The Burgess Prize nominee reviews a homage to the sex and staying power of electronic music at London’s Design Museum
• Read the rest of this year’s shortlisted entries in the Observer/Anthony Burgess prize
Milo Nesbitt, 22, is currently studying for a master’s in English at Oxford University
At one point in Electronic, which opened in July 2020, you come to an array of variously sized plastic circles, packed tightly together and lit at an angle so as to project their shadow on to the wall behind and above them. There’s a moment when you wonder what these shapes are: some kind of abstract art, a mountain-range silhouette, a heartbeat. Then you realise, of course, that it’s a spectrogram for the song you’ve just listened to through your headphones – and that these black plastic circles are supposed to look like records. It’s a lovely reflection of electronic music’s ways of generating meaning without necessarily relying on lyrics. These signs could mean anything; they could mean everything.
Continue reading...by Milo Nesbitt via Electronic music | The Guardian
No comments:
Post a Comment