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Showing posts with label Bonafide Magazine. Show all posts
Showing posts with label Bonafide Magazine. Show all posts

Wednesday, August 17, 2016

Bonafide Magazine @ MSN: Flying Lotus working on feature film with Aphex Twin soundtrack


Bonafide Magazine @ MSN: Flying Lotus working on feature film with Aphex Twin soundtrack

Link to Bonafide Magazine

Posted: 15 Aug 2016 12:02 PM PDT
This past weekend, Flying Lotus made his directorial debut (under the alias "steve") at the Sundance NEXT Fest at the Theatre at Ace Hotel Downtown Los Angeles. FlyLo called the short film (Royal) "an awkward love story that's definitely not for the kiddies", and it’s been revealed that it will form part of a larger work, a feature film called Kuso.

Divulging some information on the music in Kuso, the soundtrack will include new music from Captain Murphy (his rap alter ego), Aphex Twin, Thundercat, and Akira Yamoaka.

Apparently 65% finished, and he's looking for help to get it over the line, tweeting: "If you're in LA and want to help on this film.Please reply to @BRAINFEEDER with links to work and reels.We need all types of help esp n post." Watch the teaser trailer for Royal below.


Monday, August 15, 2016

Bonafide Magazine @ MSN: Preview: Lee Scratch Perry at the Jazz Cafe


Bonafide Magazine @ MSN: Preview: Lee Scratch Perry at the Jazz Cafe

Link to Bonafide Magazine

Posted: 11 Aug 2016 03:49 PM PDT
Preview: Lee Scratch Perry at the Jazz Cafe
Following on from our Stones Throw showcase in June and Dilated Peoples last month, we’re delighted to announce that our third live show at the newly re-opened Jazz Cafe will feature a headline show from dub reggae innovator Lee Scratch Perry, on Sunday 9th October.
Full information on the event can be found here, and stay locked for some special prizes that will be up for grabs soon.

To give you a taste of what to expect, read our interview with Lee from back in 2014 here and watch a hilariously barmy interview between him and Krishnan Guru-Murthy below.


Wednesday, August 10, 2016

Bonafide Magazine @ MSN: Watch Massive Attack’s new video for The Spoils


Bonafide Magazine @ MSN: Watch Massive Attack’s new video for The Spoils

Link to Bonafide Magazine

Posted: 09 Aug 2016 03:23 PM PDT
Watch Massive Attack’s new video for The Spoils
Massive Attack today released the music video for their new track The Spoils.

Starring Cate Blanchett, the video is directed by her compatriot John Hillcoat, best known for his directorial work on films such as The Road, Lawless and The Proposition.

The Spoils features vocals from Hope Sandoval and is part of a new two-song Massive Attack release, along with Come Near Me, featuring Ghostpoet.

Both The Spoils and Come Near Me are written and produced by Massive Attack's Daddy G and collaborator Stew Jackson, following on from January's Ritual Spirit EP. Check the video for The Spoils below.

Bonafide Magazine @ MSN: Kanye West expresses interest in Ikea collaboration; Internet trolls him


Bonafide Magazine @ MSN: Kanye West expresses interest in Ikea collaboration; Internet trolls him

Link to Bonafide Magazine

Posted: 08 Aug 2016 02:31 PM PDT
Kanye West expresses interest in Ikea collaboration; Internet trolls him
Recently on Annie Mac’s Radio 1 show, Kanye West confessed that he had a burning desire to collaborate with Swedish interior design company IKEA.

In his usual modest way, he explained that students would relish in "a minimalist apartment inside of a college dorm" designed by West himself. "Yo IKEA, allow Kanye to create, allow him to make this thing because you know what, I want a bed that he makes, I want a chair that he makes – I want more products from Ye," he added.
Despite being "flattered by Kanye West's high interest," an IKEA representative told CNBC on Monday that they are not looking to "collaborate at this point in time."
Needless to say, that didn’t stop the internet trolls from getting in on the action. Some of the best memes are below.
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Monday, August 8, 2016

Bonafide Magazine @ MSN: Watch: Swizz Beatz and A$AP Rocky give a tour The Bronx


Bonafide Magazine @ MSN: Watch: Swizz Beatz and A$AP Rocky give a tour The Bronx

Link to Bonafide Magazine

Posted: 04 Aug 2016 03:54 PM PDT

Ahead of the No Commission Art Fair in The Bronx, Swizz Beatz and A$AP Rocky both kindly took a bit of time out of their routines to give us a tour of where they grew up in the Bronx, and spoke about why it’s been so important and iconic when it comes to street art and culture. Check it on Bonafide TV below.


Bonafide Magazine @ MSN: Gaika signs to Warp


Bonafide Magazine @ MSN: Gaika signs to Warp

Link to Bonafide Magazine

Posted: 03 Aug 2016 02:31 PM PDT

One of the most intriguing and singular artists to emerge over the last twelve months, south Londoner Gaika has capped his recent rise with a contract at Warp.

Melding the metallic harshness of grime with dancehall autotune melodies, Gaika released his debut mixtape Security earlier this year on Mixpak.

Hear his new single 3D below, which Warp describes as an "affront to the oppressive forces at work in the world".


Posted: 03 Aug 2016 03:04 AM PDT

"For the lines I’ve lost in the ether / And the verse I've left alone /
Dedicate to the ones I’ve lost / And I rack my brains / No recall then I
move on / Then I’m recording a new song / Save the remains of the
days."


We have the pleasure of premiering the video for Ether, the second single to come from Cappo's forthcoming album Dramatic Change Of Fortune.

It’s an epic exploration of the artist's innermost creative thoughts, introspective bars embracing a soundtrack of ethereal chords and marching drum chops, giving us a taste of what the album has in store, both musically and conceptually.

In his own words, Capp has said:

“I tried to treat Dramatic Change Of Fortune as uniquely as possible, like a brain-child. It’s an account of some of the hardest times I've had to endure and definitely evokes an atmosphere and sentiment that has been unique to my life during the last few years. It's the musical piece that I'm most proud of when I think back and the closest thing to accurately representing me as an artist."



The launch for the new album Dramatic Change of Fortune takes place at Rough Trade in Nottingham on Friday 12th August. Full details can be found here.

Wednesday, August 3, 2016

Bonafide Magazine @ MSN: Frank Ocean to release new album Boys Don’t Cry on Friday


Bonafide Magazine @ MSN: Frank Ocean to release new album Boys Don’t Cry on Friday

Link to Bonafide Magazine

Posted: 02 Aug 2016 02:54 AM PDT
Frank Ocean to release new album Boys Don’t Cry on Friday
It’s here. Almost.

A year after it was initially set to be released and following a mysterious live stream on his website boysdontcry.co, Frank Ocean's follow-up to 2012's Channel Orange is finally coming on Friday.
Titled Boys Don't Cry, it’ll be available as an Apple Music exclusive and accompanied by a print publication that will reportedly be available that same day at Apple Stores.

It's expected to stay an Apple exclusive for two weeks before becoming widely available.


Monday, August 1, 2016

Bonafide Magazine @ MSN: Live Review: Fresh Island Festival


Bonafide Magazine @ MSN: Live Review: Fresh Island Festival

Link to Bonafide Magazine

Posted: 31 Jul 2016 02:31 PM PDT
Live Review: Fresh Island Festival
Boasting one of the longest coastlines in the Adriatic, Pag is an ancient Croatian island decorated by medieval relics and ramparts, making it a natural choice for R&B royalty and hip-hop's reigning kings and queens to convert into a summer home; the annual Fresh Island Festival a sunny procession of music's biggest and brightest.

For many years, picturesque Pag has been more renowned for its lace, sheep's milk and cheese, than it has for its party scene. With the success of the Fresh Island Festival, held yearly in one of the island's two towns – Novalja – Pag is fast becoming one of the continent's premier clubbing destinations.
Billed as Europe's leading urban music festival, this year's event – held from Tuesday 12 to Friday 15 July – marked Fresh Island's fifth year of "hip-hop hedonism". Backed by lead sponsor, LELO HEX™ – "the World's First Re-Engineered Condom" – the festival certainly set about providing revelling hip-hop heads with the most pleasurable summer-loving experience possible, rolling out a host of aristocratic names and headliners to match Novalja's stately mediterranean surroundings; delighting tourists, music lovers and festival-goers from all over the world with several lively and entertaining parties over the course of four eventful days.

In Chris Brown and Wiz Khalifa, Kehlani and Ty Dolla $ign; not to mention DJ Premier, Statik Selektah, Chip and Skrillex, Fresh Island – staying true to its mission statement of catering to every "urban music need" – lit up what, for many, would have been the first week of summer, with a truly glittering array of R&B, grime, hip-hop and electronic stars; putting together a bass-heavy spectacle of sun-soaked swimming, dancing and drinking.

The festival's rousing shows held in Novalja's best open-air clubs on the banks of Zrće beach, the event was a truly eye-catching one; its stunning settings making for a scenic and festive few days. Inviting adventurous sunseekers to acquaint themselves with popular local haunts like Aquarius, Kalypso and Papaya, Fresh Island 2016, as with previous years, offered partygoers a real and charming feel for Pag, its islanders and nightlife; opening their eyes to a different, more spirited side of Croatia.

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In addition to its line-up of performers and shows, the festival was also enlivened by a range of get togethers and activities; Bonafide's very own Purple Boat Party kicking off Day 1. Hosted by DJ Statik Selektah and Latin Prince, Bonafide made waves with a party on the Adriatic; Statik and co taking sail, soaking up the rays and juking it up along the Croatian coast. Held in honour of the late, great Purple One himself, the Prince-themed party set the tone for the rest of the festival; Statik and Latin Prince's crowd-pleasing sets literally rocking the boat and compelling everyone on-board to turn up to the fullest.
Primed with his award-winning and chart-breaking discography, Taylor Gang's finest, Wiz Khalifa – the highlight of the festival's first night – got even wavier, turning up the volume with a deafening array of bangers; and raising the roof off Papaya with an impressive, energetic performance. Reeling off anthem after anthem – including We Dem Boyz, James Bong and On My Level – the enigmatic Pittsburgher lived up to his status as one of rap's biggest stars with a truly electrifying performance.
Not to be outdone, beautiful Oakland songstress, Kehlani, turned up the heat in her own inimitable, sultry way; adding some playful soul to the proceedings on Day 2. Flanked by two lithe dancers, the charming 21-year-old showed off some of the moves that once hinted at a promising dance career; confining all the tabloid tattle and social media pablum of the past few months to the wayside with fun, heartfelt renditions of The Way and You Should Be Here; her rapt audience – beaming and dancing – lapping up the rhythms and rays in equal measure. An engaging showcase of popular R&B, the young singer's show was a preview of sorts for the festival's final night; the mere mention of Chris Brown – arguably Fresh Island 2016's biggest draw – raising the hairs on the back of excited concert-goers' necks.

That the Virginian superstar managed to leave fans satisfied at the end of Day 3 speaks to his popularity and prodigious gifts as a performer; the beloved crooner making amends for an inauspicious start to the night with an exhibition of showmanship. Having initially dismayed fans by showing up late and then briefly cancelling the show (due to inclement weather), the 27-year-old atoned for the delays and initial disappointment; switching venues to deliver a stellar box-office performance.
Marked by lively, dynamic shows, wet and wild pool parties, and amusing grime karaoke, Fresh Island 2016, even with a few hiccups, proved a fun success. Still young, the festival is growing and coming into its own. Not quite the stuff of legends yet, this year's event had more than enough going for it to be remembered in the best of lights – those four days drinking and dancing along the winding stretch of the long Zrće pebble beach a memorable start to a great, festive summer. One that might – just might, the festival calendar permitting – be looked back on as fondly as Pag's storied history; as fondly as medieval myths and lore.

Wednesday, July 27, 2016

Bonafide Magazine @ MSN: Listen: WeTalkMusic – Julia Holter & Braids


Bonafide Magazine @ MSN: Listen: WeTalkMusic – Julia Holter & Braids

Link to Bonafide Magazine

Posted: 26 Jul 2016 02:45 AM PDT
Listen: WeTalkMusic – Julia Holter & Braids

After the hugely successful first episode of WeTalkMusic featuring Bonobo and Hundred Waters, amounting over 100,000 plays and counting on Mixcloud, host and co-founder of Boiler Room, Thris Tian, returns for the second podcast of the series recorded at Arcosanti Festival, Arizona. Delving this time into the songs and sounds that have shaped acts Julia Holter and Braids.
Have a listen to the 50-minute musical education below.


Tuesday, July 26, 2016

Bonafide Magazine @ MSN: Mic Check Vol. V


Bonafide Magazine @ MSN: Mic Check Vol. V

Link to Bonafide Magazine

Posted: 24 Jul 2016 01:41 PM PDT
Mic Check Vol. V
The rap world revolves at such a sickening pace, the rate at which new records are dropped is sure to turn even the most tough livered of listeners' stomachs. Simply staying abreast of your favourite artists' latest releases can be migraine-inducing, thanks in no small part to the internet – it being the weird, wild and heady place that it is; a loud, mad boom-box constantly blaring shiny new songs. We over here at Bonafide are all too happy to don our scrubs and white coats to fulfil our doctorly duties, abiding to the hip-hop take on the Hippocratic oath to prescribe a little something something for the pain.

Mic Check, our monthly round-up of the most notable and noteworthy mixtapes and free releases racking up the clicks, views and best reviews, is our antidote to all your suffering. Lay back, relax and cool out as we hook up a time- (if not life-) saving drip to your music-loving veins, ensuring you're fighting fit and intip-top shape as far as the latest cuts are concerned. This, ladies and gentlemen, is Mic Check. 1, 2. 1, 2.

chance 500 x 500

Chance The Rapper – Colouring Book

Wednesday, February 24, 2016

Bonafide Magazine @ MSN: Committed to tape: cassette culture and the fringes of dance music


Bonafide Magazine @ MSN: Committed to tape: cassette culture and the fringes of dance music

Link to Bonafide Magazine

Posted: 23 Feb 2016 03:18 PM PST
In the world of the hipster cognoscenti, tapes are big apparently. Not quinoa big, or adult colouring-in book big, but big enough to warrant Reddit threads and a new annual subcultural circle jerk in the form of Cassette Store Day. You may have seen a famous cartoon that states “the two things that really drew me to vinyl were the expense and the inconvenience.” Well for the nay-sayers, the appeal of cassettes would seem even more bewildering for those into their dance music. For one thing, tape is an impractical method for DJing – you can’t beatmatch, one can’t consider the concept of forwarding and rewinding without the word ‘clunky’ coming to brain and tongue. Releasing a functional 4/4 banger on tape would seem to bury any dancefloor potential merely by the awkwardness of its format. Tracks like this little banger released on the Where to Now cassette label seem a little wasted on a tape:



Tapes, despite increasing coverage and sales, are still niche and small-run units, even compared to vinyl. Runs of 50-200 even from the more celebrated tape labels are the norm, are quickly snapped up by the fastest-finger first enthusiasts. For dance music lovers who buy vinyl, a concern is often if the tunes are mixable – this differs them from the Led Zeppelin-reissue buyer who tends to view the record as a boutique item, to be savoured and treated with the same care as an exotic delicacy. The awkwardness of forwarding and rewinding a tape compared with being able to flip the stylus over any passage instantly focuses attention on album-length formats that people who normally get their dance music on vinyl would not otherwise be able to expend.
The presentation, technology and functionality of dance music would seem to not be suited to the tape medium. No one can deny the cassette's place in history, though their use in the present and the future may be considered an anachronistic throwback. The use of obsolete technologies is unique in music compared to other activities – vinyl and tapes retain their appeal and usage despite infinitely more portable, cheaper and convenient technologies such as mp3s, yet none but the most Luddite or most Amish of individuals would use a mangle rather than a washing machine. Tapes are not entirely dysfunctional though, and their cheap, portable and relatively democratic format provided exposure to emerging music in previous times in ways that the more luxurious vessels of vinyl and CD would not have been able to do so.

Thursday, May 14, 2015

Bonafide Magazine @ MSN: Dreams rendered in metal: A look into dubplate culture


Bonafide Magazine @ MSN: Dreams rendered in metal: A look into dubplate culture

Link to Bonafide Magazine

Posted: 13 May 2015 03:32 PM PDT
Dreams rendered in metal: A look into dubplate culture
Dubplates are an essential part of the culture and history of soundsystem music from reggae to jungle to grime and dubstep. Though it has to be said that the same culture also represents some of the worst traits of specialist dance music and soundsystem culture: retrograde fetishism, pedantic one-upmanship, and downright musical snobbery.
For the uninitiated, a dubplate (or acetate) is a one-off record, pressed not on vinyl, but on lacquered aluminum. It is designed for DJs to road-test tracks on club systems, gauge dancefloor reaction and then tweak accordingly before a commercial release. Tracks are pressed, one on each side (and typically on a 10 inch plate) on to a metal disk, and sound beautifully bassy and clear, before wearing out after about 50 plays. Each dubplate represents an exclusive, as well as considerable financial investment (each plate typically costs £30-£50).
Dubplates sound good, they even smell good (everyone who has ever used a dubplate can attest to their unique smell), and give the DJ a secret weapon unknown to the rest of the dancefloor community. If owning a standard vinyl pressing feels like possessing the first edition of a novel, then having a tune on dubplate is like owning the author's original handwritten manuscript, midnight candlewax spillages on the pages and all. In the days before CDRs, mp3s and SoundCloud, dubplates had a more practical application: they provided the most effective (and pretty much only) way for DJs and producers to share ideas, garner hype for to-be-released dancefloor tools and provide DJs with unique calling cards.

Friday, February 27, 2015

Bonafide Magazine @ MSN: Premiere: NxxxxxS – Even When I Lie


Bonafide Magazine @ MSN: Premiere: NxxxxxS – Even When I Lie

Link to Bonafide Magazine

  1. Premiere: NxxxxxS – Even When I Lie
  2. Listen: Cannibal Ox – The Blade of Ronin
  3. 90s hip hop albums dissected: Brian Coleman’s Check The Technique Vol. II
  4. DJ Spinna’s 5 favourite Chicago house tracks
Posted: 26 Feb 2015 01:01 PM PST
Premiere: NxxxxxS – Even When I Lie
We’re delighted to present you with the worldwide premier of Even When I Lie, a fresh track from Parisian producer NxxxxxS (pronounced N five X’s). After the release of his second full length Fujita Scale, he has done mixes for i-D (Music to…Creep at night), played boiler rooms, and even earned a shout out from Flatbush Zombies saying he was one of their favourite producers.
With a sound characterised by drowned out baselines, sleep-heavy 808s and slithering snares that is interspersed with 8-bit notes and intriguing vocals, we’re starting to think he’s one of ours, too.

Wednesday, February 11, 2015

Bonafide Magazine @ MSN: Recommended event: Bruce at Wire in Leeds


Bonafide Magazine @ MSN: Recommended event: Bruce at Wire in Leeds

Link to Bonafide Magazine

Posted: 10 Feb 2015 01:16 AM PST
Recommended event: Bruce at Wire in Leeds
Local promoters Off The Record will be kicking off their inaugural party with Hessle Audio’s recent signee Bruce tomorrow at Wire in Leeds.

Alotted a three hour set, Bruce will have more than enough time to adventure through the myriad sounds and genres that have come to characterise his productions. A favourite of Resident Advisor, his track No Stochastic was voted the 18th best track of 2014 in their annual poll, described as ‘hypnotic and unrelenting, the mantra-like A-side of Hessle Audio’s sole 2014 release pounded its way up this list through sheer force of sound.’

The line up is completed by Noa. and Patty + Burr. Tickets are available here.
Off The Record

Wednesday, January 7, 2015

Bonafide Magazine @ MSN: Introducing: Jay Prince


Bonafide Magazine @ MSN: Introducing: Jay Prince

Link to Bonafide Magazine

Posted: 05 Jan 2015 02:40 AM PST

Jay Prince‘s stock is steadily rising. It’s not that hard to see why – smooth production, even smoother hooks and an easy-going flow which if anything, sounds more American than UK. Not that that’s a criticism.

His breathless flow was first heard on his mixtape on Mellow Vation, and bears the hallmarks of hip-hop’s premier rapper King Kendrick, and it wouldn’t be entirely off the mark to suggest that Prince’s lyrical content reflects the conceptual storytelling present on Good Kid, M.A.A.D City.
LA collective Soulection have been strong supporters of Prince’s sound for a while now, with one of their in-house producers IAMNOBODI behind the desk for Feel It, which you can check below.


Monday, January 5, 2015

Bonafide Magazine @ MSN: Review: Nicki Minaj – The Pinkprint


Bonafide Magazine @ MSN: Review: Nicki Minaj – The Pinkprint

Link to Bonafide Magazine

Posted: 31 Dec 2014 04:37 AM PST
Review: Nicki Minaj – The Pinkprint
In writing a review about Nicki Minaj’s new album album The Pinkprint, the average critic is faced with an almost extraordinary amount of internet psychobabble surrounding whether or not one should be listening to Nicki Minaj, or if in fact that she is the worst possible thing to happen to women since that bit in the bible where God says women are made from Adam’s rib. Anyway I refuse to be drawn into a debate on these lines, instead, like a true cultural crusader, I will analyse the work of art under discussion totally independently, as the singular piece of artistic expression that The Pinkprint is so clearly made under.
I am a self-professed Nicki Minaj fan and I find that particularly this year, being a Nicki Minaj fan holds many benefits. Her delivery, style and flow for the last two years have been developing and expanding with such colossal hits as Beez in the Trap and Chiraq, and has showcased a return to the out-and-out rapping assault that so characterised the Queens MC's first releases. An important consideration is that Niki’s a rapper’s rapper, as show steeling verses alongside the likes of Kanye and Busta Rhymes will testify. Thanks to her mainstream success, with such songs as Starships, this fact seems to have been conveniently forgotten by most people, certainly in the UK. Nicki possesses a mastery of classic rapping techniques which most of her male peers, certainly in terms of shifting units (I'm looking at you Jay-Z and Eminem), totally lack. With The Pinkprint, Nicki seems to have been able to find the perfect balance between those popular considerations that she must have by virtue of her extraordinary worldwide popularity and the natural longing she has to make hard-ass hip-hop.
"I’m still the highest sellin’ female rapper, for the record
Man, this a 65 million single sold
I ain’t gotta compete with a single soul"- Nicki Minaj, Truffle Butter.
HoweverThe Pinkprint as an album is somewhat confused. The first few songs are undeniably poppy in their construction, yet Nicki manages to infect these songs and others such as Grand Piano with just enough hard-ass hip-hop 'vibes' to make me not dislike them as songs. That said, The Crying Game is remarkably honest and truthful in its representation of how lonely it must be for Minaj at the top of the rap game, and she gets into her stride with Feeling Myself, in which she deserves a great shout out for being the first person since Timbaland to make me not hate Beyoncé on a song. The other highlights of the album are Only and Truffle Butter, with accomplished features from Drake and Lil Wayne, Big Daddy featuring an incendiary verse from a freshly released Meek Mill, Four Door Aventador, with a hilarious Notorious B.I.G. flow rip-off and Shanghai, which sounds like Chiraq after being run through a Tron filter.
Ultimately, even if you don't like soppy love songs or Nicki Minaj or hip-hop in general, you should still listen to The Pinkprint. With this album Minaj has sealed her place as Queen of Rap – she is one of the most successful and talented rappers in the game right now – and it is obvious with the work she puts on offer here. Get used to Nicki Minaj – she is here to stay.
Words: Francis Hornsby Clark

Tuesday, December 23, 2014

Bonafide Magazine @ MSN: Hip-Hop Hall of Fame museum to open in New York


Bonafide Magazine @ MSN: Hip-Hop Hall of Fame museum to open in New York

Link to Bonafide Magazine

Posted: 22 Dec 2014 05:25 AM PST
Hip-Hop Hall of Fame museum to open in New York
It’s been announced that two Hip-Hop Hall of Fames will be opening in New York in order to honour the history of the genre and its cultural implications, as well as and its long-standing influence on music today.

The two locations will be in midtown and Harlem, and both will present important historical relics as well as elements that have defined the culture. As well as exhibiting donated items from the likes of Run-DMC, Salt-N-Pepa, Snoop Dogg, Ice Cube, Outkast, Young Jeezy, Common, Eminem, Grandmaster Flash and Afrika Bambaataa, each museum will also seek to educate punters in other facets of the genre such as DJing, B-boys and B-girls and street art.

Construction on the large-scale project is due to begin in summer 2015.
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