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Dusky's favourite tracks | Musique Non Stop

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Friday, December 13, 2013

Dusky's favourite tracks


The deep house duo empty the contents of their psychic record bag


The track we'll be opening our next DJ set with

Dusky: 9T8 (Intro edit)


Recently we've been starting our sets with this special edit forthcoming on School Records.


The track we always play to rescue a dancefloor

A Guy Called Gerald: Voodoo Ray (Shield re-edit)


An all-time classic that's been given a fresh lick of paint. Very close to the original but with some modern sheen and punch.


The track that currently gets the most rewinds

Shenoda: Leslie Crowther


The way the subs kick in after the ethereal breakdown does serious damage on the dancefloor.


The track we think has been unfairly slept on this year

Banton: How You Gonna Treat Me


The retro 90s vocal gets people going every time.


The track we wish we'd signed to our label

Ten Walls: Requiem


Simple, classy, and timeless-sounding house music for the world's deeper dancefloors.


The track we wish we'd never played

Gary Glitter: Leader Of The Gang (I Am!)


"Do you wanna be in my gang, my gang, my gang?"


The track we'd play to show off our eclectic tastes

Brian Blade & The Fellowship Band: Improvisation


We included snippets of this jazz drummer in our XLR8R mix. It's about as far away from electronic music as you can get but it worked great in a sonic collage of other elements that introduced it.


The best track by our favourite new artist

Paleman: Handy Clue


Super-talented young producer from Manchester whose jazz drumming education makes his percussive techno sound really stand out from the pack.


The ideal festival track

Laurent Garnier: Flashback (Christian Smith & Wehbba remake)


Hands-in-the-air business.


The track we'd play at my auntie's wedding

Plastikman: Spastik


Just to see how she'd react. She'd probably have a heart attack.


The track that should have been a crossover hit

George FitzGerald: I Can Tell By The Way You Move


Great track that had huge potential to cross over during the summer but for some unknown reason stayed relatively underground.


The track we'd play at our funeral

Queen: Don't Stop Me Now


Oh, the irony.


Dusky play The Warehouse Project, Manchester, Sat






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by Ben Beaumont-Thomas via Music: Electronic music | theguardian.com

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