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Daniel Avery: Ultra Truth review – a perfectly balanced cocktail of euphoria and disquiet | Musique Non Stop

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Thursday, November 3, 2022

Daniel Avery: Ultra Truth review – a perfectly balanced cocktail of euphoria and disquiet

(Phantasy Sound)
Introspective and propulsive, intense and opaque: these instrumentals tie the disparate strands of the producer’s oeuvre into a coherent, compelling whole

In September 2020, Daniel Avery released Lone Swordsman, a track he wrote on the day his friend and sometime collaborator Andrew Weatherall died. Of all the tributes paid to the revered DJ/producer, it might be the most striking: a simple melody endlessly dancing over melancholy chords, it’s an exquisitely beautiful four minutes of music. Clearly it was the product of a moment where everything clicked into place: Avery has talked vaguely about “the cosmic energy of the universe” having a role in its creation, but whatever was behind it, Lone Swordsman had a strong claim to be called the best thing that he had ever released. But it didn’t appear on his subsequent album, Together in Static. In fairness, it probably wouldn’t have fitted the mood. Together in Static was a collection of tracks he had written for a seated and socially distanced performance he gave at London’s Hackney Church in June 2020, imbued with all the tentative optimism you might expect given the circumstances, and, while there’s a definite warmth about Lone Swordsman, the overriding emotion it evokes is desperate sadness.

Instead, it turns up towards the end of Together in Static’s successor, where it fits perfectly, not just because Ultra Truth feels like an emotionally complex album – it manages to be both introspective and propulsive, intense and opaque – but because of its quality. Avery has had a rich and varied career since the release of his 2013 debut album Drone Logic, taking in releases that, in their scope and ambition at least, recalled the blockbusting crossover dance albums of the mid-90s – Underworld’s dubnobasswithmyheadman, Leftfield’s Leftism, the Chemical Brothers’ Surrender – alongside stuff such as 2020’s Illusion of Time, an experimental collaboration with Italian electronic auteur and Nine Inch Nails bassist Alessandro Cortini.

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by Alexis Petridis via Electronic music | The Guardian

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