Bonafide Magazine @ MSN: Watch: Trailer for new Supreme skate film

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Watch: Trailer for new Supreme skate film Posted: 17 Mar 2014 03:51 PM PDT Leading streetwear brand Supreme recently unveiled their Spring/Summer lookbook, and have now released the trailer for their first ever full-length skate video, Cherry, directed by William Strobeck. The a 38-minute film will arive on March 20, and features the likes of Jason Dill, Alex Olson, Dylan Rieder and Sean Pablo, plus Nakel Smith, Kevin Bradley, Aidan Mackey and Paulo Diaz, who are represent some of the brand's family and friends. The DVD package also includes a sizeable coffee table photo book of behind-the-scenes images (above). Watch the trailer below.

Review: Evian Christ – Waterfall EP Posted: 17 Mar 2014 03:15 AM PDT   Joshua Leary has had a rather unorthodox journey to his position at the forefront of Tri-Angle's collection of quietly innovative producers as Evian Christ. Originally trained as a teacher, the Cheshire native famously got a last minute call from Kanye propositioning him to be a part of his experimental rap project, Yeezus last year. His brief stint with Yeezy on I'm In It seems to have had a discernible bearing over his new EP Waterfall, choosing to forego the hip-hop soundscapes that made his 2012 mixtape Kings And Them so compelling in favour of a more aggressive and banging approach. Waterfall toes a line somewhere between dancehall and trap, and whilst lazy comparisons will inevitably be drawn with Hudson Mohawke and Lunice's TNGHT project, Leary's latest has a more artfully arranged quality to it, without skimping on the fun. Salt Carousel succinctly embodies his assertion that, despite a newfound direction that isn't wholly dissimilar to Kingdom's re-appropriation of the sparser side of ghettotech and funky, he has made a conscious effort to maintain the ambient sonics heard on his debut mixtape. Rhythmic invention and gauzy timbral choices abound on Fuck Idol and Propeller, but it is Waterfall that offers possibly the best distillation of Leary’s experimental inclinations (has cited the likes of Pete Swanson and Vatican Shadow as influences), slipping between cavernous textures to densely blunted beats and chinking synths, and presenting a wryly humorous take on trap's recent (questionable) revival. Leary's slick ear for texture and disregard for genre boundaries has never been in question, and Waterfall represents another exciting and bawdy addition to a resolutely singular road that he is paving for himself. The full length album awaits. Words: Lev Harris