lo Green. He's appeared on the covers of Downbeat and Jazziz Magazines, as well as performed on Conan, The Tonight Show, Jimmy Kimmel Live, and Late Night with Jimmy Fallon. In May 2013, he took on the highly prestigious slot closing the entire New Orleans Jazz & Heritage Festival (previously held for over two decades by The Neville Brothers). Andrews has also taken steps to help young students in his own community by creating and fostering a mentoring program at Tulane University via his Trombone Shorty Foundation.

Trombone Shorty & Orleans Avenue have confirmed a relentless tour schedule in support of the new album, including performances at the Newport Folk Festival, Outside Lands in San Francisco and New York's Central Park Summerstage, as well as dates with The Avett Brothers, Zac Brown Band and Grace Potter.

~ Verve Music Group

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