‘We re-created the Haçienda nightclub in a Manchester warehouse,’ says the film’s director, Michael Winterbottom. ‘It was chaos – people were crying because they were so nostalgic’
This film was an allergic reaction to being in Canada on a depressing recce and getting snowed in at a logging town. We wanted to do something closer to home so we decided: “Let’s do something about Manchester, Tony Wilson, the Haçienda nightclub and the music of Factory Records from the late 70s onwards.”
Continue reading...by Interviews by Phil Hoad via Electronic music | The Guardian
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