The Immunity album was my first big hit, and took me further than I’d ever dreamed possible. It was so exciting to be able to do shows on the scale I’d always wanted, with dancers on stage with light-up hula-hoops. This is a more meditative version of the title track, from the Asleep Versions EP, with pianos and organs added in Sigur Ros’s studio in Reykjavik. The song’s a good example of something I learned from working with Brian Eno. He’s sort of impish – extremely funny – and got me into the idea of causing or embracing accidents in music: they’re good ways of removing blockages to writing.
Continue reading...by Dave Simpson via Electronic music | The Guardian
No comments:
Post a Comment