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Showing posts with label ESTOILE NAIANT. Show all posts
Showing posts with label ESTOILE NAIANT. Show all posts

Wednesday, February 26, 2014

Musique Non Stop | eMusic Electronica


Musique Non Stop | eMusic Electronica

Link to eMusic » ZZ

Posted: 25 Feb 2014 02:20 PM PST
 patten, Estoile Naiant

Another gust of wind-rush intoxication

“I can’t hear my own music. I don’t know what my music is; I don’t know what it sounds like.” So said enigmatic London-based producer patten of his 2011 debut album, GLAQJO XAACSSO, whose keyboard-mashing title reflected not only his bewilderment as to what his work might represent, but also his fascination with codes, connections and process. Not as related to music technology, but to our own, endlessly seething minds.

If that suggests that patten’s records are dry exercises in deconstruction, then nothing could be further from the truth. His debut ignored the reliable comforts of builds, hooks and breakdowns in favor of the giddy thrills afforded by sudden shifts in tempo and tone, unusual texturing and extreme contrasts of expansiveness/confinement. Now, further wind-rush intoxication comes with Estoile Naiant.
It opens with “Gold Arc,” which is driven by irritable hi-hats and a lush, woozy synth loop with a clear MBV influence, before a clatter of confused noise and patten’s own murmuring rains down, almost drowning it out. This trippy, submerge/emerge dynamic carries “Here Always,” too, but “Drift” is absolutely different — rather, it’s an anxious choir of distorted chatter and tiny electronic clippings, blasted into the chilly stratosphere.

Everywhere, expectation is quietly subverted — via the almost subliminal, female R&B vocal snatches dropped into the relentlessly ricocheting sequences of “Pathways,” for example, or by the single fragment of arcade-game noise that spikes “Key Embedded” and the frantic percussive hiss that offsets “Agen”‘s funereal pacing. But for all its unpredictability and strange, cosmic beauty, this world is far from alienating. In fact, it’s as seductive and warmly intimate as a whisper in the ear. Patten may still not know what his music sounds like, but listeners can be in no doubt as to how it feels.

Good Music Only: Patten « Estoile Naiant » – Album


Good Music Only: Patten « Estoile Naiant » – Album

Link to Good Music Only

Posted: 25 Feb 2014 07:17 PM PST
 

Patten « Drift 
Patten « Winter Strobin
Patten « Pathway
Patten « Softe
Patten « Age

Tuesday, February 25, 2014

Bonafide Magazine @ MSN: Review: patten – ESTOILE NAIANT


Bonafide Magazine @ MSN: Review: patten – ESTOILE NAIANT

Link to Bonafide Magazine

Posted: 24 Feb 2014 11:03 AM PST
 Review: patten – ESTOILE NAIANT
ESTOILE NAIANT is patten's first full-length release on Warp Records after last year's EOLIAN INSTATE EP which served as a teaser for the album as well as being an anagram of his debut LP.
patten is a mysterious producer whose music is as difficult to define as the titles of his releases are to explain. Not quite Burial in terms of anonymity, he prefers to give garbled and nonsensical answers to interviewers rather than explicit statements of intent.
His carefully crafted persona makes his work all the more absorbing and ESTOILE certainly delivers in that sense.
His first album GLAQJO XAACSSO was released on No Pain In Pop to warm reviews that were reluctant to praise the frenetic and scattergun approach to production. ESTOILE is a step in the right direction as the tracks are more identifiable mainly down to the fact that basic melodies last for more than a few seconds.
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