The British producer’s debut album is a perfect simulacrum of gabber, hardstyle, trance and more – but it lacks the overdriven ferocity of the genres it imitates
The easiest way to sell a new cultural product is through familiarity, whether it’s a gender-flipped version of Ghostbusters or an upsampled Star Wars: all the swashbuckling elements enhanced with new effects and younger, smoother-skinned leads. Remake, remix, reboot – we are living in an era where culture turns like a mirrorball in a hall of mirrors, reflecting infinitesimally.
Related: Danny L Harle: Harlecore review – big, dumb escapist fun
Continue reading...by John Twells via Electronic music | The Guardian
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