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NPR Jazz: 'When The Bus For The Record Label Comes By': Behind Hot Tone Music | Musique Non Stop

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Monday, February 10, 2014

NPR Jazz: 'When The Bus For The Record Label Comes By': Behind Hot Tone Music


NPR Jazz: 'When The Bus For The Record Label Comes By': Behind Hot Tone Music

Link to Jazz

Posted: 09 Feb 2014 03:00 AM PST
Camille Thurman (left), Mimi Jones (center) and Shirazette Tinnin all released new albums this week on Hot Tone Music, Jones' record imprint.

This past week, the bassist and vocalist Mimi Jones released three albums at once. They weren't all her music, but they were her work: As the founder and producer of the record label Hot Tone Music, she brought all three albums to fruition.

Jones has been on the New York City scene for nearly two decades; Balance is her second album as a bandleader. Her labelmates, however, are newer to the area. Drummer Shirazette Tinnin recently moved east after years in Chicago; her new album is called Humility: Purity of My Soul. Born in 1986, saxophonist and vocalist Camille Thurman is a native of the city, but only decided to pursue music full-time after earning a college degree in Geological and Environmental Sciences; her new album is called Origins. Both Tinnin and Thurman are putting out their debut recordings. 

Facing no interest from record labels, jazz bassist Mimi Jones made two albums under her own imprint. Along the way, she signed two "amazing, bad-ass" musicians — who also happen to be black female instrumentalists.

How A Stressful Night For Miles Davis Spawned Two Classic Albums
Posted: 09 Feb 2014 02:46 AM PST
 Detail from the cover of Miles Davis' Four & More. The album was one of two gleaned from a 1964 concert at Philharmonic Hall in New York.

Fifty years ago, on Feb. 12, 1964, led a band through one of the most exciting gigs to ever take place at New York's Philharmonic Hall. The show was a cultural event: a benefit for voter registration in Louisiana and Mississippi at the high point of the the civil rights movement, and an unofficial homage to John F. Kennedy, who had been assassinated a few months before. And the recording of the evening would turn into not one, but two live albums: the ballad-based My Funny Valentine and the more frenetic Four & More.

On Feb. 12, 1964 a high-stakes gig and some backstage tension led to a singular performance caught on tape.

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