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THE JAZZ CHILL CORNER NEW RELEASES: NENEH CHERRY - BLANK PROJECT; BEST OF INVICTUS / HOTWAX VOL. 1 - KILLER SHOTS; PATTI LABELLE - RELEASED | Musique Non Stop

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Wednesday, February 26, 2014

THE JAZZ CHILL CORNER NEW RELEASES: NENEH CHERRY - BLANK PROJECT; BEST OF INVICTUS / HOTWAX VOL. 1 - KILLER SHOTS; PATTI LABELLE - RELEASED


THE JAZZ CHILL CORNER NEW RELEASES: NENEH CHERRY - BLANK PROJECT; BEST OF INVICTUS / HOTWAX VOL. 1 - KILLER SHOTS; PATTI LABELLE - RELEASED

Link to THE JAZZ CHILL CORNER


    1. NEW RELEASES: NENEH CHERRY - BLANK PROJECT; BEST OF INVICTUS / HOTWAX VOL. 1 - KILLER SHOTS; PATTI LABELLE - RELEASED
    2. CHICK COREA SOLO PIANO AT THE TOWN HALL
    3. NICKY SCHRIRE RELEASES SIX-SONG EP - TO THE SPRING
    4. ELLEN ROWE QUINTET - COURAGE MUSIC
      Posted: 25 Feb 2014 11:50 AM PST
      NENEH CHERRY - BLANK PROJECT

      Neneh Cherry's Blank Project is her first solo album in 16 years - a collaboration with RocketNumberNine, produced by Four Tet, and featuring a guest appearance by Robyn. While her energy and demeanor may not have changed since the days of Rip Rig + Panic, musically, Blank Project is a departure from anything Neneh has previously done and was initially written as a means of working through personal tragedy. What stands out upon first listen is the album's sparseness: loose drums and a few synthesizers are the only accompaniment to Neneh's wildly poetic, soul-flooded and raw vocals. Featuring combined elements of beat poetry, avant-electronica and beautiful vocal melodies, it's a record that uses simple ideas to create something entirely original. 
      Neneh will perform at Rough Trade East in London on Tuesday evening 2/25, as well as a sold out London show at Concrete on Wednesday 2/26. ~ giantstep



      A killer batch of 70s soul – all pulled from the vaults of Invictus/Hot Wax Records! The tunes here represent a great evolution of Detroit Soul in the second decade – a shift of the energy of the Holland-Dozier-Holland team away from Motown music, and into a headier realm with a host of new artists. Yet there's also a tight core of dancefloor grooving on most numbers – those tight rhythms mixed with impeccable production that the trio first brought to soul in the 60s. Some tunes here are familiar, others are nicely obscure – and really make for a nice sense of variety in the set – a list of titles that includes "Can't Get Enough Of You" by Tyrone Edwards, "Ace In The Hole" by Honey Cone, "Love & Liberty" by Laura Lee, "That's Love" by The Hi-Lite, "VIP" by Scherrie Payne, "Hey There Lonely Girl" by Ty Hunter, "Love Machine (part 1)" by McKinley Jackon & The Politicians, and "Frightened Girl" by The Silent Majority. ~ Dusty Groove

      PATTI LABELLE - RELEASED

      A real standout in the early solo years of Patti Labelle – and a great set that reunites the singer with New Orleans legend Allen Toussaint – who'd previously worked some magic with Patti and the Labelle trio! Toussaint really grounds Patti's vocals wonderfully – giving them a solid footing that moves past the pop and disco of previous records, but which also doesn't just resort to New Orleans cliches, either. Either Toussaint or Labelle wrote most of the songs on the record – and together, they find a fresh batch of material that really helps establish the singers as one of the greatest female voices in soul. The whole album's a classic – well-balanced between mellow and upbeat numbers – and titles include "Find The Love", "Get Ready", "Give It Up", "Release", "I Don't Go Shopping", "Ain't That Enough", and "Don't Make Your Angel Cry". CD features a bonus track – "Release (The Tension) (12" disco mix)". ~ Dusty Groove


      Posted: 25 Feb 2014 11:40 AM PST
      Blue Note Entertainment Group has announced a the Chick Corea Solo Piano at The Town Hall on Thursday, April 10, 2014, with one show at 8:00PM. Corea will perform in support of his forthcoming solo piano album, Portraits (set for release on Stretch/Concord Records in 2014). This New York performance is part of Corea's rare worldwide 2014 solo piano tour.

      When the legendary artist Chick Corea recorded Piano Improvisations on the ECM label in 1971, he was the first jazz pianist of his era to release such a recording. This groundbreaking album literally opened the floodgates to a new genre of solo piano that continues strong today.

      In 2014, Corea will release a new solo album and embark upon a world tour with a presentation that is as fresh and innovative as ever. With the simplest expression of his artistry - only 88 keys at his disposal - Corea reinvents himself for each show, exploring every inch of his musical world, with a perfect balance of in-the-moment improvisation, Corea-classics, jazz standards, classical renderings and the inimitable suite of "Children's Songs."

      The album title, Portraits, derives from something Corea occasionally includes in his solo shows - when the spirit moves him. The artist asks for volunteers from the audience, sits them down one at a time next to the piano and proceeds to paint a musical "portrait" unique to each individual. It's uncanny how the personality of the person is captured in Corea's improvisations. His solo shows are a pure distillation of one of the most remarkable careers in jazz: moving and profound, in the pure Chick Corea spirit of play.

      Corea's legendary career "is among the most kaleidoscopic in jazz," says The New York Times. That drive to explore has propelled collaborations with masters such as Miles Davis, Herbie Hancock, and Gary Burton, has won him 20 GRAMMY® awards and a NEA Jazz Master fellowship, among many other accolades.


      Posted: 25 Feb 2014 11:36 AM PST
      New York-based singer-songwriter Nicky Schrire has created a small oasis of intimacy with To The Spring, a six-song, digital-only EP to be released March 11th, 2014. The half-hour EP is the follow-up to Space and Time, Schrire's full-length release from last fall. That album, her second, saw Schrire juxtapose her own wistful, winsome originals with classics by Irving Berlin and the Gershwins, the Beatles and Massive Attack. To The Spring sees Schrire focus on her original songs, with rising-star pianist Fabian Almazan and bassist Desmond White alongside. An All About Jazz review of Space and Time speaks to virtues that are equally as present on To The Spring, with the critic saying of Schrire's voice: "Think of Ivory soap: clean and unscented by anything artificial. It's genuine. The same can be said of her composing: She is not looking to show off with technical fireworks; she's showing grace, class and a certain élan."

      Schrire produced and arranged To The Spring, along with composing all the music and lyrics. She wrote the six songs fairly quickly over the space of seven or so weeks, and then helmed a single after-hours recording session for them with Almazan and White. The entire process emphasized immediacy and spontaneity, as Schrire recalls: "We recorded all the songs in that one Sunday evening. The limited canvas we had in terms of time could've been restricting, but it was actually inspiring - we had to be incredibly focused, and we really had to react to each other with clarity of intention and execution. The experience reiterated that making a record isn't life or death - it's creating music, it's play. That sense of play was vital to making the songs come to life in the studio."

      Trained as a jazz singer by some of the best (including Peter Eldridge and Theo Bleckmann), Schrire actually grew up playing saxophone in big bands. But her albums as a vocalist - including her debut, Freedom Flight, which All About Jazz called one of the best albums of 2012 - have seen her combining the virtues of both the jazz and singer-songwriter genres. "What I love most about jazz isn't a swinging groove or a bebop head - it's the improvisatory nature of the music and the taking of chances, particularly when you're collaborating and connecting with other musicians."

      Schrire worked with Fabian Almazan on her previous release, Space and Time, which saw her alternating songs in duet with three different pianists (with Gerald Clayton and Gil Goldstein also on the record).

      "I love the way Fabian interprets my songs," she says. "His musical influences really vary from mine.
      He not only pushes me harmonically and rhythmically; he's naturally on guard for clichés and helps the music veer away from any sentimentality." As for Desmond White on bass, Schrire adds: "He has just released his own album that mixes jazz with singer-songwriter music so I knew we shared genre-blending tendencies. Des also realizes that less is more, which is a mantra I've taken to heart. And as a soloist, he has a great feel for melody, something that's always important to me."

      The subjects of the songs on To The Spring range from missing someone on the road (inspired by a movie about Jeff Buckley) and the connection Schrire has with her father (and a William Carlos Williams poem) to the natural rhythm of life with four seasons in New York (as opposed to basically just summer and winter in the singer's native South Africa) and aspects of love (both romantic and humanistic). The songs fly by, yet the half-hour of music has resonance, too. "With just six songs, it's more like a novella than the novel of a full album - an EP might be ideal for these attention-challenged times," Schrire says with a smile. "A recording is always just a snapshot in time, but with it being my first release of all original songs, To The Spring also feels like the bravest thing I've done."

      Nicky Schrire was born in London to South African parents and then raised in South Africa after age 5. She grew up with music-loving parents, with her father playing James Taylor and Crosby, Stills, Nash & Young records at home and rocking out to Blood, Sweat & Tears in the car. Her mother favored classical music from Mozart sonatas to Rachmaninoff concertos, and she bought her daughter VHS tapes of such musicals as The Sound of Music, Hello, Dolly! and My Fair Lady, which Schrire watched endlessly as a little girl. She started playing classical piano at age 8 and then tenor saxophone at 11. Hearing Ella Fitzgerald Sings the Verve Songbooks was a galvanizing experience as a preteen - and she listened to the album so much that she can sing even the instrumental fills and interludes to this day. At the University of Cape Town, instrumental studies were her initial emphasis, as she played tenor, baritone and soprano saxophones and clarinet in big bands - an experience that developed her arranger's ear. Eventually, though, Schrire focused on her love of singing, and she moved to New York to earn her Masters Degree at the Manhattan School of Music, studying with Peter Eldridge, Theo Bleckmann and Dave Liebman.

      Schrire has sang at venues from New York's 92nd Street Y, Kitano and 55 Bar to Scullers Jazz Club in Boston and the Blue Whale in Los Angeles, as well as clubs and concert halls in London, Dublin, Lithuania, Poland and her native South Africa. She has released two full-length albums, Freedom Flight (2012) and Space and Time (2013), as well as the upcoming EP, To The Spring. All About Jazz said of this singer: "In the crowded world of jazz vocals, it helps to have a distinctive voice or a distinctive repertoire. Schrire scores on both counts."

       To The Spring
      1. "Traveler"
      2. "Your Love"
      3. "To The Spring"
      4. "Fall Apart"
      5. "Father"
      6. "Give It Away"

      All songs written and arranged by Nicky Schrire / Produced by Nicky Schrire / Recorded by Kahil Nayton at the Bunker Studio, Brooklyn / Mixed by Dave Darlington at Bass Hit, NY / Mastered by Nathan James at Vault Mastering, A 


      Posted: 25 Feb 2014 11:30 AM PST
      A personal triumph for a gifted pianist, composer and arranger at a new peak of creativity, Ellen Rowe's Courage Music (February 23rd, PKO Records) is also renewed confirmation that inspired and vital jazz continues to spring from artistic outposts beyond those of a select handful of America's major cities.  Based in Ann Arbor, where she is Professor and Chair of the Department of Jazz and Contemporary Improvisation at the University of Michigan's School of Music, Rowe has performed with Kenny Wheeler, John Clayton and Tom Harrell, among others, and has also had her arrangements performed by the Vanguard Jazz Orchestra, the Frankfurt Jazz Orchestra and the BBC Jazz Orchestra, as well as by Bob Brookmeyer, Marian McPartland and the Diva big band. The fourth of Rowe's acclaimed recordings as a leader, Courage Music spotlights the dexterity of Rowe's longtime ensemble - augmented here by the trumpeter and flugelhornist Ingrid Jensen - as well as Rowe's skills as an adroit composer and arranger.

      The album is expertly balanced by extended compositions that highlight Rowe's mastery of form and textural color with concise performances that reveal the inventiveness and fluidity of the leader's piano work and the invaluable contributions of guest trumpeter Jensen and the top notch local players who make up Rowe's quartet -- the saxophonist and clarinetist Andrew Bishop, the bassist Kurt Krahnke and the drummer Pete Siers. Rowe met Jensen (who also makes a key appearance on Rowe's 2009 Wishing Well album) at a Banff Jazz Workshop in 1990.  "There was even less opportunity for woman jazz musicians back then, " Rowe says, "We bonded there as players and friends, and over the years she has come to give classes at the University of Michigan. When it came to recording, I sensed that Ingrid would sound great with Andrew - and she does. Using two horns opened up sonic possibilities for me as a composer. With Courage Music, I've tried to investigate longer forms and to make use of my growing harmonic pallet. I love the sound that the group, with Ingrid, lends to my compositions. I can put the music in their hands and let it go."

      Inspired by both personal achievements and the cherished memories of departed loved ones, Rowe's own compositions, including the romping "The Circle of Life," the ambitious two-part "Golindrinas de los Horcones/Summit Dog," the extended "ŠAnd Miles To Go" (featuring the University of Michigan's Chamber Jazz Ensemble), and the touching ballad "Gentle Spirit," (highlighting guest trombonist Paul Ferguson) form the album's core. Rowe also tips her hat to the jazz tradition with a heartfelt (if ingeniously reharmonized) rendition of the Cole Porter standard, "All of You" and "Leaves," an Ingrid Jensen composition that reworks the durable chestnut, "Autumn Leaves." No matter the origin of the compositions, what comes through most clearly in each performance is the selfless role that the leader takes.  Never overtly grabbing the spotlight with extended solos, Rowe allows the beauty and effortless swing of her succinct playing to make its own profound statement within the overall context of a work. Her distinctive abilities as a composer, arranger and bandleader remain ever in balance with that of her identity as an outstanding piano stylist.

      Born in Connecticut, Rowe studied with famed pianist and pedagogue John Mehegan before entering Eastman School of Music where she continued studies with Bill Dobbins and Rayburn Wright. Rowe is now a Full Professor at the University of Michigan's School of Music, Theatre & Dance and director of the University of Michigan Jazz Ensemble. An avid athlete and sportswoman, Rowe has scaled Aconcagua, the 22,481-foot peak in the Argentine Andes, the highest mountain range in the Americas.

       

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