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THE JAZZ CHILL CORNER New Music Releases: Carole King – Live At Montreux 1973; Out To Dinner - Different Flavors; Markus Howell - Get Right! | Musique Non Stop

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Tuesday, June 18, 2019

THE JAZZ CHILL CORNER New Music Releases: Carole King – Live At Montreux 1973; Out To Dinner - Different Flavors; Markus Howell - Get Right!


THE JAZZ CHILL CORNER New Music Releases: Carole King – Live At Montreux 1973; Out To Dinner - Different Flavors; Markus Howell - Get Right!

Link to JAZZ CHILL

Posted: 17 Jun 2019 01:21 PM PDT

Carole King – Live At Montreux 1973

Carole King's very first performance outside of the U.S. took place in 1973, at The Montreux Pavillon as part of the world-famous Montreux Jazz Festival. Released for the very first time, this concert film was captured two years after she altered the course of pop history with Tapestry, and one month after she issued the album Fantasy. Carole performs with heartfelt energy, playing classic hits such as "It's Too Late," "I Feel The Earth Move," "You've Got A Friend" plus standout tracks from Fantasy - "Believe In Humanity" and "Corazón"- as she is backed by an ensemble of top musicians.  Also includes: "Smackwater Jack," "Home Again," "Beautiful." "Up On The Roof." "Fantasy Beginning," "You've Been Around Too Long," "Being At War With Each Other," "That's How Things Go Down," "Haywood," "A Quiet Place To Live," "You Light Up My Life," "Fantasy End" and "(You Make Me Feel Like A) Natural Woman."
  
Out To Dinner - Different Flavors

A fantastic all-star group of players who've recorded separately for the Posi-Tone label – coming together here with a very fresh sound! You'll definitely recognize a few names in the quintet – which features Michael Dease on trombone, Behn Gillece on vibes, Tim Green on alto, Boris Kozlov on bass, and Rudy Royston on drums – and the mix of vibes and trombone in the frontline is really fantastic – maybe no surprise, though, as we've always been huge fans of Gillece – who wrote a good number of tracks on the set – although Kozlov, Royston, and Dease also contribute some numbers. There's a very fresh sense of rhythm on the record too – thanks in part to the work of Kozlov and Royston, and the lack of a piano – and titles include "Day Zero", "Blue Sojourn", "Night Glow", "Rio", "Spun Around", "Grave Concerns", "Two Down", and "Pay The Piper". ~ Dusty Groove

Markus Howell - Get Right!

Alto saxophonist Markus Howell unleashes a big sound on his strong debut, "Get Right!" The album features a well-balanced program of Howell's exciting compositions along with a few tasty covers thrown in for good measure. Howell is joined on the date by front line special guests trombonist Michael Dease and trumpet player Joe Magnarelli, and receives solid support from his rhythm section of pianist Art Hirahara, bassist Rodney Whitaker, and drummer Luther Allison. This hard-hitting session really swings solidly from beginning to end, and will certainly delight straight forward jazz fans everywhere. We feel confident our ardent and dedicated listeners will elicit an engaging response when Markus Howell's dynamic performances suggest an earful of good reasons for them to "Get Right!"




Posted: 17 Jun 2019 12:59 PM PDT

It's during the times when we're confronted with life's hardest struggles that we learn to appreciate the humanity around us. On his latest album, Gratitude, saxophonist Steve Cole offers thanks for the people who've helped see him through some of his tough times – the loved ones, the musicians and collaborators who rallied around, and the often-nameless professionals whose job is to help and to heal.

Gratitude, due out July 26 via Mack Avenue Music Group's Artistry Music, arrives on the heels of a health scare in Cole's family. Their successful battle left the saxophonist feeling rejuvenated, with a renewed sense of hope and faith in his fellow humans. That depth of feeling shines through on the album's ten tracks, which joyously spotlight Cole's gift for infectious grooves, soulful melodies, and vibrant pop hooks.

Co-produced with longtime collaborator and fellow saxophonist David Mann, Gratitude in no way reinvents the trademark sound that has seen Cole consistently top the contemporary jazz charts, both solo and with the much-loved sax trio The Sax Pack, over the last two decades. But it does find an artist with a love of life and an overflowing passion for self-expression, the formula for an invigorating and moving set of music.

"Having a close family member go through something like this," Cole says of the recent health scare, "and seeing all these marvelous people who care so much about others has really imbued my music with optimism and gratitude."

The ensemble on Gratitude includes his regular rhythm section, bassist Lamar Jones and drummer Khari Parker, along with guitarist Bernd Schoenhart, organist Ricky Peterson and horn players Trevor Neumann and Dan Levine. As he has been since Cole's second album, David Mann was a crucial partner: producing, playing multiple instruments, and even providing the album's heartfelt title track.

"It's a beautiful song, and perfect for me as an artist," Cole says. "I feel like Dave knew the record needed that -- and that I needed it."

Another reason for appreciation came via one of Cole's Sax Pack partners when Marcus Anderson delivered the funky "Can't Get Enough." As Cole marvels, "He just laid it at my feet, completely finished. Marcus said, 'I was thinking of you,' and he gave me this awesome song. It was an incredible gift from one of my saxophone brothers."

The album opens with "Good News Day," one of three tunes for which Cole takes sole composer credit. The celebratory song takes pleasure in waking up to enjoy another day of being alive. A similar spirit fuels "Starting Over," which basks in the opportunity for a second chance.

The grooving "Neo Sol" pays homage to two inspirations: the neo-soul genre, whose blend of modern R&B and contemporary jazz is a clear influence, along with a nod to Ramsey Lewis' iconic "Sun Goddess." The songwriter's love of British neo-soul, embodied by bands like the Brand New Heavies and Incognito, is acknowledged through the warm vibe of "Soho." And the cryptically titled "Five6oh83" is a stealth dedication to another sax idol.

The seductive late-night feel of Cole's version of Skip Scarborough's "Love Ballad" splits the difference between L.T.D.'s slinky original and the more disco-inflected take by George Benson. The adrenalized "Let's Go!" is self-explanatory, while Mann's "Toronto" (named for the city where it was written) close the album on a bluesy note.

Having created one of his strongest albums to date, Cole hopes that the music of Gratitude returns some of the healing energy and positive emotion that he received from so many people back into the wider world. He's seen it happen firsthand: "Writing music is a dream, and it always blows me away when someone tells me a story about how my music has affected them in a profound way," he says. "Joy is baked into this record, and hopefully it means as much to the listeners as it does to me."

Steve Cole ·Gratitude
Artistry Music·Release Date:July 26, 2019

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