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Saturday, August 31, 2019

One to watch: O’Flynn

Flitting effortlessly between Afro disco and acid house, this young London producer is dancefloor dynamite

Nope, it’s not somewhere you’d end up on a wild out in Benidorm: O’Flynn is the alias of electronic music producer Ben Norris, purveyor of nimble, globetrotting house and disco jams. Since 2015, when James Blake played his track Oberyn on Radio 1, O’Flynn has been steadily releasing low-key secret weapons in DJs’ record bags. There’s Tyrion – inspired by the percussion he heard while on holiday in Morocco – which Four Tet dropped in a set on the streaming site Boiler Room. Or TKOTN, included by Bonobo on his mix for London nightclub Fabric’s esteemed compilation series.

O’Flynn’s music flits between contemporary takes on the Afro-disco revival and even, as on his recent Ninja Tune release, acid house. It calls into question the ease with which (largely white, usually male) music producers are using African samples (a children’s chant; a polyrhythmic drum beat) for some quick “exotic” flavour. But O’Flynn does it rather seamlessly, like a boogie-fied Auntie Flo. He has said his passion for African music runs deep and, in 2016, he was involved in recording the mataali drum and vocal troupe Mubashira Mataali Group in Uganda.

Aletheia is released on 6 September on Silver Bear. O’Flynn tours the UK from 16 September

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by Kate Hutchinson via Electronic music | The Guardian

Wednesday, August 28, 2019

The month's best mixes: blood-pumping beats and meditative techno

UNIIQU3 gives retro sounds a new sheen with her AFROPUNK mix, while MssingNo devastates with his glorious melodrama

Dazed Mix: Anthony Naples

Related: The month's best mixes: cosmic connections and oceanic electronics

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by Tayyab Amin via Electronic music | The Guardian

Saturday, August 24, 2019

‘Dummy wasn’t a chillout album. Portishead had more in common with Nirvana’

On the 25th anniversary of their classic debut, Geoff Barrow and Adrian Utley reflect on how the album came together

Twenty-five years ago, during the summer of Blur’s Parklife and Oasis’s Definitely Maybe, a darker, stranger record was released that would soon become huge. Its title and mood was inspired by a 1970s TV drama of the same name, about a young deaf woman in Yorkshire who becomes a prostitute. The lyrics spoke of emotional extremes, sung in an extraordinary, rural-tinged, English blues by the Devon-born Beth Gibbons, of “the blackness, the darkness, forever” in Wandering Star, or of the feeling that “nobody loves me, it’s true, not like you do” in Sour Times.

Its sound, woven together by Geoff Barrow and Adrian Utley, helped define what is known today in music as hauntology, the sampling of older, spectral sounds to evoke deeper cultural memories (Boards of Canada’s TV-sampling electronica, Burial’s dubstep, and the Ghost Box label’s folk horror soundworlds would follow their lead). But despite its starkness, Dummy became a triple-platinum seller and a Mercury prizewinner, perhaps because it struck a nerve in what Barrow calls our “sonic unconscious… when sounds can merge with other sounds from somewhere else, and ultimately create emotion”.

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by Jude Rogers via Electronic music | The Guardian

One to watch: Velvet Negroni

The US singer-songwriter’s free-ranging debut is informed by the constraints of a strict evangelical upbringing

Artists such as Velvet Negroni are emblematic of the disintegration of distinct genres in the streaming age. Real name Jeremy Nutzman, under his current moniker he makes gorgeously expansive sounds that meld and melt the lines between everything from lush synthpop, experimental electronic and choppy rap to reggae and dub.

Born in Minneapolis, Nutzman was adopted by a white evangelical Christian family and boxed in by stringent rules. From the age of five he would play classical piano for at least an hour a day; secular music was forbidden. In an interview with the Fader, he described discovering a pile of abandoned CDs on his neighbour’s lawn, though all his attempts to hoard such treasures – even hiding them in air vents – were found out.

Velvet Negroni’s Neon Brown is released on 4AD on 30 August

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by Tara Joshi via Electronic music | The Guardian

Wednesday, August 21, 2019

Chillwave: a momentary microgenre that ushered in the age of nostalgia

In a summer riven by financial meltdown, a niche trend for lo-fi retro pop couldn’t have seemed more trivial. Yet it was the first sign of a generation fleeing into past to escape a bleak future

When I think of the so-called “summer of chillwave”, I remember sitting at a desk in a giant office in midtown Manhattan, shivering in the air conditioning and listening to songs about the beach. It was June 2009 – the summer after the sub-prime mortgage collapse had precipitated what was then the largest single-day point drop in Dow Jones history – and I was a recent graduate, working an entry-level temp job in the library of a corporate law firm. Whenever I wasn’t helping summer associates (or secretly updating my music blog), I was listening to Sun Was High (So Was I), a shoddily recorded love song full of fried guitar chords and easy-breezy rhymes by a little-known Los Angeles rock band called Best Coast fronted by stoner Bethany Cosentino. At a time when I couldn’t stop worrying about the future, its apparent effortlessness was soothing, like a blurred dispatch from an endless teenage beach hang where all you have to worry about is the sand getting in your fries and your crush not returning your texts: “Watched the cars go by / The sun was high / And so was I.”

Related: 'So flawed and problematic': why the term 'world music' is dead

Related: Pop 2.0: how globalised music created a new kind of star

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by Emilie Friedlander via Electronic music | The Guardian

Friday, August 16, 2019

NPR Jazz: Electric Miles: Behind The 'Brew'


Link to Jazz : NPR

NPR Jazz: Electric Miles: Behind The 'Brew'


Posted: 15 Aug 2019 11:09 AM PDT

We celebrate the 50th anniversary of Miles Davis going electric for Bitches Brew — part controversial, part revolutionary and as a whole, historic.

(Image credit: Baron Wolman)

THE JAZZ CHILL CORNER BILLBOARD CHARTING REGGAE MUSICIAN LANDON MCNAMARA EMBARKS ON US TOUR


THE JAZZ CHILL CORNER BILLBOARD CHARTING REGGAE MUSICIAN LANDON MCNAMARA EMBARKS ON US TOUR

Link to JAZZ CHILL

Posted: 15 Aug 2019 01:00 PM PDT

Reggae artist sensation Landon McNamara is set to embark on a US tour this August! From California to Florida, all the way to New York, Landon is touring in support of his latest album release Still Kickin'. A dubby and relaxing album full of soulful vocals and honest lyrics, the new album is sure to leave listeners feeling irie.

Landon's music is inspired by reggae, alternative and acoustic music. His debut album titled "A Dollar Short & A Minute Late" impressively reached #1 on the iTunes and Billboard Reggae Album charts. And now with his sophomore album Still Kickin' out now, Landon McNamara will serenade audiences with his new tunes and fan favorites including "Stony Haze" and "Loss for Words". Landon says,"Much Mahalos to everyone out there who has supported my career! Without your guys' support I would not be where I am today." Keep on the lookout for him to come to a city near you!
  
Tour Dates:
AUG 28 – Jupiter, FL – Guanabanas
AUG 29 – Jacksonville, FL – 1904 Music Hall
AUG 30 – Orlando, FL – The Social
AUG 31 – Brooklyn, NY – Knitting Factory Brooklyn
SEP 01 – Asbury Park, NJ – Asbury Lanes
SEP 02 – Amagansett, NY – The Stephen Talkhouse


Stamp The Wax - Diggers Directory: Trepanado @ MusiqueNonStop


Stamp The Wax - Diggers Directory: Trepanado @ MusiqueNonStop

Link to a feed

Posted: 15 Aug 2019 07:48 AM PDT



From his home of São Paulo, Trepanado (real name Augusto Olivani) pilots Selvagem, a party – and formally DJ duo alongside Millos Kaiser – that invites some of the most exciting DJs to play at their regular soirees in both São Paulo and Rio De Janiero.

As a record collector it’s curiosity that motivates him, an appetite for the unknown; qualities that translate into how he approaches his label, Selva Discos. Launched with the help of Optimo in 2017, the imprint is indebted to unearthing rare or overlooked Brazilian music, and, on occasion, inviting a producer to put their own spin on the original.

Alongside a two plus hour vinyl-only mix that weaves together Brazilian music from across the board; think no wave, disco, rap and house, Augusto chats to us about his life collecting records and what moves and motivates him…

DJs and producers often mention their musical education came through their family’s record collection. Was this the case for you? Can you pick out any pivotal records from your upbringing that informed your musical journey?

Haha not the case if we’re talking about a “record collection”, even if I’m proud of the music I was exposed to when I was a young boy. I’m no Thomas Bangalter, I’m no Dewaele brothers, of course, or any of these people who inherited deep record collections from music aficionado daddies and mommies, that’s for sure.

To begin with, we didn’t even have a turntable at home in the 80s, that was something for fancy houses – at least growing up in Brazil in the 80s was. I’m a radio kid, a tape kid. My first “record” was A-Ha’s “Hunting High and Low” K7. Anyway, my mother, who I grew up with in the countryside, loved pop music, specially the Brazilian kind of it – like Lulu Santos – but she also loved disco music and Michael Jackson. My father lived in Sao Paulo and was more like an international pop kinda guy – say, Tears for Fears’ “Songs from the Big Chair”. But I also had a grandfather who loved his opera and bolero records and he would get really excited listening to it on an old Phillips home system when he got hammered. I also had a nerd uncle who opened my eyes to a lot of weird, exquisite stuff – books, comics and… records. And there was this particular record that struck me a lot when I was 8, or 10, which is Pat Metheny Group’s Offramp. I remember he said it might be “difficult” to like it. Anyway, there you go, I was digging “Are You Going With Me?” before puberty which is pretty balearic...


Brazilian music from across the spectrum delivered by the Selva Discos boss.

The post Diggers Directory: Trepanado appeared first on .

FACT Magazine FACT mix 723: Gabber Modus Operandi @ Musique Non Stop


FACT Magazine FACT mix 723: Gabber Modus Operandi @ Musique Non Stop

Link to FACT Magazine: Music News, New Music.

Posted: 15 Aug 2019 11:30 AM PDT
Indonesian duo Gabber Modus Operandi blast off into the far reaches of the global dance continuum.
Made up of DJ Kasimyn and vocalist Ican Harem, Gabber Modus Operandi were formed in Bali, where the two artists bonded over a shared love of disparate music and art, and similar feelings of alienation from the local scene.
When he was a student in Yogyakarta, Harem was deeply embedded in the local experimental and metal scenes, performing as part of Black Metal Karaoke (a black metal act that performs using Nokia cellphones). Kas, meanwhile, was working as a wedding DJ in Bali, and when the two met, they realized they both shared a fascination with dangdut, a 1970s folk dance form, and jathilan, a Javan ritual that encourages altered states with incense, repetitive music and movement.
Somehow, the duo’s music as Gabber Modus Operandi manages to represent all their disparate influences, rolling them up into a package of hard, fast dance music and pulling influence from across the global dance continuum and beyond. Their second album HOXXXYA is due for release on Shanghai’s SVBKVLT imprint on August 16, and drifts from noisy, irreverent gabber into footwork-influenced noise and beyond. It sounds like everything and nothing, an album deeply embedded in internet culture, but wary of its algorithmic averaging.
Kas and Harem’s FACT mix gives some hints at where their heads are at right now, drifting from Japan’s Foodman and Finnish IDM veteran Aleksi Perälä through tracks from Dutch hard dance mainstay DJ Looney Tune, bass OG dBridge, footwork legend DJ Rashad, Manchester’s fabulous AYA (fka LOFT), even finding time to throw in some exclusive material of their own. Gabber Modus Operandi paint a vivid picture of not only where they sit, sandwiched between the West and the East, but of the hopeful, spiky hedonism of the club’s most urgent fringes right now.

Tracklist:
Foodman – ‘Moyashi Kids’
Aleksi Perälä – ‘UK74R1827130’
Le Dom – ‘Blossom’
Slick Shoota – ‘Hyperflexx’
DJ Looney Tune – ‘Beatbox’ (Acieed Remix)
Mr. Tounu – ‘Internet’s Dream’
DJ Smokie – ‘The Dream Continues’
dBridge – ‘dB vs 45 King’
Satanicpornocultshop – ‘Kinzoku Bat’ (Tone Ra Remix)
DJ Rashad – ‘Juketasy’
Hardsequencer – ‘From The Ear To The Brain’
Microwave Prince – ‘Solar Eclipse’
Aaron Spectre – ‘Say More Fire’
DJ Chap – ‘Brujeria’
LOFT – ‘That Hyde Trakk’
Phrenetic System – ‘Wayfarer’
Zymotic – ‘Time To Get Busy’
Final Exposure – ‘Vortex’
DJ Marco Balley – ‘Scorpia’
Kelvin T – ‘Exclaim’
Stas – ‘Nuki-Nuki’
Gabber Modus Operandi – ‘Kon’
Tour dates:
August 16 – Loopy, Hangzhou
August 17 – ZhaoDai, Beijing
August 23 – Final, Taipei
Read next: CTM Festival 2019 – Dance music is not in crisis, it's more hopeful than ever
The post FACT mix 723: Gabber Modus Operandi appeared first on FACT Magazine: Music News, New Music..
Posted: 15 Aug 2019 04:37 AM PDT
A mind-expanding new release from new Shackleton-led collective ahead of Berlin Atonal performance.
Stalwart electronic producer Shackleton has formed a new group called Tunes of Negation. Ahead of their performance at this year's Berlin Atonal festival, they have announced a new double LP, Reach The Endless Sea.
The release is named after the eponymous poem by thirteenth-century mystic Jalalu'l-Din Rumi, which Cosmo Rhythmatic explain "is a description of what Shackleton himself hopes to achieve with the music”, to "aid transmutation and enter into the light".
They further describe it as "a meditation on the non-finitude of life and spirit, and the limits of perception in dealing with it." Towards this, the "double-cantos continuum" of opening track 'The World Is A Stage'/'Reach The Endless Sea', "deals with time, or rather its illusory, treacherous nature, as well as spiritually investigating ideas of immortality, memory, and grief."
This iteration of the seemingly to-be fluid group, which QU Junktions characterizes as "an open-ended musical project revolving around Shackleton and a fluid cast of musicians", features Takumi Motokawa on keys, percussion, and gongs, Raphael Meinhart on mallets and percussion, and haunting guest vocals by Heather Leigh.
Reach The Endless Sea arrives on October 17 and is available for preorder here. Check out the cover art and tracklist below.

Tracklist:
01. 'The World Is A Stage / Reach The Endless Sea'
02. 'Tundra Erotic'
03. 'Nowhere Ending Sky'
04. 'Rückschlag / Rising, then Resonant'
05. 'The Time Has Come'
Read next: Berlin Atonal 2018 highlighted the changing face of the techno capital
The post Shackleton debuts new ensemble Tunes of Negation with double LP appeared first on FACT Magazine: Music News, New Music..
Posted: 15 Aug 2019 04:33 AM PDT
“Forged by the spirit of club music cultures”.
rRoxymore will release her debut album on Don’t Be Afraid next month.
Face To Phase follows a string of EPs for the label, and came out of her “annual creative hibernation practice”. According to Don’t Be Afraid, the result is a stripped-back eight tracks of “rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour”.
The album sees the Berlin DJ and producer using her own archive of field recordings as well as exploring beatless music on opener ‘Home Is Where The Music Is’ (inspired by Planningtorock) alongside clubbier tracks like ‘Passages’, inspired by UK breakbeat.

Face To Phase is released on September 27 on vinyl and digital formats – pre-order it at Bandcamp. rRoxymore will also make her live debut in collaboration with a percussionist at this year’s Berlin Atonal on September 1.
Revisit rRoxymore’s FACT mix here and watch her recent episode of Against The Clock below.


Tracklist:
01. ‘Home Is Where The Music Is’
02. ‘Passages’
03. ‘Forward Flamingo’
04. ‘Energy Points’
05. ‘Someone Else’s Memory’
06. ‘Hectadrums’
07. ‘PPS21’
08. ‘What’s The Plan’
Read next: Deep Inside – August 2019's must-hear house and techno
The post rRoxymore to release debut album, <em>Face To Phase</em>, on Don’t Be Afraid appeared first on FACT Magazine: Music News, New Music..

RAPPAMELO | Zo! – FourFront | Musique Non Stop


RAPPAMELO | Zo! – FourFront | Musique Non Stop

Link to RAPPAMELO

Posted: 14 Aug 2019 07:56 AM PDT


Zo!. FourFront. aww! nice. yeah. nice. Available. at. zo3hree5ive.com. enjoy.
full stream. Spotify. Deezer.
preview.


The post Zo! – FourFront appeared first on RAPPAMELO.

THE JAZZ CHILL CORNER SOULSTRESS KATHERINE PENFOLD RELEASES SWEETEST THING


THE JAZZ CHILL CORNER SOULSTRESS KATHERINE PENFOLD RELEASES SWEETEST THING

Link to JAZZ CHILL

Posted: 14 Aug 2019 05:00 PM PDT

Soul resides just beneath the exterior. Upon meeting Katherine Penfold, you might initially notice the prominent tattoos along her shoulder and arms before the conversation veers to her lifelong affinity for motorcycles, skateboarding, or woodworking - let alone music. Listening to her sound elicits a different impression altogether - as a sultry, smooth, and sweet delivery belies the rustic badassery she exudes with ease. This gorgeous contrast illuminates the artist's 2019 full-length debut, SWEETEST THING, available October 4th.

With a story to every song and a really powerful vibe, SWEETEST THING is the musical juxtaposition that is Katherine Penfold. Although her tattooed, 6 ft, tomboyish exterior seems harsh to the naked eye, Penfold's quirky Nova Scotia and Brandon University classically-trained upbringing creates a soft and clear musical voice that is all about love and joy. With this unique persona, Penfold went on to win the GROOVEFM singer/songwriter competition, perform alongside the likes of Hugh Laurie, Jeff Lorber, Brad Turner, and Jodi Proznick, and even sell out headline shows. Her fascination for construction and architecture drove her to build her own studio - one of the many things she loves creating from scratch with her hands. While co-producing this album with David Sikula, Penfold channels these experiences and her spirited style to a soul, funk, and R&B 10-track wonder.

She taps into this vibe on the first single, her cover of Roberta Flack's "Feel Like Makin' Love." Over dreamy keys and slick percussion, she breathes new life into the classic staple, sliding into the pocket with seductive bliss. She co-wrote "Better" alongside GRAMMY® Award-winning producer Chin Injeti [Drake, Eminem]. Its slinky groove seesaws from jazzy verses into a resounding chorus as she croons, "You make me feel better," in a call-and-response over a bass warble. "I struggle with depression and anxiety," she admits. "The song is for my partner. He finds a way of making me feel better during those times. It's dedicated to the person who helps you up." Elsewhere, fluttering keys and dreamy production underscore "Far Away" on which she joined forces with Moonchild's Amber Navran. The track details "the heartache of a long-distance relationship." Handclaps and sky-high vocal runs abound on "Unapologetic," highlighting the scope of her showstopping range. "It's about stepping up and not hiding anymore," she goes on. "It's a powerful moment for me." In the end, these moments define the duality at the heart of SWEETEST THING. The album will be released in full October 4th, 2019, with the second single, "Far Away", releasing this Friday, July 26th.

TRACKLIST
1. Unapologetic
2. Feel Like Making Love (prod. Eye 3 Brandon)
3. Far Away (prod. Amber Navran from Moonchild)
4. Better
5. We Gotta Choose
6. High
7. Sweetest Thing
8. Movin' On
9. Tell The World
10. You Know the Way I Feel

KATHERINE PENFOLD SHOW DATES 2019:
7/28 @ Langley City, Canada - Jodi Proznick Quintet
8/13 @ Vancouver, Canada - CBC Nooner featuring Katherine Penfold
8/19 @ Sechelt, Canada - Katherine Penfold at Sechelt Writers Festival


Best New Tracks - Pitchfork: Big Thief: “Not”


Best New Tracks - Pitchfork: Big Thief: “Not”

Link to Best New Tracks - Pitchfork

Posted: 13 Aug 2019 09:14 AM PDT
Big Thief cherish the majesty of small moments—a seed in the wind—and push huge ones—the rings of saturn—closer towards transcendence. The Brooklyn quartet named their second record Capacity, after all, and no other word can better describe the cosmic potential Big Thief can evoke. But the journey on their new, six-minute single “Not” is a close second.

Rather than detailing all the life around her, Adrianne Lenker cleverly uses negation to draw its shadows, letting the mystery of the unsaid bloom. “Not the meat of your thigh/Nor your spine tattoo/Nor your shimmery eye/Nor the wet of the dew,” she quivers, lingering on the physicality of each fleshy remembrance. The lush softness of this year’s U.F.O.F. has evaporated; where there once was a vast green forest, there is now a cracked and snarling desert. By the time Lenker rips a carnal solo from the body of her guitar, Big Thief are jamming and shredding on all cylinders. Even though “Not” has been in the band’s arsenal for years, this studio version, recorded after U.F.O.F. to be featured on their forthcoming album Two Hands, is a towering statement from a group constantly leapfrogging over themselves.

Simon Harrison and the Basic Soul Show - Musique Non Stop


Simon Harrison and the Basic Soul Show - Musique Non Stop

Link to Basic Soul: Homepage of Simon Harrison and the Basic Soul Show

Posted: 04 Aug 2019 03:02 AM PDT
Playlist:
Linda Tillery - Freedom Time [Olivia Records]
Ben Jagga - It's You Forever [BBE Music]
Ze Spiritz - Tucheza (Esa Extended Mix) [Soundway Records]
Dytomite Starlite Band Of Ghana - Meye Meho Ayie [BBE Music]
Pleasure - Joyous (DJ Harvey Re-Edit)
Abel feat. Shelley Chapman - Just Another Day (Atjazz Astro Remix) [Atjazz Record Company]
Bryony Jarman-PInto - All About Life [Tru Thoughts Recordings]
Apparel Wax - 006B [Apparel Wax]
SGVO - Dub Warehouse (Deeper Dub) [Atjazz Record Company]
Tekkla - One Of Those Nights [Clipp Art]
Mahakala - Tomahawk [Mahakala]
Special Forces - The End [Photek Productions]
Digital ‎– Termite [Innerground Records]
The Lewis Express - Tico Tico [ATA Records]
James Brown - Funky Drummer [Polydor]
Dom Um Romao - Pra Que Chorar [Pablo Records]
Phil Stroud - Banksia [Brownswood Recordings]
RÃ…nin Arkestra - Cosmic Collisions [Albert's Favourites]
Miles Davis feat. Ledisi - Rubberband Of Life [Rhino/Warner Records]
This posting includes an audio/video/photo media file: Download Now

Wah Wah 45s @ Musique Non Stop


Wah Wah 45s @ Musique Non Stop

Link to Wah Wah 45s

Posted: 26 Jul 2019 01:46 AM PDT




Blood Wine or Honey – Tomorrow
Khalab – Bafia (Bodycode presents RANGR Remix)
Rex Suru – Na Control (Alex Phountzi Remix)
Beringei – The People, The Place
Kutiman – Line 2
Horatio Luna – The Wake-Up
Isaac Birituro & The Rail Abandon – I Know (I’m OK)
Quantic – You Used To Love Me feat. Denitia (Selva Remix)
Yu Su – Watermelon Woman (Edit)
I Gemin – Burnin’ (Original)
Os Panteras – Melo Do Anjo (Outra Edit)
Particle Ray – Saints Stomp Their Feet
BBC – Quality Weed
Karate Boogaloo – Bam Bam
Sunlightsquare with Omar – Dance With You (Original Mix)
Ana Mazzotti – Eu Sou Mais Eu
The Lewis Express – Clap Your Hands
Souleance – Go
Neue Grafik Ensemble – Hedgehog’s Dilemma feat. Brother Portrait
30/70 – Tempted (Radio Edit)
Kaidi Tatham – Don’t Cry Now
Lance Ferguson’s Rare Groove Spectrum – The Blessing Song (Blessed Remix)
Billie Free – Flourish feat. Angel Bat Dawid
Salami Rose Joe Louis – Cumulous Potion (For The Clouds To Sing)
Unknown Faces – Space Pioneers (Robot 84 Re Adjustment)
Sampa The Great – OMG
79ers Gang – Iko Kreyol (79ers Gang Version)

The post Dom Servini – Unherd Radio Show #31 on Soho Radio appeared first on Wah Wah 45s.

Blanck Mass: Animated Violence Mild review – grief, rage and transcendent electronica

(Sacred Bones)
Mourning the death of the planet and a parent, Ben Power has made an album that fuses existential fear with sheer beauty

Back in 2012, Blanck Mass sounded optimistic. Ben Power’s one-man electro-noise project (distinct from his work as part of the duo Fuck Buttons) was best known for his ambient headrush of a composition, Sundowner, which was used as part of the soundtrack for Danny Boyle’s buoyant Olympics opening ceremony. But, as the political mood of the country continued to sour, Power’s work darkened in response, leading up to 2017’s snarling World Eater, and now Animated Violence Mild: an album where blind rage and beauty commingle. In the accompanying press release, Power describes how the record was born of grief – he wrote it while musing on how consumerism is destroying our planet. In the final stages of recording, his father died, and so he also began processing this deeply personal loss alongside his global mourning.

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by Aimee Cliff via Electronic music | The Guardian

Monday, August 12, 2019

Unleash the sesh gremlins! Sunset Campout, California's clubbing paradise

With its mix of hippies, techno heads and hikers, this party deep in California’s gold rush country has resisted creeping commercialisation

The narrow road to Belden Town, California (population: 22), careens through hairpin turns, down a thousand feet of craggy grey stone to the white-tipped rushes of the Feather River. The only other vehicle for miles is a train running parallel, barrelling through tunnels blown into the mountainside. During the gold rush of the 1800s, a few boomtowns sprang up in the area. Now they are lonely outposts. But for one weekend a year, they host one of the west coast’s most durable and cherished party institutions: Sunset Campout. It’s like an early 90s acid rave meets Westworld meets Oregon Trail, and its story goes back 25 years.

In 1994, a teenage Bay Area upstart named Galen Abbott traded in his dreams of Olympic swimming for a set of DJ decks. The son of hippies and a newfound resident of the famed alt-culture haven of Haight Street, he was activated by the still-nascent San Francisco acid house rave scene, the transplanted UK party crew Wicked, and Future Sound of London’s track Papua New Guinea. Despite his enthusiasm, Galen’s homemade mixtapes – still actually tapes back then – couldn’t get him booked at any parties, legal or otherwise. A “psychedelic epiphany” at the nearby Berkeley Marina inspired him to throw his own event at that very spot, and Sunset Sound System – a free, weekly, renegade daytime picnic rave – was born.

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by Jemayel Khawaja via Electronic music | The Guardian

Friday, August 9, 2019

Ami Dang: Parted Plains review | Ammar Kalia's global album of the month

(Leaving Records)
Dang’s self-assured album brings elements of unease to stillness, with keening melodies and multilayered sounds

The line between ambient music and muzak can be a fine one. The former is “an atmosphere, a surrounding influence: a tint” to envelop the listener, music “intended to induce calm and a space to think,” according to Brian Eno’s liner notes on the topic, while the latter has become a watchword for unremarkable background sounds; stuff to merely fill a room’s silence. To the uninitiated, both can occupy the same murky generic space of the spa or hotel lobby – music that is as ignorable as it is interesting.

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by Ammar Kalia via Electronic music | The Guardian

Thursday, August 8, 2019

Just Gou it: how Peggy Gou became the world's hippest DJ

She’s got a fashion label, a festival and a million Instagram followers – but the South Korean DJ and producer says she’s had to fight hard for it all

Between the concrete walls of Funkhaus in Berlin, on a muggy July night, a whistling, whooping crowd are clapping sweaty palms together and chanting: “Peg-gy! Peg-gy! Peg-gy!”

Peggy Gou, the 29-year-old South Korean DJ and producer, is bringing her set to a storming close. Wearing a silky Louis Vuitton shirt and blue sunglasses, she has woven in acid house, drum’n’bass and grime, but nothing gets a response like the tantalising kickdrum of her own recent single, Starry Night. The other DJs, Palms Trax and Benji B, hold their own, but the unadulterated love is reserved for Gou. When she’s not behind the decks, she can be found in the crowd, posing for an endless queue of selfies.

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by Aimee Cliff via Electronic music | The Guardian

Music of Stranger Things review – sonic savagery from the Upside Down

Royal Festival Hall, London
Recreating the music from the hit TV series, Survive, AKA Michael Stein and Kyle Dixon, manage to scale up the scares

One of the strangest things about Stranger Things, Netflix’s hit sci-fi mystery set in 1980s Indiana, is the way it’s made stars of Michael Stein and Kyle Dixon. The Austin analogue aficionados were electronic music cult-concerns, making unfashionable retro synthscapes with their band Survive, before the series’ creators, the Duffer brothers, came calling. The duo’s pulsing score to the show’s first season in 2016 propelled them into bumper-sized venues at home and abroad, as audiences clamoured to see the streaming smash’s arpeggiating melodies and echoing snare slaps recreated live.

Three years and another two Stranger Things OSTs later, their biggest British show to date feels at once well-earned (Stein and Dixon have been honing their atmospheric sound since 2009) and like something out of the Upside Down. Tangerine Dream-inspired noise-makers like them are usually confined to the underground, not 2,700-seater auditoriums.

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by Al Horner via Electronic music | The Guardian

Monday, August 5, 2019

How we made Good Life: Paris Grey and Kevin Saunderson of Inner City

‘When the song was a global hit, I flew to London every week, while working at a department store in Chicago. My bosses said: “Take another day off! This is great!”’

I was in Chicago and a DJ friend told me about Kevin Saunderson, who needed a singer. Back then there was no internet or email, so Kevin sent me a tape in the post. I put it on my little cassette recorder and out came Big Fun. The version was very basic, just a keyboard line I think, but I listened to the melody and sang whatever came into my head.

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by Interviews by Dave Simpson via Electronic music | The Guardian

Friday, August 2, 2019

Simon Harrison and the Basic Soul Show - Musique Non Stop


Simon Harrison and the Basic Soul Show - Musique Non Stop

Link to Basic Soul: Homepage of Simon Harrison and the Basic Soul Show

Posted: 28 Jul 2019 05:54 AM PDT
Playlist:
Emanative & Phil Ranelin - Vibes From The Tribe
Nate Morgan - He Left Us A Song [Outernational]
Stafford James Ensemble - Impressions [BBE Music]
Justine ‎– Mama Didn't Tell Ya [Left Ear Records]
Dave Hubbard - T.B.'s Delight [Wewantsounds]
Sio - I Love It [STY TRU BTS]
Moonchild - Too Much To Ask [Tru Thoughts Recordings]
Children of Zeus - The Heart Beat Pt.2 [First Word Records]
Scrimshire feat. Ego Ella May - Don't Stop Here [Albert's Favourites]
Lady Alma - Far Away [Mashibeats]
Planetself x Daniel Crawford feat. blurum13 - The Chosen [Low Key Source]
Blackfish - Northern Native [Blackfish Productions]
Tenderlonious - Casey Jr. [22A]
Ojo Balingo - Igbe Eiye Oloburo [BBE Music]
Joe - Get Centred [CoÃŒmeme]
Kutiman - Line 2
Doobie Brothers - What A Fool Believes [Warner Bros.]
Marcos Valle - Aviso Aos Navegantes [Far Out Recordings]
Skyy - You Got Me Up [Salsoul Records]
Stevie Wonder - That Girl [Tamla]
Kurt Baggaley - Interfaced (Ashley Casselle & Tom Gillieron ReWork) [Lucky Sun Recordings]
Art Of Tones - Sly & Spiegel [Atjazz Record Company]
Sloppy J - Lange Nacht [Phuture Shock Musik]
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THE JAZZ CHILL CORNER Mike Holober & Gotham Jazz Orchestra's new double album "Hiding Out"


THE JAZZ CHILL CORNER Mike Holober & Gotham Jazz Orchestra's new double album "Hiding Out"

Link to JAZZ CHILL

Posted: 25 Jul 2019 09:19 AM PDT
Composer and arranger Mike Holober's new double album Hiding Out with his all-star Gotham Jazz Orchestra is available August 9, 2019 via ZOHO Music.

The ensemble that breathes life into these stunning works spans the full history of the Gotham Jazz Orchestra, which made its recorded debut in 2004 with Thought Trains. Several of the instrumentalists on Hiding Out have been with the orchestra since that time, including woodwind players Dave Pietro, Jon Gordon, Charles Pillow and Steve Kenyon; trumpeters Tony Kadleck and Scott Wendholt; and trombonists Pete McGuinness, Bruce Eidem and Nathan Durham; while bassist John Hébert and drummer Mark Ferber are also longtime collaborators. This incarnation also features a number of more recent additions to the fold, among them names like reedists Ben Kono, Jason Rigby, Adam Kolker and Carl Maraghi; trumpeters Liesl Whitaker and James de LaGarza; trombonists Mark Patterson and Alan Ferber; guitarists Steve Cardenas and Jesse Lewis; drummer Jared Schonig; percussionist Rogerio Boccato; and trumpet master Marvin Stamm, the featured soloist on two tracks.

Hiding Out is the long-anticipated follow-up to the Gotham Jazz Orchestra's acclaimed 2009 album Quake, which JazzTimes praised for "exquisite textures and evocative arrangements that recall Gil Evans, and an Ellingtonian balance between ensemble and individual excellence." In the years since, Holober has found his talents in demand from a number of high-caliber ensembles: from 2007-2013 he served as Artistic Director for New York's Westchester Jazz Orchestra; he spent five years as Associate Guest Conductor of the HR Big Band in Frankfurt, Germany; and has also written and conducted a number of projects for the WDR Big Band in Cologne among other orchestras. Throughout that time he worked with such notable guest artists as Kurt Rosenwinkel, Miguel Zenón, Dr. Lonnie Smith, Al Foster, John Scofield, Joe Lovano, Randy Brecker, Paquito D'Rivera, and many others.

The albums unveil two sweeping new Holober suites, inspired by the grand vistas of the natural world but invigorated by the pulse of the urban jungle where the music thrives. 

"There's a double meaning to the title Hiding Out," Holober says. "One is that I've been hiding out as a composer, arranger and sideman for other people and as an educator. But it also comes from the places where I wrote or that inspired these pieces – beautiful settings in the mountains and along the banks of beautiful rivers."


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