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It's hard to imagine Merrill Garbus getting bored with herself. As Tune-Yards, she piles ideas into her songs like they're colourful ribbons stuffed into a car, streaming out of the windows as it careers along the causeway. She smears warpaint across her face when she performs, looping her voice, ukulele and drums as she sings or yells about issues such as racial profiling and gender stereotyping. Her vision for our photoshoot, meanwhile, is "Pee-wee's Playhouse". She doesn't strike you as an artist who suffers from creative block.
However, that's exactly what happened when Garbus returned home from touring her breakthrough record, 2011's Whokill. "I was getting bored with myself," she says, scrubbing off the last of the fuchsia lipstick she wore for the camera. "Sure, a lot of people are telling you you're great, but I wasn't feeling great physically, and I was tiring of the set-up that I had. So I tucked away the things that I relied on to write with before. I was ready to do something new."
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by Kate Hutchinson via Electronic music | The Guardian
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