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Jerusalem in My Heart: Qalaq review – bearing witness to a manufactured apocalypse | Musique Non Stop

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Thursday, December 16, 2021

Jerusalem in My Heart: Qalaq review – bearing witness to a manufactured apocalypse

(Constellation)
Radwan Ghazi Moumneh and avant garde peers collaborate on a defiant, vulnerable lament for Lebanon

• More albums we missed in 2021

Radwan Ghazi Moumneh has had a hand in some of the most astonishing experimental music this side of the millennium, both behind the scenes as recording engineer at Montreal studio Hotel2Tango and on stage fronting his own project, Jerusalem in My Heart. The Lebanese artist merges folk instrumentation and field recordings with abyssal drones and tectonic electro-acoustics, forming a foundation upon which his grave, guttural vocals are sung in Arabic.

On Qalaq, he inverts the orchestral premise of his prior LP, choosing instead to collaborate with avant garde peers in a remote, individuated and turn-based capacity – one that invites each guest artist to interpret the record’s titular theme of deep worry and anxiety for Lebanon. The result is an album that’s as defiant and visceral as it is vulnerable.

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by Tayyab Amin via Electronic music | The Guardian

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