FACT Magazine Emptyset turn to machine learning on new album Blossoms @ Musique Non Stop |  |
- Emptyset turn to machine learning on new album Blossoms
- Dance System – Against The Clock
- Bullion’s DEEK cohort cover Larry Heard, Bill Withers, Fleetwood Mac and more on 4 Down
- MYRIAD: How Oneohtrix Point Never created his most ambitious show yet
- FACT mix 717: DJ Plead
- Lovebox Festival 2019 in photos
- Four Tet B2B Skrillex, Goldie and Underworld announced for The Warehouse Project 2019
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Posted: 17 Jul 2019 09:51 AM PDT
Recorded with the help of a software model programmed with 10 hours of improvised recordings using wood, metal and drum skins.
Emptyset, the experimental duo comprised of James Ginzburg and Paul Purgas, have developed a machine learning system for Blossoms, their second album for Thrill Jockey. Programmed using a collection of existing material from the duo, as well as 10 hours of improvised recordings using wood, metal and drum skins, the system was designed to recognize coherent patterns within a large sonic data set. “Blossoms is a work built on hybrids and mutations”, explains the label, “combining complexly synthesized audio with reverbs derived from impulses taken in architectural sites Emptyset have worked in previously.” “The assembled compositions are emblematic of Emptyset's dedication to forward-looking sound and examine patterns of emergence and augmentation, fragmentation and resilience, and the convolution of biotic and abiotic agency.” Blossoms arrives on October 11 and is available to pre-order now. Check out the album artwork and tracklist below.  Tracklist: 01. ‘Petal’ 02. ‘Blossom’ 03. ‘Bloom’ 04. ‘Pollen’ 05. ‘Blade’ 06. ‘Axil’ 07. ‘Filament’ 08. ‘Bulb’ 09. ‘Stem’ 10. ‘Clone’ Read next: The 25 best albums of the last three months – April to June 2019 The post Emptyset turn to machine learning on new album <em>Blossoms</em> appeared first on FACT Magazine: Music News, New Music..  |
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Dance System – Against The Clock
Posted: 17 Jul 2019 09:00 AM PDT
Against the Clock is a series where we give an artist 10 minutes in the studio and see what they come up with.
Up this week is Night Slugs co-founder James Connolly (aka L-Vis 1990) working under his house-focused Dance System alias, which he recently revived after a lengthy hiatus with a brilliant EP on Modeselektor's Monkeytown label. For his ATC session he builds a Roulé-esque house banger around a sample of '80s Brixton soul band The Cool Notes and his beloved MC-303 Groovebox – listen to the finished article below. Dance System’s new release, Please, is released July 26 on Eats Everything‘s Edible Records – pre-order it now. Filmed by Pawel Ptak and Pedro Kuster Watch next: Gafacci – Against The Clock The post Dance System – Against The Clock appeared first on FACT Magazine: Music News, New Music..  |
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Posted: 17 Jul 2019 08:53 AM PDT
Originally published by The Vinyl Factory.
The compilation features shimmering renditions of leftfield pop oddities. Producer and musician Bullion has announced the fourth covers compilation on his label DEEK Recordings, set to be released this October. Built around the label's "pop, not slop!" motto, Bullion assembled a cast of young musicians from the label's orbit to provide new versions of oddball pop, soul and electronic songs. Renditions featured include Fleetwood Mac's 'Only Over You' by Nautic, Eleven Pond's 'Watching Trees' by Nathan Micay, Bullion's own version of 'Heartbreak Road' by Bill Withers, and Paul Simon's 'Kathy's Song' by Westerman, which you can hear below. Recorded in Portugal, 4 Down follows the releases of Covered in Gloria, Pun For Cover and Extraordinary Renditions in previous years. The collection features artwork by Portuguese artist Bráulio Amado, who also provided the sleeves for Róisín Murphy and Maurice Fulton's 4×12″ series released on The Vinyl Factory in 2018. 4 Down is released on October 18 via DEEK Recordings. Head here for more information and check out the artwork and tracklist below.  Tracklist: 01. Joviale (prod. Bullion) – ‘Storm’ (Rare Silk) 02. Camila Fuchs – ‘Inside Out’ (Martin Dupont) 03. C.A.R. – ‘Making Plans For Nigel’ (XTC) 04. Westerman (prod. Bullion) – ‘Kathy's Song’ (Paul Simon) 05. System Olympia – ‘Fade Into You’ (Mazzy Star) 06. M.T. Hadley – ‘Easy Way Out’ (Elliott Smith) 07. Nautic – ‘Only Over You’ (Fleetwood Mac) 08. Kiki Kudo – ‘T'en Va Pas’ (Elsa) 09. Kreme – ‘Missing You’ (Larry Heard) 10. Bullion – ‘Heartbreak Road’ (Bill Withers) 11. Nathan Micay – ‘Watching Trees’ (Eleven Pond) Read next: 7 must-hear mixes from June 2019 The post Bullion's DEEK cohort cover Larry Heard, Bill Withers, Fleetwood Mac and more on 4 Down appeared first on FACT Magazine: Music News, New Music..  |
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Posted: 17 Jul 2019 08:27 AM PDT
MYRIAD: How Oneohtrix Point Never created his most ambitious show yet By: Scott Wilson MYRIAD: How Oneohtrix Point Never created his most ambitious show yet Background Video HTML5 Video will be paused as soon it’s scrolled out of view MYRIAD: How Oneohtrix Point Never created his most ambitious show yet Back to FACT When Daniel Lopatin started his career over a decade ago, his touring partner was an old Juno-60 synth. Now, his musical universe is realized on stage with the help of a live ensemble, dancers and surreal installation art. As he prepares for his final performance of MYRIAD, Oneohtrix Point Never takes us inside his "concertscape" concept. Film by Kamil Dymek 2nd Camera by Pawel Ptak Produced by Anoushka Seigler Interview by Scott Wilson A s Daniel Lopatin and his ensemble rehearse on the stage of London's Roundhouse for the last-ever performance of MYRIAD, a monstrous yellow sculpture is carefully unpacked from a large wooden crate. Close up, it looks like a lump of biomass that's been generated by a 3D printer hooked up to Google's DeepDream program, but when it's hanging from the rigging later that evening, it looks a little bit like a giant booger. The sculpture, half of a pair designed for the show by visual artist and frequent Lopatin collaborator Nate Boyce, is a fitting visual metaphor for an artist whose music regularly combines black humor with both the grotesque and sublime. Over the past decade, Lopatin's music as Oneohtrix Point Never has explored memory and nostalgia, body horror, and, on 2018's Age Of, the Anthropocene era and humanity's destruction of the planet as told by an advanced AI race at the end of time. Although MYRIAD isn't an opera as such, Lopatin refers to this post-earth tale as the libretto for a show he calls a "concertscape", an ambitious multimedia production brought to life with the help of artist, sculptor, video artist Boyce, who has crafted much of the OPN visual universe since a video for 'Russian Mind' in 2009. "I think of him, really, as the architect for the visual atmosphere of an OPN show, and beyond that, I think there’s a lot of ways that he’s influenced me over the years," Lopatin says. "It often just has to do with translating my whims or my weird sort of visions for the live show and actually kind giving it a sense of dimensionality and space." As MYRIAD unfolds later that night, it's not just the sculptures that create the impression of having a front seat into Lopatin's mind. At the back of the stage is what looks like a shattered, abstract church window, onto which CGI visuals that tell the story of MYRIAD's four epochs – Age of Ecco, Age of Harvest, Age of Excess and Age of Bondage – are projected. Later in the show, as he performs Age Of standout 'Black Snow', he's joined by a masked cowgirl dance troupe he describes as "denizens of the apocalypse dancing at the end of time". It dives deep into the unashamedly prog aspects of his music to create a visually arresting show that unfolds like a dream. On stage with Lopatin is an ensemble of artists that operate in a similar musical universe: classically trained pianist Kelly Moran and percussionist Eli Keszler, as well as Aaron David Ross, who provides synth, vocal harmonies and foley sounds. Performed by the MYRIAD ensemble, Lopatin's music takes on a different character; synth parts Lopatin previously recorded or sequenced via complex MIDI rolls in the studio are re-rendered by artists performing seemingly impossible musical feats, such as Moran's speedy finger runs during fan favorite 'Chrome Country' and Keszler's superhuman percussion solo at the end of 'We'll Take It'. Despite all of the show's visual elements, the MYRIAD ensemble's greatest achievement is perhaps the way it folds the human and machine parts of Lopatin's music into a cyborg version of itself. "I think the thing I always remember when I get together with other people is that these are songs with verses and choruses," Lopatin says. "They just don’t really have conventional bits and bobs filled into those components of the song, but the components are pretty understandable. And they’re fun to play because there’s still this sense of openness in these songs and it works really well for this group." You’ve described MYRIAD as a "concertscape". What does that mean exactly? Nate and I were traveling a lot together doing OPN shows, and we were seeing the same kind of setup every night for shows and we were just trying to dream up ways to make our show more interesting. The first thing I was really frustrated by was by playing in front of a big white projection surface and feeling that there could be some way of splitting the difference between the things that are good about a concert and the things that we like about theater, installation art, things that we might be able to cross pollinate with those ways of working, find something new for ourselves. Does the show have a narrative? There is somewhat of a story. I had this [idea] when I was recording Age Of about this kind of song cycle that was essentially a generated opera, generated by this machine species that didn’t really understand history, didn't really understand their progenitors – us – and we're trying to piece together the most common type of story that we would tell about ourselves. And it just happens to be a story of us slowly falling out of sync with nature, and then gradually imprisoning ourselves, and then our extinction at our own hands. This was imagined as one cycle among an infinite amount of them, and they all have these different contents but always in these four chapters that start with a sense of space and openness and become more and more claustrophobic and more and more negative. What kind of inspirations have gone into MYRIAD? Seeing Orpheus and Agon, seeing Isamu Noguchi's setpieces for those types of contemporary performances. Often it's not another concert that will inspire me but random happenstance things that happen to me, like playing a video game or hearing music presented in a certain way that’s not a concert. From the outset I thought it would be a collaborative thing with a contemporary ensemble of some kind or a larger ensemble and it eventually became in a way more like a band. How did you go about picking the musicians and figuring out the roles they'd take? I knew Eli going years back to the Boston experimental music scene and Aaron David Ross was in Gatekeeper, which was one of my favorite bands. Kelly was someone new that I learned about through her association with Voice Coils. She's a great keyboardist. I knew that I wanted mostly keyboard players. I didn’t really see a conventional or traditional rock setup, even though there’s a lot of sounds that are traditional, so I really wanted a bunch of keyboard players. Eli is interesting as well because he’s not really a drummer, he’s a percussionist who can drum. There was so much energy and so much intensity that comes from his non-linear approach to rhythm. It was just perfect for the songs, so everyone fit really well and I was lucky that they all happened to work well together and be available and everything else. What specifically do they all do on stage? Kelly plays some of the more complex parts that you’ve written in the studio, which much have been challenging for a human to learn? Everyone has to be a little bit more like a machine for this particular suite of music — although there’s openings in the set where we kind of lovingly return to just being a mess. It's weirdly what OPN is all about: this slipperiness between trying to keep your shit together and falling apart. Kelly is a really great pianist but in the context of our group we always like to think about it as like a biological arpeggiator. She was tasked with this extremely difficult job of taking music that was written in the piano roll impossibly – it’s not exactly Conlan Nancarrow, but it’s getting close to that level of weird erratic specificity and she takes that, interprets it, creates a score and then executes it. Her job is very difficult and she does it really well. Aaron David Ross is almost like a surrogate for me, he makes it possible so that I’m not having to play all the pads and small parts. We do vocal harmonies together and he does all this crazy stuff with foley and sound effects which is really one of his great strengths, so there’s a lot of that going on. Eli, similar to Kelly, spent a lot of time looking at the parts broken out from the album, studying them, figuring out what the best way to handle each idea was – is it an electronic sound, is it better to play it on kit? Everyone in the group is very good at being specific, so as strange and erratic as these little sound events are, everyone in the group is really committed to expressing those little details. That’s what makes it good. The sculptures hanging from the ceiling look to me like giant boogers, which made me think the pubescent Garden of Delete character, Ezra. Are they meant to represent anything specific? We’ve always wanted to have Nate’s sculptures in the shows but it wasn’t really possible until now. What we wanted to do was have these sculptures drip, very slowly, and have puddles accumulate. Everything would be timed so that by the time you get to Epoch Four, the puddle is fairly noticeable and it’s a problem. This was a huge concern at venues so we weren’t able to do that but they still exist to hang there and shift the story from one epoch to the next. They’re each double sided and one of them characterizes the atmosphere of epoch one, Age of Ecco, and epoch four, Age of Bondage, and the other one characterises two and three, Harvest and Excess. It's more than just surrealistic booger hanging from the ceiling. They’re the best visual way for us to get the libretto over to you, so we have the sort of poem that drives the libretto being amplified while these things are coming down, being highlighted. What's the significance of the dance routine during 'Black Snow'? We wanted to take some of the ideas from the video for ‘Black Snow’ and incorporate it into the show. The dancers seemed like the most logical way to do that. It’s also quite fun to chop things up and break up the monotony of just seeing a band on stage. [The dancers are] kind of denizens of the apocalypse, dancing at the end of time and they’re kind of keeping time. That was a thing that we liked about them in the videos: they represent this ticking away toward the end of the cycle, so they appear towards the end as a reminder of those themes. But again, a lot of it was just really fun. I was working with Emily Schubert who designed the costumes, seeing what we could come up with and I was thinking a lot about the Wild West and all of these tropes while I was recording the album. The first time I saw you was in the back room of a pub in London in 2010 – The Grosvenor in Stockwell. How does it make you feel to have gone from doing tiny shows like that to staging something like MYRIAD? There are some days where I feel a little bit of sentimentality for those shows, where I miss just being amongst my friends and some new friends. In general it’s been an incredible, gratuitously lucky opportunity to see my more scaled-up ideas come to life. It’s not something I need but it’s definitely something I enjoy. But I don’t recognize any difference between that kid and me now. I still get extremely excited and extremely nervous It's hard, I’m almost incapable of understanding this difference even though on a practical level I see that it’s bigger. Do you feel nervous doing these bigger shows? The second I’m on stage I don’t feel nervous at all. One of the funny things about this set, this big bells and whistles show, are the moments when we’ve played a stripped-down version. I almost felt more nervous because you forget what it really boils down to. The DNA is this repertoire, it’s the songs that I wrote for Age Of and it’s the group dynamic – even a festival set where we play it straight for 45 minutes I’ve actually really enjoyed because we’re just, more or less, jamming. That’s been the great thing in general about MYRIAD for me, is getting back to reacting to music, reacting to musical events and losing track of the fact that you’re playing a show. SHARE THIS STORY: Back to FACT
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Posted: 17 Jul 2019 07:50 AM PDT
Melbourne’s DJ Plead melts Middle Eastern percussion into contemporary club structures on this mind-altering mix.
Jarred Beeler, aka DJ Plead, has been challenging Australia’s club scene for years now, first as part of trio BV (Black Vanilla), then in percussive dance duo Poison and more recently as DJ Plead. Now based in Melbourne after relocating from Sydney, Beeler has been receiving growing international acclaim for his genre-busting club experiments, exemplified on last year’s stunning Get In Circle EP. That record was one of FACT’s favorites of 2018, and Beeler followed it up in February with Pleats Plead EP. Beeler also appears alongside Club Chai’s 8ULENTINA on their essential new EP Bodyguard, released earlier this year on TT. Collaborating across oceans, the two producers find a middle ground on ‘Were You Tough?’, fusing rolling kicks with Middle Eastern flutes and sparse, icy percussive hits. DJ Plead’s FACT mix is a celebration of the sounds he’s been exploring for the last few years, dipping from the expressive experimentation of Mexico’s OMAAR into a slew of originals, touching down with tracks from Amazondotcom and Cassius Select before landing on Joe’s timeless ‘Claptrap’. It’s a deep, rhythmic blend of bass-heavy sounds that spans the global dance continuum and explores its darkest corners. Tracklist: OMAAR – ‘Drumplate’ (DJ Plead Remix) Badawi – ‘Final Warning’ Anunaku & DJ Plead – ??? Poison – ‘Mincc’ Toma Kami – ‘Negative Extasy’ 484 – ??? Logic1000 – ‘Derrière’ DJ Plead – ‘Rough Text’ Anunaku & DJ Plead – ??? Amazondotcom – ‘A Flower, Nocturnal and Permanent’ Cop Envy & DJ Plead – ??? Ali Al Deek – ‘Samra Wana El Hasoudi’ (DJ Plead Remix) Saber Rebai – ‘Nimshi Wa Nimshi’ Majd Fouani – ‘Tahoun Al Shar’ DJ Plead – ‘Battiekh 3’ Cassius Select – ‘Nook’ Drake – ‘Free Smoke’ Joe – ‘Claptrap’ Stylo G – ‘X5’ (DJ Plead Remix) Lurka – ‘Return’ DJ Plead – ‘Liquify’ Loris – ‘Muro’ Jon Watts – ‘Prohaassation’ G-HADD – ‘Once Again..’ Read next: 20 under-the-radar club tracks you need to hear from June 2019 The post FACT mix 717: DJ Plead appeared first on FACT Magazine: Music News, New Music..  |
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Posted: 17 Jul 2019 04:33 AM PDT
Featuring J Hus, Slowthai and more.
Last weekend saw Lovebox Festival return for a second year at its new home of Gunnersbury Park, west London. This year featured one of its biggest lineups yet, with homegrown talent such as J Hus, Loyle Carner, Slowthai and Giggs sharing the main stage with US acts like Solange and Chance The Rapper. Below you can check out highlights in photos and videos, shot by Brynley Davies and FACT's Ceili McGeever.   Tara Lily    Slowthai    |
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Loyle Carner
J Hus
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Action Bronson
Solange
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Read next: The 25 best albums of the last three months – April to June 2019
The post Lovebox Festival 2019 in photos appeared first on FACT Magazine: Music News, New Music..
Posted: 17 Jul 2019 02:04 AM PDT
Manchester’s biggest party has revealed its full lineup for 2019.
Goldie, Underworld and Four Tet B2B Skrillex are just some the acts that have been announced by The Warehouse Project for its 2019 edition.
The full lineup for the 2019 edition of Manchester’s biggest party includes parties curated by Annie Mac and Bicep, an appearance from Manchester legends Swing Ting and the inaugural edition of Homo Electric’s Homobloc festival, featuring Roisin Murphy, Larry Heard, Robyn, Palms Trax and more.
The Warehouse Project will take place from September 20, 2019 to January 1, 2020 at the newly launched, 10,000 capacity venue Depot. Tickets are available now.
Check out the full lineup for 2019 below.
FRIDAY, OCTOBER 4
ALL NIGHT LONG:
DEPOT:
THE MARTINEZ BROTHERS (ALL NIGHT LONG)
CUTTIN HEADZ (ALL NIGHT LONG)
CONCOURSE:
EATS EVERYTHING (ALL NIGHT LONG)
ARCHIVE:
HONEY DIJON (ALL NIGHT LONG)
FRIDAY, OCTOBER 11
WHP PRESENTS:
MK
DIPLO
GORGON CITY
RIVA STARR
LEFTWING:KODY
LOW STEPPA
WEISS
KC LIGHTS
MEDUZA
DOM DOLLA
PAX
NIGHTLAPSE
UNDERSTATE
BISCITS
LEWIS JORDAN
SATURDAY, OCTOBER 12
FAC51 – THE HACIENDA:
HACIENDA CLASSICAL
SOUL II SOUL
A CERTAIN RATIO
LOUIE VEGA
DAVID MORALES
MARSHALL JEFFERSON
MIKE PICKERING
GRAEME PARK
GREG WILSON
JUSTIN ROBERTSON
K KLASS
TOM WAINWRIGHT
PLUS VERY SPECIAL GUESTS THE RETURN OF SUB SUB
SATURDAY, OCTOBER 19
DRUMCODE:
ADAM BEYER
ALAN FITZPATRICK
B.TRAITS
BART SKILLS
BEC
BOXIA
DENSE & PIKA
ENRICO SANGIULIANO
IDA ENGBERG
JOEL MULL
LAYTON GIORDANI
MACEO PLEX
MAYA JANE COLES
MONIKA KRUSE
PAN-POT
PIG & DAN
SAMA
VICTOR RUIZ
WEHBBA
FRIDAY, OCTOBER 25
WHP PRESENTS:
DEPOT:
CAMELPHAT
SKREAM
JORIS VOORN
YOUSEF
WILL EASTON
CONCOURSE:
MICHAEL BIBI PRESENTS ISOLATE
WAFF
ARCHIE HAMILTON
LAUREN LO SUNG
ARCHIVE:
HEIDI
DETLEF
LATMUN
MASON COLLECTIVE
ALISHA
JOSH BAKER
SATURDAY, OCTOBER 26
CURATED BY FOUR TET:
FOUR TET
SKRILLEX
FOUR TET b2b SKRILLEX
JON HOPKINS dj
PEGGY GOU
DAPHNI
MALL GRAB
HESSLE AUDIO ft
BEN UFO, PEARSON SOUND & PANGAEA
AVALON EMERSON
COURTESY
SKEE MASK
LONE
SAOIRSE
DJ Q
FLAVA D
CHAMPION
SHERELLE
MARTHA
D.TIFFANY
BARELY LEGAL
UPSAMMY
KRYSKO
SWING TING
EAT YOUR OWN EARS DJS
SATURDAY, NOVEMBER 2
ANNIE MAC PRESENTS HALLOWEEN SPECTACULAR:
DEPOT:
ANNIE MAC
GREEN VELVET
DENIS SULTA
MELLA DEE
KETTAMA
REBUKE
JAGUAR
ARCHIVE:
SPECIAL REQUEST
PARANOID LONDON – LIVE
RANDALL – ACID HOUSE SET
KORNEL KOVACS
ECLAIR FIFI
NITE FLEIT
JOSSY MITSU
FINN
CONCOURSE:
NIGHTMARES ON WAX (DJ SET)
FOLAMOUR
THE VISION
TOM TRAGO
DJ BORING
O’FLYNN
TSHA
GRAINGER
FRIDAY, NOVEMBER 8
TRICK:
DEPOT:
LUCIANO
PATRICK TOPPING
KiNK
ELLIOTT ADAMSON
CINTHIE
CONCOURSE:
EATS EVERYTHING
PACO OSUNA
FJAAK
NANCY – LIVE
GREG LORD
ARCHIVE.
OCTAVE ONE LIVE
KETTAMA
SALLY C
BRYAN KESSLER
SMYTH
DADDY DINO
SATURDAY, NOVEMBER 9
HOMO ELECTRIC PRESENT HOMOBLOC:
THE BLACK MADONNA
ROISIN MURPHY – LIVE
SETH TROXLER
HONEY DIJON
LARRY HEARD aka
MR FINGERS LIVE
TODD TERJE
ROBYN (DJ SET)
ROMY
HUNEE
MIDLAND
NICKY SIANO
PALMS TRAX
JAYDA G
HORSE MEAT DISCO
YOUNG MARCO
ARTWORK & LITTLE GAY BROTHER
EROL ALKAN
HAAI
CRAZY P – LIVE
PROSUMER
HONEY SOUNDSYSTEM
GIDEON (NYC DOWNLOW)
IVAN SMAGGHE
LUKE UNABOMBER
HOUSE GOSPEL CHOIR live
HANNAH HOLLAND
LUKE SOLOMUN
DJ PAULETTE
HI FI SEAN
JONJO (SAVAGE)
KATH MCDERMOTT
KISS ME AGAIN
JAYE WARD.
MICHELLE MANETTI
GINA BREEZE
SPRECHEN
PEAK & SWIFT (RENATE)
ADONIS
BLASHA & ALLATT
DAN BEAUMONT
JAMIE BULL
HIGH HOOPS
SUPERNATURE
ANABELLE FRASER
WILL TRAMP
JAY JAY REVLON
GUY WILLIAMS
VEBA
FRIDAY, NOVEMBER 22
APE & METROPOLIS:
DEPOT:
ANDY C
SUB FOCUS B2B WILKINSON
HIGH CONTRAST
DIMENSION
CULTURE SHOCK
MACKY GEE
MEFJUS
RENE LE VICE
ARCHIVE – D&B ALLSTARS:
KINGS OF THE ROLLERS
HYPE & HAZARD
SPY B2B RANDALL B2B BREAKAGE (DUBPLATE STYLE SET)
DILINJA b2b BENNY L
BOU B2B TI B2B LIMITED
BRYAN G B2B DJ DIE B2B JUMPING JACK FROST
NICKY BLACKMARKET B2B NORTH BASE B2B HARRIET JACKSON
STANDARD PROCEDURE
MCS:
IC3
AD
HARIBO
DYNAMITE
CONCOURSE:
GOLDIE
DJ MARKY
CALIBRE
SPECTRASOUL
KANINE
LENZMAN B2B LSB
STATURE B2B ARCANE
MCS:
FOX
DRS
FRIDAY, NOVEMBER 29
ANJUNA BEATS:
ABOVE & BEYOND
AMBER STOMP
AMY WILES
GABRIEL & DRESDEN
GENIX
GRUM
OLIVER SMITH
TINLICKER
TRANCE WAX
SATURDAY, NOVEMBER 30
FEEL MY BICEP:
DEPOT:
JEFF MILLS
BICEP
SPECIAL GUEST: FLOATING POINTS – LIVE
MIDLAND
AVALON EMERSON
WILLOW
BRAME & HAMO
CONCOURSE:
DJ SEINFELD
CALL SUPER
JOSEY REBELLE
AURORA HALAL – LIVE
MOR ELIAN
CROMBY
LNS
ARCHIVE:
808 STATE – LIVE
DJRUM – LIVE
OVERMONO – LIVE
HAAi
HAMMER
JAMES SHINRA
DANIELLE
KRYSKO & GREG LORD
THURSDAY, DECEMBER 5
UNDERWORLD LIVE AT THE WAREHOUSE PROJECT:
UNDERWORLD – LIVE
SPECIAL GUESTS TBA
FRIDAY, DECEMBER 6
PARADISE:
DEPOT:
JAMIE JONES
HOT SINCE 82
NICOLE MOUDABER
RICH NXT
KRYSKO
CONCOURSE:
RICHY AHMED
ILARIO ALICANTE
ENZO SIRAGUSA
LAUREN LO SUNG
ARCHIVE:
KRYSTAL KLEAR
MELE
DETLEF B2B LATMUN
REBUKE
SATURDAY, DECEMBER 21
FATBOY SLIM AT THE WAREHOUSE PROJECT:
FATBOY SLIM
EATS EVERYTHING
JOSH BUTLER
ELI & FUR
MELE
ROUTE 94
PROSPA
COUSN
TUESDAY, DECEMBER 31: NYE
NEW YEARS EVE AT THE WAREHOUSE PROJECT
SPECIAL GUESTS TO BE ANNOUNCED
WEDNESDAY, JANUARY 1: NYD
NEW YEARS DAY AT THE WAREHOUSE PROJECT
SPECIAL GUESTS TO BE ANNOUNCED
SHOWS ALREADY ANNOUNCED:
FRIDAY, SEPTEMBER 20
APHEX TWIN CURATES:
APHEX TWIN
NINA KRAVIZ
ALEKSI PERALA
LEE GAMBLE
33EMYBW (EUROPEAN DEBUT)
RIAN TREANOR
KYOKA
ZULI
SØS GUNVER RYBERG
RENICK BELL
ACRE
SZARE
CROWW
SATURDAY, SEPTEMBER 21
WELCOME TO MAYFIELD:
DISCLOSURE (DJ SET)
MARIBOU STATE – LIVE
ANNIE MAC
DENIS SULTA
MALL GRAB
SKREAM
MELLA DEE
DJ SEINFELD
JAYDA G
KRYSTAL KLEAR
PAUL WOOLFORD
BABA STILTZ
LEON VYNEHALL
KETTAMA
PROSPA
DAN SHAKE
LOUISE CHEN
SHERELLE
JAGUAR
TSHA
KRYSKO
GREG LORD
ZUTEKH DJS
SATURDAY, SEPTEMBER 28
WHP & KALUKI PRESENT:
DEPOT:
LOCO DICE
APOLLONIA
PIRATE COPY & DE LA SWING
PETE ZORBA & CALVIN CLARKE
ARCHIVE:
NASTIA
GUTI
ITALO JOHNSON
OLLI RYDER & LUKE WELSH
CONCOURSE:
RICHY AHMED
SKREAM
WAFF
JOEY DANIEL
BEN STERLING
ALISHA
SATURDAY, OCTOBER 5
METROPOLIS & WAH
CHASE & STATUS (DJ SET)
SASASAS
HOLY GOOF
MY NU LENG + MC DREAD
DARKZY & MC WINDOW KID
DAVID RODIGAN
MOLLIE COLLINS B2B NORTH BASE
ROOM2 DNB ALL STARS
FRICTION & LINGUISTICS
HYBRID MINDS & TEMPZA
K MOTIONZ & TRIGGA
EMERALD
VOLTAGE B2B BOU
DANNY BYRD & AD
LAZ CRU
MARK XTC B2B EXILE
CRAZE
INDIKA
LEVELZ
BASSBOY
TS7
DJ ZINC
NOTION
BARELY LEGAL
CHIMPO
RICH REASON
DUB PHIZIX & STRATEGY
FRIDAY, OCTOBER 18
MURA MASA PRESENTS RAW YOUTH COLLEGE:
MURA MASA
NAO
BLACK MIDI
JOY ORBISON
SPECIAL REQUEST
JACQUES GREENE
VEGYN
TSHA
JADU HEART
COSHA
SPACE AFRIKA
BLEHRIN
NOW WAVE DJS
SPECIAL GUESTS TBA
WEDNESDAY, NOVEMBER 13
FLUME
SPECIAL GUESTS TBC
SATURDAY, NOVEMBER 23
SKEPTA PRESENTS:
SKEPTA
OCTAVIAN
M HUNCHO
FLOHIO
JAYKAE
MIRAA MAY
TIFFANY CALVER
SHERELLE
MAXIMUM
PLACES + FACES
CHLOBOCOP
METRODOME
BLACK JOSH
YUNG OMZ
Read next: Deep Inside – July 2019's must-hear house and techno playlist
The post Four Tet B2B Skrillex, Goldie and Underworld announced for The Warehouse Project 2019 appeared first on FACT Magazine: Music News, New Music..
Goldie, Underworld and Four Tet B2B Skrillex are just some the acts that have been announced by The Warehouse Project for its 2019 edition.
The full lineup for the 2019 edition of Manchester’s biggest party includes parties curated by Annie Mac and Bicep, an appearance from Manchester legends Swing Ting and the inaugural edition of Homo Electric’s Homobloc festival, featuring Roisin Murphy, Larry Heard, Robyn, Palms Trax and more.
The Warehouse Project will take place from September 20, 2019 to January 1, 2020 at the newly launched, 10,000 capacity venue Depot. Tickets are available now.
Check out the full lineup for 2019 below.
FRIDAY, OCTOBER 4
ALL NIGHT LONG:
DEPOT:
THE MARTINEZ BROTHERS (ALL NIGHT LONG)
CUTTIN HEADZ (ALL NIGHT LONG)
CONCOURSE:
EATS EVERYTHING (ALL NIGHT LONG)
ARCHIVE:
HONEY DIJON (ALL NIGHT LONG)
FRIDAY, OCTOBER 11
WHP PRESENTS:
MK
DIPLO
GORGON CITY
RIVA STARR
LEFTWING:KODY
LOW STEPPA
WEISS
KC LIGHTS
MEDUZA
DOM DOLLA
PAX
NIGHTLAPSE
UNDERSTATE
BISCITS
LEWIS JORDAN
SATURDAY, OCTOBER 12
FAC51 – THE HACIENDA:
HACIENDA CLASSICAL
SOUL II SOUL
A CERTAIN RATIO
LOUIE VEGA
DAVID MORALES
MARSHALL JEFFERSON
MIKE PICKERING
GRAEME PARK
GREG WILSON
JUSTIN ROBERTSON
K KLASS
TOM WAINWRIGHT
PLUS VERY SPECIAL GUESTS THE RETURN OF SUB SUB
SATURDAY, OCTOBER 19
DRUMCODE:
ADAM BEYER
ALAN FITZPATRICK
B.TRAITS
BART SKILLS
BEC
BOXIA
DENSE & PIKA
ENRICO SANGIULIANO
IDA ENGBERG
JOEL MULL
LAYTON GIORDANI
MACEO PLEX
MAYA JANE COLES
MONIKA KRUSE
PAN-POT
PIG & DAN
SAMA
VICTOR RUIZ
WEHBBA
FRIDAY, OCTOBER 25
WHP PRESENTS:
DEPOT:
CAMELPHAT
SKREAM
JORIS VOORN
YOUSEF
WILL EASTON
CONCOURSE:
MICHAEL BIBI PRESENTS ISOLATE
WAFF
ARCHIE HAMILTON
LAUREN LO SUNG
ARCHIVE:
HEIDI
DETLEF
LATMUN
MASON COLLECTIVE
ALISHA
JOSH BAKER
SATURDAY, OCTOBER 26
CURATED BY FOUR TET:
FOUR TET
SKRILLEX
FOUR TET b2b SKRILLEX
JON HOPKINS dj
PEGGY GOU
DAPHNI
MALL GRAB
HESSLE AUDIO ft
BEN UFO, PEARSON SOUND & PANGAEA
AVALON EMERSON
COURTESY
SKEE MASK
LONE
SAOIRSE
DJ Q
FLAVA D
CHAMPION
SHERELLE
MARTHA
D.TIFFANY
BARELY LEGAL
UPSAMMY
KRYSKO
SWING TING
EAT YOUR OWN EARS DJS
SATURDAY, NOVEMBER 2
ANNIE MAC PRESENTS HALLOWEEN SPECTACULAR:
DEPOT:
ANNIE MAC
GREEN VELVET
DENIS SULTA
MELLA DEE
KETTAMA
REBUKE
JAGUAR
ARCHIVE:
SPECIAL REQUEST
PARANOID LONDON – LIVE
RANDALL – ACID HOUSE SET
KORNEL KOVACS
ECLAIR FIFI
NITE FLEIT
JOSSY MITSU
FINN
CONCOURSE:
NIGHTMARES ON WAX (DJ SET)
FOLAMOUR
THE VISION
TOM TRAGO
DJ BORING
O’FLYNN
TSHA
GRAINGER
FRIDAY, NOVEMBER 8
TRICK:
DEPOT:
LUCIANO
PATRICK TOPPING
KiNK
ELLIOTT ADAMSON
CINTHIE
CONCOURSE:
EATS EVERYTHING
PACO OSUNA
FJAAK
NANCY – LIVE
GREG LORD
ARCHIVE.
OCTAVE ONE LIVE
KETTAMA
SALLY C
BRYAN KESSLER
SMYTH
DADDY DINO
SATURDAY, NOVEMBER 9
HOMO ELECTRIC PRESENT HOMOBLOC:
THE BLACK MADONNA
ROISIN MURPHY – LIVE
SETH TROXLER
HONEY DIJON
LARRY HEARD aka
MR FINGERS LIVE
TODD TERJE
ROBYN (DJ SET)
ROMY
HUNEE
MIDLAND
NICKY SIANO
PALMS TRAX
JAYDA G
HORSE MEAT DISCO
YOUNG MARCO
ARTWORK & LITTLE GAY BROTHER
EROL ALKAN
HAAI
CRAZY P – LIVE
PROSUMER
HONEY SOUNDSYSTEM
GIDEON (NYC DOWNLOW)
IVAN SMAGGHE
LUKE UNABOMBER
HOUSE GOSPEL CHOIR live
HANNAH HOLLAND
LUKE SOLOMUN
DJ PAULETTE
HI FI SEAN
JONJO (SAVAGE)
KATH MCDERMOTT
KISS ME AGAIN
JAYE WARD.
MICHELLE MANETTI
GINA BREEZE
SPRECHEN
PEAK & SWIFT (RENATE)
ADONIS
BLASHA & ALLATT
DAN BEAUMONT
JAMIE BULL
HIGH HOOPS
SUPERNATURE
ANABELLE FRASER
WILL TRAMP
JAY JAY REVLON
GUY WILLIAMS
VEBA
FRIDAY, NOVEMBER 22
APE & METROPOLIS:
DEPOT:
ANDY C
SUB FOCUS B2B WILKINSON
HIGH CONTRAST
DIMENSION
CULTURE SHOCK
MACKY GEE
MEFJUS
RENE LE VICE
ARCHIVE – D&B ALLSTARS:
KINGS OF THE ROLLERS
HYPE & HAZARD
SPY B2B RANDALL B2B BREAKAGE (DUBPLATE STYLE SET)
DILINJA b2b BENNY L
BOU B2B TI B2B LIMITED
BRYAN G B2B DJ DIE B2B JUMPING JACK FROST
NICKY BLACKMARKET B2B NORTH BASE B2B HARRIET JACKSON
STANDARD PROCEDURE
MCS:
IC3
AD
HARIBO
DYNAMITE
CONCOURSE:
GOLDIE
DJ MARKY
CALIBRE
SPECTRASOUL
KANINE
LENZMAN B2B LSB
STATURE B2B ARCANE
MCS:
FOX
DRS
FRIDAY, NOVEMBER 29
ANJUNA BEATS:
ABOVE & BEYOND
AMBER STOMP
AMY WILES
GABRIEL & DRESDEN
GENIX
GRUM
OLIVER SMITH
TINLICKER
TRANCE WAX
SATURDAY, NOVEMBER 30
FEEL MY BICEP:
DEPOT:
JEFF MILLS
BICEP
SPECIAL GUEST: FLOATING POINTS – LIVE
MIDLAND
AVALON EMERSON
WILLOW
BRAME & HAMO
CONCOURSE:
DJ SEINFELD
CALL SUPER
JOSEY REBELLE
AURORA HALAL – LIVE
MOR ELIAN
CROMBY
LNS
ARCHIVE:
808 STATE – LIVE
DJRUM – LIVE
OVERMONO – LIVE
HAAi
HAMMER
JAMES SHINRA
DANIELLE
KRYSKO & GREG LORD
THURSDAY, DECEMBER 5
UNDERWORLD LIVE AT THE WAREHOUSE PROJECT:
UNDERWORLD – LIVE
SPECIAL GUESTS TBA
FRIDAY, DECEMBER 6
PARADISE:
DEPOT:
JAMIE JONES
HOT SINCE 82
NICOLE MOUDABER
RICH NXT
KRYSKO
CONCOURSE:
RICHY AHMED
ILARIO ALICANTE
ENZO SIRAGUSA
LAUREN LO SUNG
ARCHIVE:
KRYSTAL KLEAR
MELE
DETLEF B2B LATMUN
REBUKE
SATURDAY, DECEMBER 21
FATBOY SLIM AT THE WAREHOUSE PROJECT:
FATBOY SLIM
EATS EVERYTHING
JOSH BUTLER
ELI & FUR
MELE
ROUTE 94
PROSPA
COUSN
TUESDAY, DECEMBER 31: NYE
NEW YEARS EVE AT THE WAREHOUSE PROJECT
SPECIAL GUESTS TO BE ANNOUNCED
WEDNESDAY, JANUARY 1: NYD
NEW YEARS DAY AT THE WAREHOUSE PROJECT
SPECIAL GUESTS TO BE ANNOUNCED
SHOWS ALREADY ANNOUNCED:
FRIDAY, SEPTEMBER 20
APHEX TWIN CURATES:
APHEX TWIN
NINA KRAVIZ
ALEKSI PERALA
LEE GAMBLE
33EMYBW (EUROPEAN DEBUT)
RIAN TREANOR
KYOKA
ZULI
SØS GUNVER RYBERG
RENICK BELL
ACRE
SZARE
CROWW
SATURDAY, SEPTEMBER 21
WELCOME TO MAYFIELD:
DISCLOSURE (DJ SET)
MARIBOU STATE – LIVE
ANNIE MAC
DENIS SULTA
MALL GRAB
SKREAM
MELLA DEE
DJ SEINFELD
JAYDA G
KRYSTAL KLEAR
PAUL WOOLFORD
BABA STILTZ
LEON VYNEHALL
KETTAMA
PROSPA
DAN SHAKE
LOUISE CHEN
SHERELLE
JAGUAR
TSHA
KRYSKO
GREG LORD
ZUTEKH DJS
SATURDAY, SEPTEMBER 28
WHP & KALUKI PRESENT:
DEPOT:
LOCO DICE
APOLLONIA
PIRATE COPY & DE LA SWING
PETE ZORBA & CALVIN CLARKE
ARCHIVE:
NASTIA
GUTI
ITALO JOHNSON
OLLI RYDER & LUKE WELSH
CONCOURSE:
RICHY AHMED
SKREAM
WAFF
JOEY DANIEL
BEN STERLING
ALISHA
SATURDAY, OCTOBER 5
METROPOLIS & WAH
CHASE & STATUS (DJ SET)
SASASAS
HOLY GOOF
MY NU LENG + MC DREAD
DARKZY & MC WINDOW KID
DAVID RODIGAN
MOLLIE COLLINS B2B NORTH BASE
ROOM2 DNB ALL STARS
FRICTION & LINGUISTICS
HYBRID MINDS & TEMPZA
K MOTIONZ & TRIGGA
EMERALD
VOLTAGE B2B BOU
DANNY BYRD & AD
LAZ CRU
MARK XTC B2B EXILE
CRAZE
INDIKA
LEVELZ
BASSBOY
TS7
DJ ZINC
NOTION
BARELY LEGAL
CHIMPO
RICH REASON
DUB PHIZIX & STRATEGY
FRIDAY, OCTOBER 18
MURA MASA PRESENTS RAW YOUTH COLLEGE:
MURA MASA
NAO
BLACK MIDI
JOY ORBISON
SPECIAL REQUEST
JACQUES GREENE
VEGYN
TSHA
JADU HEART
COSHA
SPACE AFRIKA
BLEHRIN
NOW WAVE DJS
SPECIAL GUESTS TBA
WEDNESDAY, NOVEMBER 13
FLUME
SPECIAL GUESTS TBC
SATURDAY, NOVEMBER 23
SKEPTA PRESENTS:
SKEPTA
OCTAVIAN
M HUNCHO
FLOHIO
JAYKAE
MIRAA MAY
TIFFANY CALVER
SHERELLE
MAXIMUM
PLACES + FACES
CHLOBOCOP
METRODOME
BLACK JOSH
YUNG OMZ
Read next: Deep Inside – July 2019's must-hear house and techno playlist
The post Four Tet B2B Skrillex, Goldie and Underworld announced for The Warehouse Project 2019 appeared first on FACT Magazine: Music News, New Music..
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