Dom Servini – Unherd Radio Show #42 on Soho Radio

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Intro
Myele Manzanza – Plain Gold Ring (For Nina & Kimbra & Crayford)
Wanubale – Nadra
Waaju – Time’s Got A Hold feat. Will Heard
Teeth Agency – No Laughing No Crying
Secret Night Gang – Wanna Be WithYou
Nikitch & Kuna Maze – Francis’ Theme
Dele Sosimi x Medlar – Full Moon (Radio Edit)
Holy Hive – Oh I Miss Her So
Sharada Shashidhar – Luckiest Shar
Vibration Black Finger – The Glory
Alena – Learn To Get By (Ron Basejam Remix)
Asher Gamedze – Siyabulela
Melanie de Biasio – Lilies (Laurence Guy Edit)
Cantoma- Verbana
Lexsoul Dancemachine – Nu Reality feat. Liis Lutsoja
Keleketla – Future Toyi Toyi (Tony Allen Version)
Bruise – Jagged Angels
Jitwam – Back To My Place
Stevie King – Mystic Voyager
Footshooter – Catch My Breath feat. Wilf Petherbridge
Natalie Slade – Gimme Ya Love 
Clive Stevens and Brainchild – Mystery Man
Wilma Archer – Last Sniff fear. MF Doom
Stretch and Bobbito & the M19s Band –  I Know You, I Live You (Edit) feat. Maimouna Youssef
Freedom Five & Carolyn Harding – Strength (Freeform Extended Reform)
Kutiman – Copasavana

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Lady Gaga: Chromatica review – Gaga rediscovers the riot on her most personal album

Returning to the sound of her maximalist electro-pop heyday, Gaga explores buried trauma, mental illness and the complexities of fame on this return to form

A criticism often levelled at Lady Gaga is that the fantastical imagery she constructs around her albums eclipses the music itself. But it’s a sliding scale – and one that certainly mattered less when she was knocking out undeniable dance-pop party starters like Poker Face and Just Dance, or cementing her status as pop’s freaky outlier on the twisted Bad Romance. That she appeared in alien-like form in that song’s video made perfect sense: here was a chameleonic pop superstar in the vein of Bowie, Prince and Madonna opening a portal to an escapist dimension. Later, it made sense that she would lean into the imagery of hair metal on 2011’s gloriously OTT, Springsteen-referencing Born This Way. Yet on 2013’s bloated Artpop – billed as an exploration of the “reverse Warholian” phenomenon in pop culture, whatever that may be, and featuring at least one performance in which she employed a “vomit artist” to puke green paint on her chest – the aesthetic felt more like desperate distraction tactics.

Related: Lady Gaga's 30 greatest songs – ranked!

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by Michael Cragg via Electronic music | The Guardian

The 100 greatest UK No 1s: No 8, The Prodigy – Firestarter

A surreal and terrifying mix of big-beat pyrotechnics, lyrical vitriol and tabloid outrage. ‘Ban This Sick Fire Record,’ squawked the Mail on Sunday – but it was much too late

• Read our 100 greatest list as it counts down

It starts with a riff: not a distorted guitar but a contorted squeal from a twisted fairground. It’s a riff nonetheless, the instantly sticky sign of an unstoppable hit single. Firestarter was one of the biggest pop-cultural events of 1996 and by the end of the year the Prodigy were one of the world’s biggest bands. The Essex four-piece’s first No 1 was a flashpoint of teen angst, TV infamy, moral panic and tabloid outrage, carried aloft by big-beat pyrotechnics and a lethal barrage of lyrical vitriol. “Ban This Sick Fire Record,” squawked the Mail on Sunday – but it was much too late.

The Prodigy were already a dominant force in pop. All but one of their singles since 1991 had made the Top 15, including 1991’s Charly, the cartoon-sampling hit that famously “killed rave”, according to clubbers’ bible Mixmag. Liam Howlett, the band’s musical engine, was bored with cranking out rave hits to a formula and started experimenting with elements of hip-hop and rock on their second album, Music for the Jilted Generation. Now the Prodigy were ready to reintroduce themselves as stadium-sized heroes with The Fat of the Land, taking dance music deep into the moshpit while promoting dancer-cum-hypeman Keith Flint to songwriter and vocalist. As an opening salvo, Firestarter was flamboyant, surreal, terrifying – and, like all the best pop songs, totally novel.

Related: Keith Flint: the neon demon who started a fire under British pop

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by Chal Ravens via Electronic music | The Guardian

Splendid Isolation 008 with Dom Servini

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Intro
Izit – Don’t Give Up Now
Leon Ware – I Wanna Be Where You Are
El Michael’s Affair – Tearz 
Lambchop – Up with the People (Zero 7 Remix)
4-Hero – Les Fleur
4-Hero -Escape That (Off-World Remix)
Dr. Bob Skit
Children of Zeus – No Sunshine Tomorrow
Prince – Gigolos Get Lonely Too (Jack Tennis Edit)
Nu Shooz – I Can’t Wait
Phil Collins – I’m Not Moving (Idjut Boys Remix)
Odyssey – Inside Out (Al Kent Remix)
Moses Sumney – Lonely World (SvH Late Night Edit)
Feiertag – It’s Alright feat. James Alexander Bright
The Rolling Stones – Miss You
The Gimmicks – Slipping Into Darkness
Starcrost – False Paradise
Stovall Sisters – Hang On In There
Light of the World – Time (Remix)
Arnie Love & The Lovettes – We’ve Had Enough
Voices of Darkness – We Gonna Make It 
Wayne Shorter – From The Lonely Afternoons feat. Milton Nascimento
Hector Plimmer – Lonely Man
Bon Iver – PDLIF (Please Don’t Live In Fear)
Kassa Overall – You’re Gonna Have to go on Social Media / I’ve Known Rivers
William de Vaughn – Be Thankful For What You Got

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India Jordan: how Tipping the Velvet inspired a joyful dance explosion

The non-binary artist discovered their true identity with help from novelist Sarah Waters. Now, they’re spreading a mission of self-acceptance to a euphoric disco beat

When India Jordan came out as gender non-binary last year, the world brightened. “I’ve been hard on myself all of my life,” the musician says. They write a diary to work against “negative self-talk”, and say that it’s only in the last few years that they’ve tried to practise self-care. It seems to be working: the last few years have also seen them deliver some of the UK’s most joyful dance tracks, rays of light through a clubland dominated by darker, harder techno.

After winding down their new age and ambient event and record label, New Atlantis, in 2018, Jordan cranked up the beats-per-minute count. Last year’s solo EP, Dnt Stp My Lv, and a collaborative release with Manchester-based producer Finn, HURL/FURL, saw Jordan dip into the ’ardcore sherbet: both releases softly fizz with sweetness, as UK garage, happy hardcore and bassline – sounds that first pulsed out of Jordan’s headphones on the school bus – meet disco and the “filter house” sound made famous by Daft Punk and Stardust’s Music Sounds Better With You. This month, Jordan releases a second solo EP, For You: a self-addressed collection of tracks that, in part, reflect on their queerness.

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by Lauren Martin via Electronic music | The Guardian

From Germany to Detroit and back: how Kraftwerk forged an industrial exchange

Kraftwerk’s robotic rhythms resonated loudest in deindustrialising 1970s Detroit and gave rise to techno – starting a cultural feedback loop that continues today

When the death of Kraftwerk co-founder Florian Schneider was announced last week, the loudest tributes came from the electronic music community. Kraftwerk’s pioneering approach, using synthesisers and sequenced drum arrangements to evoke robotic or industrial rhythms, became the blueprint for Detroit musicians such as Juan Atkins, who coined the term “techno”. Forty years later, an array of electronic genres have been created from that blueprint: Schneider and Kraftwerk created a feedback loop between Germany and Detroit that has existed for more than half a century.

When Schneider and Ralf Hütter started Kraftwerk in 1970, their influences included several Detroit-based acts including the Stooges, MC5 and, according to later member Karl Bartos, Berry Gordy’s Motown label. Gordy initially worked for the Ford motor plant, and gave Motown an industrialised music production-line inspired by Detroit’s automotive industry. This was the ice-breaker in the conversation between his city and Germany – Kraftwerk’s automated drums, vocoder refrains and future-facing outlook also stemmed from the conveyor belts, piston-driven machinery and monotonous rhythm of factory life. This inescapable repetition of sound and movement – programmed, precise – was present in Detroit and Dusseldorf, both industrial centres.

Related: Florian Schneider: the enigma whose codes broke open pop music

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by Marcus Barnes via Electronic music | The Guardian

Lockdown playlists for every mood, part three: chosen by Bat for Lashes, Neil Tennant, Jason Williamson and Mike Skinner

Music stars pick soundtracks to get you through the next phase - for moments of melancholy, optimism, escapism and contemplation

• Lockdown playlists part one: chosen by Jarvis Cocker, Haim and Lianne La Havas
• Lockdown playlists part two: chosen by Norah Jones, Joe Talbot and Flohio

At her home of three years in Los Angeles, Natasha Khan and her boyfriend are having a particularly unusual lockdown, because she is six-and-half-months pregnant. “Going through all this on our own is a bit sad,” she says. “But weirdly, it’s a bit of nesting time, anyway. It’s been good to bed down.” She’s also been loving the “incredible colours” of spring blooming all around: the jasmine, tropical plants and orange poppies on the mountains.

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by Jude Rogers via Electronic music | The Guardian

Lockdown playlists for every mood, part two: chosen by Norah Jones, Joe Talbot and Flohio

Music stars pick soundtracks to get you through the next phase - for when you’re feeling peaceful, spiritual - or full of energy

• Lockdown playlists part one: chosen by Jarvis Cocker, Haim and Lianne La Havas

In lockdown in New York, Norah Jones and her husband, Pete, have started a new musical tradition: playing Christmas songs every Sunday. Their children – a six-year-old and a four-year-old whose names Jones has always kept anonymous – aren’t impressed. “We’re basically doing it to cheer up the grownups in the house. The kids also don’t like the fact they don’t get any presents! ”

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by Jude Rogers via Electronic music | The Guardian

Lockdown playlists for every mood, part one: chosen by Jarvis Cocker, Haim and Lianne La Havas

Music stars pick soundtracks to get you through the next phase, for when you’re feeling angry, in need of a boost - or ready for a dance

Cocker and his partner, Kim, have been keeping their spirits up during lockdown by doing domestic discos on Instagram Live. “You’ve got to go for the uplifting music, haven’t you?”, Cocker says from his home outside Sheffield. “The world’s on pause, after all. It’s time to remind yourself you’re lucky to be here.”

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by Jude Rogers via Electronic music | The Guardian

Wah Wah Weekend Radio – May 2020

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Intro

Neuquén Groove – Primera Intro

ThE DiAboLIcaL LibERTieS – Pitta Patta

Emanative & Ismail Ilgün with Enver Goyken & Tom Central – Rüya Pavyonu (Alternative Version)

Simon Jefferis – White Rabbit feat. Rosie Lowe

Velly Joonas – Stopp, Seisku Aeg! (I Gemin Edit)

KinKai – Top Down ft. Children of Zeus

El Michel’s Affair – Rubix

Dele Sosimi x Medlar – Full Moon (Radio Edit)

Fairuz – Aloula ( Version 1)
Shirley Scott – Keep On Movin On
Steve Arrington – The Joys of Love

Roy Ayers – Reaching For The Highest Pleasure

Outro

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Nídia: Não Fales Nela Que a Mentes review – intimate introspection from Lisbon producer

(Príncipe)
Nídia shines in her new, more meditative album, showcasing a breadth of dance genres with a keen eye for emotion and turmoil

Conceived almost a decade ago, the Príncipe label burst out of Lisbon’s poorer outskirts and onto an international scene enriched by burgeoning global sounds. While the song Danza Kuduro and acts such as Buraka Som Sistema took kuduro to car sound-systems and festival tents worldwide, Príncipe were keen to expand on the genre’s potential and break down racist, sexist and classist barriers holding it back locally. There are hints of house, techno and hip-hop in their music but the African-diaspora sound of Príncipe primarily incorporates Angolan kizomba’s intoxicating rhythms, melodic tarraxinha and the more skeletal, hard-hitting tarraxo. Few on the roster capture the sheer breadth of these styles as well as Lisbon-via-Bordeaux producer Nídia, whose repertoire shines across party-starters and darker tracks. Following a joyous debut EP, her first album for the label landed in 2017, pulling no punches with its heady, high-octane batida.

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by Tayyab Amin via Electronic music | The Guardian

Splendid Isolation 007 with Dom Servini

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Intro
Kaidi Tatham – In Search of Hope (Part 2)
Roy Ayers – A Shining Symbol
Johnny Mathis – I Will Survive
Strike One – Can’t Touch Me Anymore
Tee Mango – Time Ain’t Nothing
Stretch & Bobbito – Baby I’m Scared of You
Khruangbin – Time (You & I)
Rowan P – The Rising Cost of Love (edit)
Fat Freddy’s Drop – Hope
London Elektricity – Do You Believe
Roni Size Reprazent – Watching Windows (Roni Size meets Nuyorican Soul)
Fertile Ground – Another Day
Slow & Local – Don’t Be Blue
Elis Regina & Antonio Carlos Jobim – Triste 
La Lupe – Fever (Fiebre)
Photay – The People
Little Simz – You Should Call Mum
Flip – Fridays Live at Home
Sampa The Great – Freedom
SNG – Wanna Be With You
Margie Joseph – Let’s Stay Together 
Steely Dan – Home at Last
Hefner – Dive into You
Kutiman – So Long feat. Rioghnach Connolly 
Mark Dimmond – A Change Had Better Come 

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Moby: All Visible Objects review – misjudged and out of touch

(Mute Records/Little Idiot)
Seeming to prefer penning candid memoirs to exploring new musical material, Moby’s 17th album has vitality but no novelty

Moby’s heydays bookended the 1990s. In 1991, the New York native smooshed together post-punk, 80s disco and the Twin Peaks score into Go, a quintessential rave track that reached No 10 in the UK charts, something he celebrated with spasmodic dancing on Top of the Pops. In 1999, his album Play, which combined American roots and club beats into the kind of dinner party-friendly dance music middle England could really get behind, went six times platinum in the UK. Capturing the zeitgeist at both ends of a decade is no mean feat, and at 54, Moby seems more intent on reflecting on his success than repeating it – nowadays he makes headlines for cringeworthily candid memoirs about his unlikely superstardom rather than any new material.

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by Rachel Aroesti via Electronic music | The Guardian

Living-room disco: five of the best dance music mixes

Laser-cut minimal techno, chirruping speed garage – here is how you can make the most of our dancefloor-free moment

Hosted by the independent radio station NTS as part of its recent Remote Utopias festival, the Northern Irish dance duo take the BPM down to zero for this Blade Runner-sampling tour through vast columns of arpeggiating synth and clouds of haze, plus spots of bright guitar, piano and mallet percussion. nts.live

Related: The Guide: Staying In – sign up for our home entertainment tips

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by Ben Beaumont-Thomas via Electronic music | The Guardian

Paul Epworth's lockdown listening: 'People recommend me records that don’t even exist'

The Oscar, Grammy and Brit-winning producer talks about his spiritual jazz quest and ‘the greatest drummer ever’, Tony Allen

• The best arts and entertainment during self-isolation

I don’t have a studio space at home because of noise levels, so I’ve brought a laptop home and am working on headphones, and it’s been a challenge. But I’m not on the frontline of the NHS, so it’s a moment of gratitude in many ways. I’ve got two young kids who are out of school, and the opportunity to give them 110% attention is amazing. And it’s a moment for us as a species to pause and think about what we’re doing, and everyone’s going to appreciate everyone they love who’s got through this period.

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by Interview by Ben Beaumont-Thomas via Electronic music | The Guardian

'I found the roots of electronica in a cupboard!': the tale of India's lost techno pioneers

In the 1960s, a group of Indian students accidentally invented minimal techno – and hoped their synths could cure disease. A new documentary unearths their story

In 2016, the British artist and musician Paul Purgas had his curiosity ignited: he had read that the electronic musician David Tudor, a close collaborator of John Cage, took a Moog synthesiser to the National Institute of Design (NID) in Ahmedabad, India, in 1969. This struck Purgas as odd. The machines were very new then; bulky, breakable, and a nightmare to transport. India also had no history of electronic music, to his knowledge, before Charanjit Singh’s Ten Ragas to a Disco Beat, which was released in 1982 to little fanfare but proclaimed a proto-acid house classic on its reissue in 2009.

The article he was reading showed the Moog now, ant-infested and weathered, rescued by an old student. Fired up, Purgas booked a trip to find it. He accidentally uncovered something bigger: a cache of long-forgotten recordings that had not been touched for nearly five decades. It led him to a fascinating story that he explores in a new BBC Radio 3 documentary, Electronic India. “I basically found the roots of Indian electronic music in a box in a library cupboard,” he laughs. “Tracks with titles like Space Liner 2001, and others that sounded like minimal techno two decades too early. I just couldn’t believe it.”

They got more experimental and free-spirited, as if the Moog was helping them decouple from the country’s traditions

I was thinking about creating music that feels outside anything, that stands outside history

Related: 'It will rock your house!' Inside the Iranian electronic underground

Electronic India airs on Sunday 17 May, 6.45pm, BBC Radio 3 and on BBC Sounds

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by Jude Rogers via Electronic music | The Guardian

Splendid Isolation 006 with Dom Servini

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American Gypsy – Inside Out
Willis – Space Within
Speeka – Free at Last
Carole King – It’s Too Late
Blur – Out of Time feat Groupe Regional du Marrakech
Midlake – Head Home
Christopher Cross – Ride Like The Wind
Sugar Daddy – How Long
Culture Club – Time (Clock of the Heart)
Simbad – Time Off (SMBD Soul Caring Dub) feat Ammo Moses
Frankie Knuckles presents Satoshi Tomiie- Tears
Waajeed – I Ain’t Safe feat Ideeyah
Directions – Have You Felt This Way Before
Dayme Arocena- Stuck
Senor Coconut y su Conjunto – Tour de France
Ty – Zaibo
The Supremes – My World Is Empty Without You (Reggae Mix)
Bappi Lihiri- Come Closer feat Salma Aghar
Maze – While I’m Alone feat Frankie Beverly
Nancy Holloway – Hurt So Bad
Salena Jones – Alone Together
Bobby Orozo – Alone Again
Deniece Williams – Free
Vanessa Simon – Revelation
Darrel Banks – Don’t Know What To Do
Darwin’s Theory – Keep On Smiling
The Tonistics- Holding On
Tony Rallo & The Midnite Band – Holdin’ On
Concept Nine – No Escape

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The best albums of 2020 so far

There’s shaken-up pop from Rina Sawayama, searching rap by J Hus and Jay Electronica, and invention everywhere from KeiyaA’s soul to Beatrice Dillon’s electronics. Music in 2020 cannot be confined

Apple’s prettily meandering piano can at first seem benign, even whimsical, but this album – already being regarded by many as her masterpiece thus far – is full of thrilling nicks and cuts. She yelps, murmurs, lets notes outstay their welcome and generally lets things get awkward, all over a complex rhythm section.

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by Ben Beaumont-Thomas via Electronic music | The Guardian

Florian Schneider obituary

Co-founder of the pioneering German electronic band Kraftwerk

As one of the chief architects of the electronic music pioneers Kraftwerk, Florian Schneider, who has died of cancer aged 73, helped revolutionise popular music. Where guitars, bass and drums had long been considered its essential building blocks, Kraftwerk paved the way for synth-pop, techno, hip-hop and electronica, in the process proving that microchips and machines could have not only soul, but a sense of humour too. The list of artists whose work is indebted to Kraftwerk, even if they did not always know it, is endless, but includes David Bowie, Depeche Mode, Simple Minds, New Order, The Orb, Madonna, Neil Young, Jay-Z, Afrika Bambaataa, Coldplay and Daft Punk. In 1997 the New York Times described Kraftwerk as “the Beatles of electronic dance music”.

With Schneider and Ralf Hutter proving the main creative impetus, Kraftwerk (German for “power station”) reached their pivotal moment with the release of their fourth album, Autobahn (1974), whose 23-minute title track – a euphoric electronic ode to the joys of driving on Germany’s high-speed motorways, delivered with a light and whimsical touch – became emblematic of the group’s sound and approach. The album reached No 4 in Britain, while the single version of Autobahn reached the the UK Top 20 and the German Top 10. This revolution in synthetic music earned Kraftwerk a spot on BBC television’s science programme Tomorrow’s World in 1975. They subsequently scored two UK chart-topping singles, Computer Love and The Model (both 1981), but Kraftwerk’s influence was much further-reaching than mere chart positions would suggest.

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by Adam Sweeting via Electronic music | The Guardian

Kraftwerk: their 30 greatest songs, ranked!

From cycling soundtracks to anti-nuclear protest music, we celebrate the work of the late Florian Schneider and the groundbreaking group he co-founded

Kraftwerk’s first new and original music since 1986, this single started as a commissioned jingle for the Hanover Expo 2000 world’s fair, but returned Ralf Hütter and Florian Schneider to the UK Top 30. The trademark mix of subtle techno grooves and melody find them – of course – peering into the 21st century.

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by Dave Simpson via Electronic music | The Guardian

Florian Schneider: the enigma whose codes broke open pop music

The Kraftwerk co-founder remained a mystery even after death, but there is no doubting the impact he made with his group’s sublime, visionary music

• News: Florian Schneider, Kraftwerk co-founder, dies aged 73

Florian Schneider’s death came shrouded in a degree of secrecy. Gossip among fans about his health was first provoked at the end of April, when his fellow former Kraftwerk member Wolfgang Flür posted a sweet photo on social media of him and Schneider together in a bar, without explanation.

It had apparently been taken in 2016 – a decade and a half after Schneider and fellow founder member Ralf Hütter had served Flür with a lawsuit provoked by his autobiography I Was a Robot – and was subsequently deleted from Flür’s Facebook page. Then, a week later, another electronic musician based in Germany, the Manchester-born Mark Reeder, posted a brief eulogy; one commenter claimed that Schneider had died “several days ago”.

Related: Kraftwerk: where to start in their back catalogue

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by Alexis Petridis via Electronic music | The Guardian

Kelly Lee Owens: ‘I still have to fight to not be seen as ‘just the singer’’

The Welsh nurse-turned-indie rocker is now one of electronic music’s best exponents. She talks proving herself, the NHS and climate-crisis bangers

Kelly Lee Owens is showing me her crumpled bed, pixelated on the screen. It is five weeks into quarantine and this has quickly become the norm: an interview with an artist in their close quarters; ambivalent levels of grooming. Neither of us is wearing makeup, and neither of us care. “You know what I read?” begins the electronic musician, incredulously. “This is bullshit. There’s a [Daily Mail] headline saying that women’s breasts will be sagging because they’re not going to be wearing bras during this lockdown. So what?! Leave me to my saggy breasts.”

Related: The Guide: Staying In – sign up for our home entertainment tips

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by Kate Hutchinson via Electronic music | The Guardian

Splendid Isolation 005 with Dom Servini

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IntroLamb – Gorecki
Fila Brazillia – Airlock Homes
James Alexander Bright – Home
Greentea Peng – Ghost Town
Tricky – Aftermath
The Chosen Few – People Make The World Go Round
Toots & The Maytails – Hold On
Freddie McGregor – Lock It Down
Manasseh – No More StruggleGiant Cuts – Hard Times (Deadly Version)
Little Girl Wonder – It’s My House
Thelma Houston – You Used To Hold Me So Tight
Tony Allen – Road Close Dance DubSebastien Tellier – La Ritournelle feat. Tony Allen
Tony Allen – Life is BeautifulTony Allen & Jeff Mills – The Seed
Sub-Modu – RAM Generation
Fela Anikulapo Kuti & The Africa 70 – Upside Down
Weapons of Peace – Just Keep SmilingB-Burg – Door to the Sky (Part 1)
Southern Energy Ensemble – Looking Ahead
Dionne Warwick – Don’t Say I Didn’t Tell You So
John Martin – Solid AirBetter Daze – Golden Brown
Maryanne Ito – Lihue (Demo)Bohannon Band – Save Their Souls

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DOM SERVINI’S SPLENDID ISOLATION TEN :: MAY 2020

1. Hamilton Bohannon – Let’s Start To Dance Again (London 12)

2. Green Tea Peng – Ghost Town (Different DL)

3. Thelma Houston – You Used To Hold Me So Tight (MCA 12)

4. Fila Brazillia – Airlock Homes (Tritone 12)

5. Fela Anikulapo Kuti & Africa 70 – Upside Down (Afrodisia LP)

6. Simbad – Time Off (feat. Ammo Moses) (SMBD Soul Caring Dub) (ARC Promo DL)

7. James Alexander Bright – Outside (!K7 LP)

8. Southern Energy Ensemble – Looking Ahead (Black Fire LP)

9. Kalhil El’Zabar – In My House feat. David Murray (Spiritmuse Promo DL)

10. Arnie Love & The Loveletts – We’ve Had Enough (Tap Records 12)

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Dom Servini – Unherd Radio Show #41 on Soho Radio

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Intro

Poppy Ajudha – Low Ride feat. Mahalia

Chip Wickham – Blue To Red

Adrian Younge & Ali Shaheed Muhammad – Synchronized Vibration feat. Roy Ayers

Cleo Sol – Her Light

Zito Mowa – Galaxy Kapa Space

Phenomenal Handclap Band – Skyline

Laneous – Elsewhere

Emanative & Tamar Collocutor – Energy

Isayahh Wuddha – Something In Blue

Laura Marling – Held Down

Kutiman – Layla

Mandisa – Summer Love

Benny Sings – Sunny Afternoon

Liz Damon’s Orient Express – Crazy Mixed Up Girl

Vex Ruffin – Do It Right

Natalie Cole – Annie Mae (Shall I Bruk It Flip)

The Milk – Feels So Good (Scrimshire’s Bruk Up The Family Remix)

Mumpers – Sirus

Cho and Random Impetus – Brother Sister

Massiande – Dancing Stuff (I Love The Way)

Catching Flies – New Gods (Ron Basejam Remix)

Waaju – Listening Glasses

Tom Misch & Yussef Dayes – Tidal Wave

Natalie Slade – Love Light

Project X – Psych

Jamael Dean – Infant Eyes (Edit)

Key Elements – Elemental

Wilma Archer – Decades feat. Laura Groves & Samuel T. Herring 

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