- Little Steven And The Interstellar Jazz Renegades' Score For Netflix's First Original Series "Lilyhammer" To Be Released For First Time On July 12 In Two Volumes Via Wicked Cool/UMe
- CRAFT RECORDINGS CELEBRATES THE 50TH ANNIVERSARY OF THE STAX “SOUL EXPLOSION”
- GRAMMY AWARD-WINNING BLUES LEGEND KEB’ MO’ SET TO RELEASE NEW ALBUM, OKLAHOMA, JUNE 14
- Concord Jazz Festival w/Dave Koz, Esperanza Spalding, Chick Corea, Patti Austin, Poncho Sanchez and many others
- CHICK COREA EXPLORES HIS SPANISH, LATIN AND FLAMENCO INFLUENCES WITH THE DEBUT ALBUM BY HIS NEW SPANISH HEART BAND
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Posted: 28 May 2019 01:20 PM PDT
For his starring role in Netflix's groundbreaking first original series, "Lilyhammer," actor/musician Steven Van Zandt explored uncharted waters as a New York mobster who flees to Norway under the witness protection program. In addition to acting in, co-writing and co-producing the acclaimed show, the Rock and Roll Hall of Famer also scored the music for most of the three seasons, where just like his character, the musician best known as Little Steven of Bruce Springsteen's E Street Band and an accomplished solo artist who helped pioneer the rock-meets-soul sound, also delved into some terrain foreign to him: the worlds of New York jazz and Norwegian folk music. For the first time, the music from the show, which ended in 2014, has been collected together and will be released as two separate albums – Lilyhammer The Score - Volume 1: Jazz and Volume 2: Folk, Rock, Rio, Bits And Pieces – on CD, digital and 180-gram black vinyl on July 12 via Wicked Cool/UMe. Starting today, "My Kind Of Town, Van Zandt's spin on the Frank Sinatra standard featured on Volume 1, and his Tito Puente-inspired mambo tune "Mojito" on Volume 2, are available for streaming and immediate download with the corresponding preorder. A video of "My Kind Of Town" featuring Van Zandt's performance of the song on the show mixed with memorable scenes from across the series is available to watch and share here: https://UMe.lnk.to/MyKindOfTownVideoPR
The music of "Lilyhammer" was arranged and produced by Van Zandt and recorded at his Renegade Studios in New York and at various studios in Norway while in the midst of filming. It was recorded, mixed and co-produced by Geoff Sanoff and mastered by Bob Ludwig at Gateway Mastering.
When Van Zandt was tasked with coming up with the music to soundtrack "Lilyhammer," the veteran musician, songwriter and producer who had pretty much done it all in the worlds of songwriting, including dozens of albums, hundreds of songs, tracks for movies, a Broadway musical, as well as music supervision and musical direction, had never scored a television show and was up to the challenge. Knowing he wanted to create something that combined New York jazz to represent his character Frank "The Fixer" Tagliano with the Norwegian folk music of his exotic new environs, he turned to friend and fellow E Street Band member Max Weinberg for some advice on who could help him put a band together that could flawlessly execute these two disparate genres. On Weinberg's recommendation, he enlisted GRAMMY® Award-winning pianist, arranger and orchestrator, Lee Musiker, known for his wealth of experience working with premiere artists in the jazz, classical, Broadway, and pop genres, such as Mel Tormé, Kristin Chenoweth, Wynton Marsalis, Buddy Rich and Tony Bennett, to help bring his vision to life. Together they assembled the Interstellar Jazz Renegades, a loose collective of some of NYC's finest musicians, led by Musiker and orchestrators Stan Harrison, Raul Agraz and Adam Hochstatter.
Volume 1: Jazz collects together 13 of the best jazz compositions from the show and features a mix of jazz standards, instrumental score and original songs. Van Zandt provides vocals and channels the crooners of yore on the jazz classics, "All Of Me," "Ring-a-Ding Ding!" and the aforementioned "My Kind Of Town." Typically, the music created for TV is short musical cues but Van Zandt took a different approach. "I figured I've got some of the most talented musicians in New York City so why waste them on 15 second cues," Van Zandt explains. "We decided to have some fun. I'd meet Lee about an hour before the session and give him the top line melodies, basic chord changes and structure and talk about the overall mood of the piece. I wanted to try something different and get the musicians creative input and let these guys who were used to always reading their parts express themselves for a change. We would basically arrange it on the spot. I'd suggest a harmony, Lee would suggest an idea and the musicians would begin to orchestrate themselves. It was wild and extremely fruitful. After the success of the first session I knew we had a legitimate jazz album in addition to an incredible score."
Opening with the moody, evocative "Lilyhammer Nocturne (Theme from Lilyhammer)," allowing listeners to hear the full song that the theme song was developed from, the tunes range from the sensual ("The Night Before", "I'm A Fool To Want You") and swinging ("My Kind Of Town," "Rumble Island, "The Thief,") to the mysterious ("Sorceress") and melancholy ("Gloomy Sunday"). An accomplished set of songs that harkens back to the greats like Henry Mancini, Stan Getz and Nelson Riddle, the cinematic music transports you to a dark, smoky jazz club somewhere in 1950's New York or in this case, Norway in the late 2000s. The strength of the music, expertly performed by these veteran musicians, both stands on its own as a cohesive jazz album and as a soundtrack for fans who want to relive the great jazz music of the show.
Volume 2: Folk, Rock, Rio, Bits And Pieces is a wildly eclectic affair that gathers together 36 tracks from the show, ranging from short music cues to full songs spanning across a dizzying array of genres. Opening with the broadcast version of the theme song "Lilyhammer Nocturne," the song begins as a swinging jazz tune and then deftly segues into Norwegian folk music illustrating the collision of two cultures. Van Zandt fully embraced the Nordic country and integrated traditional Norwegian folk instruments into his musical arsenal to create an authentic sound for the show which was filmed in Lillehammer, Norway and watched by nearly one fifth of its population. Highlights of the folk songs include "Revelation," "Lillehammer Mourning" and "Baptism." On "Toboggan Negotiation," Van Zandt, who played guitar on all but one track on the collection, injects a hard-strummed acoustic guitar into an otherwise traditional sounding folk song, creating a unique hybrid.
The pieces span the globe and musical history, ranging from the Ennio Morricone-esque "African Dawn," to the Eastern sounds of "Tandoori Epiphany" and "Dance of the Persian Serpent," to the symphonic rock of "Painted Angels," to the bluesy "Espresso Martini," to the surf rock of "Killer Surf" and the Latin jazz and mambo of "Stevie Colada and "Mojito." On "Out Of The Darkness," Van Zandt revisits his 1983 song and transforms it from a stadium rock anthem into a bittersweet instrumental with a Norwegian flavor while "Favella" conjures up images of Brazil's Rio de Janeiro. Overall it showcases both the breadth of the extraordinary and ambitious music that Van Zandt created for the show and his immense talent as a songwriter, arranger, musician and musical chameleon.
"I'm really proud of 'Lilyhammer' and the music I created for it," says Van Zandt. "This was especially rewarding because it gave me the chance to finally do a score completely. This was a full commitment, I loved doing it and experimenting with sound and putting it to pictures and seeing what effect it has. It was a lot of fun, I'd love to do more of it."
Lilyhammer The Score: Volume 1 and 2 come on the heels of Little Steven's highly acclaimed just-released new album Summer of Sorcery, his first album of original material in 20 years. Created with his 14-piece band the Disciples of Soul, the album's 12 songs capture the energy, excitement and electricity of summer, and is an exuberant mix of rock n' soul. Hailed by Rolling Stone as "the most eclectic record he's ever made… it largely dispenses with protest songs and revels in the rock, soul and R&B of his Sixties youth," the album was called "a nostalgic New Jersey starburst of sex and soul," by Uncut while American Songwriter enthused, "Steven, his musical director Marc Ribler and veteran mixers/masterers Bob Clearmountain and Bob Ludwig, pull out all the stops to make this sonic smorgasbord explode out of the speakers with passion and clout. Few artists have the financial means or artistic vision to pull off a thunderous production like this which is impressive in its scope and sheer booming audio audacity."
Having played two rapturous record release shows in Los Angeles and New Jersey, Little Steven and the Disciples of Soul are currently bringing the songs of Summer of Sorcery to life on tour in the UK and Europe. The band will kick off the first leg of their North American tour at the end of June and then head back to Europe in August for more shows. They will return to the US in September for a tour that will culminate at New York City's Beacon Theatre on November 6. As always, teachers are welcome to all shows for free. Each show will be proceeded with a teacher's development workshop demonstrating how to incorporate Van Zandt's TeachRock music education curriculum into the classroom. For more information, visit teachrock.org
LILYHAMMER: THE SCORE TRACK LISTINGS
VOLUME 1: JAZZ
1.Lilyhammer Nocturne (Theme from Lilyhammer)
2.My Kind Of Town (vocal)
3.The Night Before
4.Rumble Island
5.Sorceress
6.I'm a Fool to Want You
7.All Of Me (vocal)
8.Blue Midnight
9.The Thief
10.City Lights
11.Gloomy Day
12.Ring-A-Ding Ding! (vocal)
13.The Morning After
VOLUME 2: FOLK, ROCK, RIO, BITS AND PIECES
1.Lilyhammer Nocturne (Theme from Lilyhammer – Broadcast Version)
2.Revelation
3.African Dawn
4.Lillehammer Mourning
5.Baptism
6.Toboggan Negotiation
7.Curiosity
8.Sunset
9. Sunrise
10.Gregorian Papyperm
11.Elegy for Sally Boy
12.Grampa Lento's Song
13.Tandoori Epiphany
14.Out of the Darkness
15.Wolf Hunt
16.Dance of the Persian Serpent
17.The Minstrel Boy (vocal)
18.Painted Angels
19.Espresso Martini
20.Stevie Colada
21.Mojito
22.Sex Ghost
23.Wired
24.Bliss
25.Jobim Paranoia
26.Out of the Clouds
27.Sylfast is Dead
28.Alex and Johnny
29.Lonely Girl
30.Killer Surf
31.Favella
32.Tommy's Run
33.Bond of Brothers
34.Sigrid Kills
35.Ibsen Interrupted
36.Massage Tattoo
LITTLE STEVEN AND THE DISCIPLES OF SOUL
SUMMER OF SORCERY WORLD TOUR 2019
MAY
24 - London, UK - O2 Forum Kentish Town
26 - Derbyshire, UK - Bearded Theory Festival *
28 - Berlin, Germany - Huxley's
30 - Jelling, Denmark - Jelling Muiskfestival *
JUNE
1 - Stockholm, Sweden - Cirkus
3 - Oslo, Norway - Rockefeller
5 - Hamburg, Germany - Fabrik
7 - Brussels, Belgium - Ancienne Belgique (AB)
9 - Emmen, The Netherlands - Hello Festival *
11 - Zurich, Switzerland - Kaufleuten
13 - Milan, Italy - Alcatraz
15 - Bilbao, Spain - Music Legends Festival *
17 - Barcelona, Spain - Sala Apolo
20 - Kragujevac, Serbia - Arsenal Festival *
23 - Paris, France - La Cigalle
SUMMER OF SORCERY TOUR - NORTH AMERICA 2019
JUNE
29 - Syracuse, NY - New York State Blues Fest *
JULY
2 - London, ON - London Music Hall
4 - Ottawa, ON - Ottawa Bluesfest *
6 - Quebec City, QC - Festival d'été de Québec *
8 – Montreal, QC – L'Olympia
10 - Toronto, ON - Phoenix Theatre
12 - Buffalo, NY - Town Ballroom
14 - Clifton Park, NY - Upstate Concert Hall
16 - New Haven, CT - College Street Music Hall
18 - Huntington, NY - The Paramount
20 - Glenside, PA - Keswick Theatre
22 – Middletown, NY – Orange County Fair
24 - Richmond, VA - The National
26 - Easton, PA - State Theatre Center For The Arts
28 - Annapolis, MD - Outlaw Jam *
SUMMER OF SORCERY TOUR - EUROPE 2019
AUGUST
3 - Notodden, Norway - Notodden Blues Festival *
5 - Copenhagen, Denmark - Amager Bio
7 - Warsaw, Poland - Stodola
9 - Erfurt, Germany - Gewerkschaftshaus
11 - Hanau, Germany - Amphitheater
13 - Nuremberg, Germany - Serenadenhof
17 - Luxembourg, Luxembourg
21 - Manchester, UK - O2 Ritz
23 - Dublin, Ireland - Vicar Street
25 - Oxford, UK - O2 Academy
27 - Newcastle, UK - O2 Academy
29 - Cardiff, UK - Tramshed
SEPTEMBER
2 - Vienna, Austria - Arena Wien
SUMMER OF SORCERY TOUR - NORTH AMERICA 2019
SEPTEMBER
5-8 - Las Vegas, NV - Big Blues Bender @ Hard Rock Hotel and Casino *
9 - Ventura, CA - The Majestic Ventura Theater
11 - Berkeley, CA - The UC Theatre
13-14 - San Diego, CA - Kaaboo Del Mar *
15 - Tucson, AZ - The Rialto Theatre
17 - Englewood, CO - The Gothic Theatre
19 – Kansas City, MO - Knuckleheads
22 - Louisville, KY - Bourbon & Beyond *
29 – Austin, TX @ Emo's Austin
OCTOBER
1 – New Orleans, LA – House of Blues
3 – Birmingham, AL – Iron City
5 – Memphis, TN –Soundstage at Graceland
7 – Atlanta, GA – Center Stage Theater
13 – Detroit, MI – St. Andrew's Hall
15 – Grand Rapids, MI – 20 Monroe Live
17 – Burnsville, MN – Ames Center
19 – Milwaukee, WI – Pabst Theater
21 – Winnipeg, MB @ Burton Cummings Theatre for the Performing Arts
23 – Chicago, IL – House Of Blues
26 – Cleveland, OH – Masonic Auditorium
28 – Des Moines, IA – Hoyt Sherman Place
30 – Columbus, OH – Newport Music Hall
NOVEMBER
2 – Medford, MA – Chevalier Theatre
4 – Warrendale, PA – Jergel's Rhythm Grille
6 – New York, NY – Beacon Theatre
* FESTIVAL APPEARANCE
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Posted: 28 May 2019 01:15 PM PDT
1969 marked a year that was full of both trepidation and excitement for Stax Records. Just one year before, the Memphis soul outlet ended its relationship with musical giant Atlantic Records, effectively leaving the label as an independent entity, without a music catalog (which had previously included a formidable collection of hits by Otis Redding, Carla Thomasand Sam & Dave, among others). Under the guidance of co-owner Al Bell, the label proceeded to rebuild and release an impressive collection of 27 albums and 30 singles in just a handful of months—a period known as "Soul Explosion." The gamble paid off, and at the 1969 Stax sales summit—themed "Getting It All Together"—the label reaffirmed its place as a soul powerhouse. Craft Recordingscelebrates the 50th anniversary of this prolific, make-or-break moment for Stax—and its enduring legacy—with a wide selection of physical and digital reissues. Additionally, Craft will pay tribute to the label throughout the year with a series of playlists, original content, contests and more.
The rebuilding of the Stax catalog was an immense undertaking—deemed impossible by many peers in the music industry. Ms. Deanie Parker, who was head of Stax's publicity at the time, recalls that "Day and night, we planned marketing and sales efforts, and produced powerhouse songs. For weeks we worked 24/7—molding and refining both raw and veteran artists' recording material. . . . We worked our way to the top of our game with the Soul Explosion created at Stax Records." Al Bell remembers how the summit was ahead of its time: "We were multimedia before multimedia was even a thing! During that one weekend in Memphis, we had large projections on the walls the size of movie theater screens and we had video interspersed with live performances by all of our top acts: Carla Thomas, Booker T. & the MGs, William Bell, Albert King, the Bar-Kays,Isaac Hayessolo and Isaac Hayes andDavid Porterdoing Sam & Dave songs. And the energy during that weekend was like nothing the music industry had seen before."
Bell set about building a roster that reflected the changing musical landscape—signing new artists such as theEmotionsand theSoul Children; meanwhile, existing Stax artists, including the Staple Singers, were busy recording some of their biggest hits to date. Johnnie Tayloremerged as a breakout star with the single "Who's Making Love," the label's first big post-Atlantic hit; while in-house songwriter and producer Isaac Hayes released his breakthrough second LP, Hot Buttered Soul, which peaked on the Billboard Top 10 and catapulted him into stardom. In Robert Gordon's 2013 book Respect Yourself: Stax Records and the Soul Explosion, the author writes, "It was a huge and glorious effort, interweaving the grand themes of salesmanship, civic responsibility, and the recording arts." Bell went on to declare that the industry "began to forget that we didn't have a catalog . . . We [were now] a viable independent record company. It accelerated from that point forward."
Craft recently kicked off the Soul Explosion campaign with three vinyl reissues exclusive for Record Store Day, held on April 13th: Albert King's Born Under A Bad Sign, the duets collection Boy Meets Girl: Classic Stax Duetsand the compilation Stax Does The Beatles. Originally released in 1967, King's Stax debut is widely recognized as one of the most influential albums, heralding in the era of modern blues. Inducted into the GRAMMY®Hall of Fame in 1999, and included in Rolling Stone's "500 Greatest Albums of All Time" list, this special edition marks the very first mono reissueof the title. Boy Meets Girl: Classic Stax Duetsisback on vinyl for the first time to mark the 50th anniversary of its original release. This 2-LP set pairs the label's biggest male and female stars together for a collection of engaging duets. Finally, we have the vinyl debutof Stax Does The Beatles. Originally released in 2008, this 2-LP set compiles the best Beatles covers recorded throughout the '60s and '70s by Stax artists.
On May 31st, soul connoisseurs can get their hands on the Soul Explosionalbum, back on vinyl for the first time since 1969. As part of the label's "Made in Memphis" reissue campaign, the lacquers for the 2-LP set were cut by Memphis-based engineer Jeff Powell at Take Out Vinyl and pressed locally at Memphis Record Pressing (MRP). Soul Explosion offers a sampling of the label's biggest hits and stars of the day, with Eddie Floyd, the Mad Lads, the Staple Singers, Albert King and more. The second disc of the set includes a selection of rare tracks, many of which are exclusive to this collection. These include the Bar-Kays' "Hot Hips," Ollie & The Nightingales' "Heartache Mountain" and Eddie Floyd's "It's Wrong To Be Loving You." Soul Explosionwill also be released digitally for the first time and will include hi-res 96/24 and 192/24 formats. Starting today, the hit song "Who's Making Love" by Johnnie Taylor is available as an instant grat single with all digital album pre-orders.
In June, to commemorate Black Music Month, Craft will also reissue 30 titles to digital platforms—marking the very first digital release of these albums. The titles, which will be released one per day throughout the month, include the 1971 concept album Victim Of The Joke? An Operafrom acclaimed songwriter and producer David Porter; 1973's Estelle, Myrna & Sylviafrom girl-group theSweet Inspirations(who backed such acts as Elvis Presley, Dusty Springfield and Aretha Franklin); and A Dramatic Experience,the sophomore album by R&B Music Hall of Fame inductee theDramatics. Eleven of these titles (from the likes of the Soul Children, Johnnie Taylor and the Mad Lads) are results of the 1969 Soul Explosion sessions.
Throughout the remainder of 2019, fans can look forward to several curated playlists, contests and additional releases.
One of the most popular soul labels of all time, Stax has become synonymous with its gritty, Southern sounds. Originally known as Satellite Records, the Memphis imprint was founded in 1957 by Jim Stewart. Over the course of two decades, Stax released more than 800 singles and nearly 300 LPs, picking up eight GRAMMYS® and an Academy Award along the way. In all, Stax placed more than 167 hit songs in the Top 100 pop charts, and a staggering 243 hits in the Top 100 R&B charts.
Black Music Month Digital Releases
Artist: Booker T. & The MGs
Album Title: Soul Limbo
Release Date: 6/1/19
Artist: Various
Album Title: Boy Meets Girl
Release Date: 6/2/19
Artist: Johnnie Taylor
Album Title: Rare Stamps
Release Date: 6/3/19
Artist: Soul Children
Album Title: Soul Children
Release Date: 6/4/19
Artist: Carla Thomas
Album Title: Memphis Queen
Release Date: 6/5/19
Artist: Ollie & The Nightingales
Album Title: Ollie & The Nightingales
Release Date: 6/6/19
Artist: Johnnie Taylor
Album Title: The Johnnie Taylor Philosophy Continues
Release Date: 6/7/19
Artist: The Mar-Keys
Album Title: Damifiknow
Release Date: 6/8/19
Artist: JJ Barnes & Steve Mancha
Album Title: Rare Stamps
Release Date: 6/9/19
Artist: The Mad Lads
Album Title: The Mad Mad Mad Mad Mad Lads
Release Date: 6/10/19
Artist: The Goodees
Album Title: Candy Coated Goodees
Release Date: 6/11/19
Artist: The Knowbody Else
Album Title: The Knowbody Else
Release Date: 6/12/19
Artist: Eddie Floyd
Album Title: California Girl
Release Date: 6/13/19
Artist: Rufus Thomas
Album Title: Crown Prince Of Dance
Release Date: 6/14/19
Artist: Mel & Tim
Album Title: Starting All Over Again
Release Date: 6/15/19
Artist: William Bell
Album Title: Phases Of Reality
Release Date: 6/16/19
Artist: The Sweet Inspirations
Album Title: Estelle, Myrna & Sylvia
Release Date: 6/17/19
Artist: The Dramatics
Album Title: A Dramatic Experience
Format: Digital album
Artist: John KaSandra
Album Title: Color Me Human
Release Date: 6/19/19
Artist: The Bar-Kays
Album Title: Do You See What I See?
Release Date: 6/20/19
Artist: David Porter
Album Title: Victim Of The Joke? An Opera
Release Date: 6/21/19
Artist: The Rance Allen Group
Album Title: A Soulful Experience
Release Date: 6/22/19
Artist: The Temprees
Album Title: Love Maze
Release Date: 6/23/19
Artist: Frederick Knight
Title: I've Been Lonely For So Long
Release Date: 6/24/19
Artist: Barbara Lewis
Title: The Many Grooves Of
Release Date: 6/25/19
Artist: Little Milton
Album Title: Waiting For Little Milton
Release Date: 6/26/19
Artist: Inez Foxx
Album Title: At Memphis
Release Date: 6/27/19
Artist: Melvin Van Peebles
Album Title: Don't Play Us Cheap
Release Date: 6/28/19
Artist: Kim Weston
Album Title: Kim Kim Kim
Release Date: 6/28/19
Artist: Various
Album Title: Wattstax
Release Date: 6/30/19
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Posted: 28 May 2019 01:10 PM PDT
"I'm more interested in pleasing myself, and making records that make me feel proud and make me feel like I've done my best. And if other people like it, that's gravy."states Keb' Mo', assessing his new release Oklahoma, set for release June 14, 2019 on Concord Records.
Indeed, in his quarter-century as a recording artist, the charismatic singer/guitarist/ songwriter and four-time GRAMMY Award winner has consistently made music that reflects his own passions and interests. In the process, he's earned a reputation for his ability to draw upon his bottomless roots-music expertise to make deeply expressive, highly personal music.
That's the case throughout Oklahoma, whose expansive creative vistas reflect the eponymous state's wide-open spaces. With noted musical veteran Colin Linden (The Band, Bruce Cockburn) heading up production duties, the album's 10 tracks encompass Keb' Mo's diverse talents, with the artist delivering some of the most adventurous and personal work of his career.
"When you are in a certain part of your life, the concept of an album is woven into the process," he says. "All of these songs stemmed from important issues and topics worldwide that really resonated with me during the time we were recording the project."
The inspiration for the title track "Oklahoma" started with a visit to the state in 2013 for a benefit show with Kenny Wayne Shepherd. Keb' witnessed first-hand the aftermath of a destructive tornado. "I thought about what it must be like to live in Oklahoma and all the great people that have come from Oklahoma," he recalls. With just a melody in his head for a song about Oklahoma and little personal connection to the state, the title track was almost never conceived. That is until the hands of fate led him to the meeting of, and songwriting session with Dara Tucker, an Oklahoma native. Together, they set about to portray the complicated depth of American history played out in her home state. Native American connection and tragedy, natural and man-made disasters, incredible musicians and the Tulsa Sound, and western ruggedness and fortitude are all themes. Notable is the mention of Greenwood/Archer and Pine, known as "Black Wall Street" which was infamously destroyed in 1921 in one of the most devastating massacres in the history of US race relations.
Making a cameo appearance, Robert Randolph, masterfully adds a haunting air with his lap steel. "We chose to make the song sound light-hearted and ultimately about resilience," Keb' says. "Then Robert came in and added some musical flavor. The result was beautiful, and I thought it had to be on the record, and ultimately, what I chose to be the album's title."
Having already established his adventurous taste in musical collaborators, Keb' has assembled an appropriately impressive cast for Oklahoma. Rosanne Cash lends her powerful voice and uncompromising presence to the timely feminist anthem "Put A Woman In Charge."
"That was supposed to be a stand-alone single, but I loved the way it turned out, so I had to put it on the album," Keb' notes. "I'd never worked with Rosanne before, but somebody suggested that she might like it. She said yes, and she put down her part, and it was just so badass."
Keb' says of the song. "It's about putting some nurturing feminine energy into how our country operates."
Meanwhile, Christian/Latin-pop star Jaci Velasquez lends stirring background vocals on "This Is My Home," a heartfelt tribute to the struggles of immigrants that effortlessly humanizes an often divisive issue.
Elsewhere on Oklahoma, legendary roots-music icon Taj Mahal, who previously collaborated with Keb' on their GRAMMY Award-winning 2017 album TajMo, reconnects for the moving environmental anthem "Don't Throw It Away," and "The Way I" poignantly tackles the subject of depression. The breathtakingly intimate love song "Beautiful Music" features a memorable duet performance by the artist and his wife, Robbie Brooks Moore.
Overall, Oklahoma—which Keb' has dedicated to his late mother, Lauvella Cole, who passed away in September 2018 at the age of 91—maintains an impressive level of emotional engagement throughout, making it one of his most compelling collections. "I'd been working on a lot of records for other people, so I worried that it might be a weak record because I didn't have my eye on the ball and was spreading myself too thin. But when all was said and done, we found the songs and we got the feeling right, and now I feel really, really proud of it."
Indeed, since arriving on the scene in the early 1990s, Kevin Roosevelt Moore (rechristened Keb' Mo' around 1994) has earned a reputation for his mastery of multiple blues styles, his ability to combine traditional approaches with a contemporary attitude, and for his timeless storytelling sensibility. In addition to releasing a series of acclaimed albums, he's lent his talents to a variety of theater and film projects, and collaborated with a wide range of prominent musicians from various genres, as well as having his songs covered by a broad array of notable artists. He's also a vocal advocate for the preservation of the blues, and is active in charities that support music education.
Keb's guitar playing has garnered him his third invite to Eric Clapton's prestigious Crossroads Festival and has inspired leading instrument makers, Gibson Brands, to issue the Keb' Mo' Signature Bluesmaster and Bluesmaster Royale acoustic guitars and Martin Guitars to issue the HD-28KM Keb' Mo' Limited Edition Signature model. He has been featured in TV and film, playing Robert Johnson in the 1998 documentary Can't You Hear the Wind Howl,appeared three times on the television series Touched By An Angel, played a leading role on Hallmark's Signed, Sealed, Delivered: Higher Ground, and performed for President Obama at the White House.
"At some point, I began to realize that it's not just about writing a good song with a good hook and good lyrics, but it's also about writing songs that had something going on inside," asserts Keb', who, 9 years ago, moved his family from Los Angeles to Tennessee. "So I started spending a lot of time rewriting lyrics, recording, rerecording, and really working hard at it. I got to a place where I understood the anatomy of how lyrics can work, and how I can use them to put some substance into the song. It's like jelly donuts. I don't even likejelly donuts, but you know that every time you bite into one, there's gonna be something inside. At some point, I realized that you have to tell a story in some way, shape or form, and this record is a continuation of that realization."
Oklahoma Track Listing:
1."I Remember You"
2."Oklahoma"
3."Put A Woman In Charge" (Featuring Rosanne Cash)
4.'This Is My Home"
5."Don't Throw It Away"
6."The Way I"
7."Ridin' on a Train"
8."I Should've"
9."Cold Outside"
10."Beautiful Music" (Featuring Robbie Brooks Moore)
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Posted: 28 May 2019 01:06 PM PDT
Concord Jazz and Live Nation are proud to present the 50th Anniversary Concord Jazz Festival, to be held on Saturday, August 3rd at the Concord Pavilion in Concord, California. 2019 marks the 50th anniversary of the festival, which began at a city park in 1969 and gave birth to the venerable Concord Jazz label. Concord Jazz continues its commitment to presenting the finest jazz and live music with this year's line-up.
Featured artists for the 50th Anniversary Concord Jazz Festival will include Dave Koz & Friends Summer Horns, Esperanza Spalding, Chick Corea Spanish Heart Band, The Legendary Count Basie Orchestra featuring Patti Austin, Jamison Ross, Carmen Bradford and special guests in a special Celebrating Ella set, Poncho Sanchez & his Latin Jazz Band, and many more to be announced soon. Doors for the festival will open at 2pm with the main stage beginning at 4pm.
"The Concord Jazz Festival was a cornerstone of the Concord Pavilion concert season for years and we're thrilled to bring this iconic event back for the 50th Anniversary celebration." said Aaron Siuda, Senior Vice President of Live Nation Northern California. "In conjunction with Concord Jazz, we've put together a stellar lineup that showcases many of the great artists that Concord Jazz represents."
"The creation of this festival by visionary Carl Jefferson in 1969 led directly to his formation of the Concord Jazz label just a few years later," said Concord Records President John Burk. "Therefore, we at Concord Jazz owe a great debt to Jefferson and the City of Concord, and we are thrilled to partner with Live Nation in bringing the Festival back home for its 50th Anniversary."
An exclusive commemorative album of music by the featured artists will be included with every pair of tickets purchased for the 50th Anniversary Concord Jazz Festival.
Grammy-Nominated saxophonist Dave Koz scored the #1 Contemporary Jazz album in the country last year with his latest project Summer Horns II From A To Z. Released June 22nd, 2018 via Concord Records, the album is a stunning showcase of 11 reimagined classics, including "More Today Than Yesterday" from the Spiral Staircase, a medley of Earth, Wind & Fire's 1976 smash "Getaway" and the KC and the Sunshine Band dance staple "That's the Way I Like It," and The Crusaders' "Keep That Same Old Feeling." Dave Koz & Friends Summer Horns features Gerald Albright (alto saxophone), Rick Braun (trumpet), R&B star Kenny Lattimore (vocals) and Aubrey Logan (trombone and vocals).
Esperanza Spalding's "truly intoxicating" (The New York Times) 12 Little Spells was released on vinyl and CD on May 10th, 2019 via Concord Records. A cutting-edge creator, the four-time Grammy-winning composer, bassist, and lyricist released a song a day to her fans last October, which subsequently appeared on a number of Best of 2018 lists, including The New York Times, Rolling Stoneand Billboard. The physical version of the album comes with an additional four new songs. 12 Little Spells was first penned by Spalding at a castle in Italy – inspired by the healing properties of art, how music and the body interact, and her interest in Reiki.
In 1976, Chick Corea released My Spanish Heart, one of his most successful recordings. A compositional and intellectual high-water mark, the album combined jazz fusion pieces with more traditional Latin music. On June 28th, 2019, over 50 years later, the 77-year-old keyboard virtuoso revisits this classic project with a long-waited follow-up, Spanish Heart Band – Antidote, featuring with an extraordinary new ensemble and some of his most inspired writing ever. The Chick Corea Spanish Heart Band includes bassist Carlitos Del Puerto and drummer Marcus Gilmore.
Directed by veteran trumpeter Scotty Barnhart, the 18-piece Legendary Count Basie Orchestra includes a peerless array of instrumentalists with combined credentials that have topped the upper echelons of the international jazz world for decades. From Billie Holiday to Bing Crosby, Frank Sinatra to Nat King Cole, Sarah Vaughan to Ella Fitzgerald, the Legendary Count Basie Orchestrahas provided the supremely distinctive sound and swing behind some of the greatest singers of the modern age. Coming off a Grammy Nomination for their 2018 album All About that Basie, the iconic big band will perform material from their newest recording Ella 100, a special tribute to Ella Fitzgerald, set for release on August 2nd, 2019 via Concord Jazz.
Performing with the Count Basie Orchestra will be Grammy Award-winning singer Patti Austin, Carmen Bradford, Jamison Ross and special guests. Austin has released more than two dozen albums during her career, and her record Avant Gershwin won the Grammy for Best Jazz Vocal Album in 2008. She is featured on several tracks on the Basie Orchestra's upcoming Ella Fitzgerald tribute recording, scheduled for release this year on Concord Jazz. Jamison Ross is the winner of the 2012 Thelonious Monk Competition. The multi-talented drummer and vocalist's debut album Jamison garnered a GRAMMY nomination for Best Jazz Vocal Album, and he was named Rising Star – Male Vocalist in the 2018 Downbeat Critics poll.
Given all the ups and downs the music industry has experienced in the past three decades, it's remarkable to find anyone who still retains a sense of allegiance or loyalty. Master conguero, band leader and Latin jazz legend Poncho Sanchez is the exception. In 1982, his close friend, multi-instrumentalist jazz icon Cal Tjader recommended he sign with Carl Jefferson's Concord Records. Tjader told him that Jefferson was looking for new talent and he highly recommended Sanchez. Jefferson gave Poncho a one record deal and the rest is Latin Jazz history. Poncho Sanchez & his Latin Jazz Band, whose next recording is scheduled for release on August 2nd, 2019 via Concord Jazz, celebrate the release of his 27th album and his own 37th anniversary with Concord Jazz, the longest of any artist on the label.
In addition to the main show, this year's 50th Anniversary Concord Jazz Festival will feature performances of live music emerging jazz artists, an Art & Wine Expo, and an array of vendors on the grounds of the 12,500-seat Concord Pavilion, one of the premier outdoor music venues in Northern California.
Concord Jazz has a rich history since its beginning in 1973. Well established as one of the premier and most active jazz imprints in the world, the label continues its dedication to the art form and its artists, presenting such legendary acts as Chick Corea, Poncho Sanchez, one of the best-selling saxophonists of all time Dave Koz, a special tribute honoring both Basie and Ella, and much, much more to be announced.
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Posted: 28 May 2019 01:00 PM PDT
The Spanish Heart Band – Antidote, due out June 28 on Concord Jazz, revisits songs from Corea's classic albums My Spanish Heart andTouchstone with a multi-cultural octet, plus new compositions and guest appearances by vocalists Rubén Blades, Gayle Moran Corea, and Maria Bianca
For Immediate Release –Throughout his storied career, iconic pianist/keyboardist Chick Corea has explored a wealth of music from across borders both geographical and stylistic. Time and again over the decades he's returned to what he calls his "Spanish Heart" – the Spanish, Latin and flamenco traditions that have indelibly shaped his unmistakable sound. Now, with his new album Antidote, recorded with his brand-new Spanish Heart Band, Corea once again delves deeply into the Latin side of his musical heritage with a stunning collection of musicians from Spain, Cuba, Venezuela and the U.S.
Due out June 28, 2019 from Concord Jazz, Antidote is just that – a musical cure for a turbulent time, bringing together artists from diverse cultures to make harmonious music together. In addition to this stellar new ensemble, the recording features guest appearances by the acclaimed Panamanian vocalist Rubén Blades and gifted singersGayle Moran Corea and Maria Bianca.
"My genetics are Italian," Corea says, "but my heart is Spanish. I grew up with that music. This new band is a mix of all the wonderful and various aspects of my love and lifetime experience with these rhythms that have been such a big part of my musical heritage."
To embark on this vibrant exploration, the 77-year-old keyboard virtuoso has assembled a brilliant eight-piece band: Flamenco guitarist Niño Josele and saxophonist/flutist Jorge Pardo both hail from Spain and have both worked with the late flamenco master Paco de Lucía. Bassist Carlitos Del Puerto was born in Havana, Cuba and played on Chinese Butterfly, Corea's 2017 collaboration with legendary drummer Steve Gadd – as did Venezuelan percussionist Luisito Quintero.
Trumpeter Michael Rodriguez and trombonist Steve Davisform an unstoppable horn front line, while Marcus Gilmore follows in the footsteps of his grandfather, the great Roy Haynes, as a master drummer (and close collaborator with Corea). The band is augmented by the fiery footwork of rising star flamenco dancer Nino de los Reyes.
"Continuing along the lines of his landmark recordings, Touchstoneand My Spanish Heart," says John Burk, Concord Records President, "Chick applies his creative genius to further explorations of Spanish and Afro-Cuban styles with an exceptional cast of musicians, to produce some of the most thrilling, dynamic, and deeply musical work of his entire career."
With a band of incredibly versatile musicians and his usual wide horizons, Corea composed a set of music that draws from a wealth of sources – jazz and Latin music, naturally, but also classical, funk and fusion elements. "This is the mixer," he says, pointing to his head. "I drink in the culture around me, which is rich in ideas. I'm excited about this record because there are a lot of influences that come through in it."
There has been a Latin tinge to Corea's music almost as long as he's been performing. His first gig upon arriving in New York City in 1960 was with the influential Cuban-born percussionist Mongo Santamaría at Birdland. As he recalls, "Four doors up from Birdland on Broadway was the Palladium, where you could hear people like Tito Puente, Machito, Ray Barretto, Eddie Palmieri. I used to jump out of my gig [during breaks] and go stand in front of the bandstand at the Palladium. So the jazz scene that I came up in was very much a part of what I call my 'Spanish Heart.'"
Corea has made no secret for his love of Spanish, Latin and flamenco music. In 1972 he debuted perhaps his most well-known composition, "Spain," inspired by Joaquin Rodrigo's Concierto de Aranjuez. The piece has been recorded countless times since, including versions by de Lucía and Tito Puente. In 1976 he released My Spanish Heart, an innovative session combining jazz fusion with traditional Latin music; it went on to become one of Corea's most successful albums and is universally considered a classic. 16 years later, he visited similar terrain on the even more expansive Touchstone, which spotlights his collaboration with de Lucía.
Corea revisits songs from both classic albums on Antidote. The title song from My Spanish Heart opens with a lush, moving vocal choir recorded by Corea's longtime musical and life partner, Gayle Moran Corea. Stark piano chords lead into the familiar song, rendered here with an emotionally stirring vocal by Rubén Blades. The band then breaks into the electrifying dance of "Armando's Rhumba," a song penned by Corea in tribute to his father from the same album.
From Touchstone, Corea first offers an atmospheric rendition of "Duende," with an evocative palette featuring Pardo's soaring flute and thrilling interplay between the eloquent horns of Davis and Rodriguez. Quintero's percussion dialogues with the rapid-fire patter of Nino de los Reyes' dancing feet to open "Yellow Nimbus," originally written as a duet for Corea and de Lucía. Here the pianist's flurries are joined by the flamenco master's virtuosic protégé, Niño Josele.
De Lucía composed "Zyryab," named for the Persian-African poet and musician from 9th-century Spain who was credited with introducing the lute to the Spanish court, destined to evolve into the flamenco guitar. Corea recorded the original version with the guitarist in 1990 and revisits its blend of Spanish and Middle Eastern influences in intriguing fashion here.
Another blend of disparate genres shines through on "Pas de Deux," a piece from Stravinsky's ballet "The Fairy's Kiss." Corea's solo piano arrangement weaves into his original piece "Admiration," celebrating the feeling the bandleader has towards not only his inspirations but the remarkable ensemble that navigate his tricky stylistic mergers. The final composition Corea chooses to explore is Jobim's classic "Desafinado," which features the soulful vocals of Maria Bianca relating the tale of a love affair gone slightly out of tune.
The album opens with the title track, "Antidote," a heartfelt entreaty written by Corea for Blades. The pianist's lyric is a mission statement, defying the divisive issues we face with the fact that, "Music, musicians and all artists are the antidote to man's inhumanity to man." The music on Antidote captures that feeling with healing camaraderie, with the added spirit that Corea embraces in his lyric for "My Spanish Heart."
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