At an immersive, city-wide multimedia presentation of her new album When I Get Home, the singer-songwriter explains how her childhood home of Houston nourished her creative spirit
‘It’s one thing to think with your spirit,” says Solange Knowles. “It’s another to actually live it through your body.” The Solange of today works with feelings, grooves, and frequencies in mind. If A Seat at the Table, her breakthrough third album, was a lyrically dense record about the complexities and struggles of the black American experience, then When I Get Home, her latest release, is the sonic manifestation of that blackness. Staccato rhythms and meditative mantras – designed to ground and heal her after time on the road – ripple on through the bodies of her listeners. It’s an album about settling into familiarity: with yourself, the people around you, and the places one calls home.
At the SHAPE community center in the third ward of Houston last Sunday evening, the record comes to life during a screening of a film, also entitled When I Get Home, that Solange created and directed to accompany the album. Despite the celebrities in attendance, this isn’t a premiere. The album arrived days before, with the film launching simultaneously on Apple Music and the recently revived, early-internet social network Black Planet. Instead, it is a celebration of her return to her roots.
my Sol-Angel... no one talk to me ever again
I’ll always be a black woman, and I’ll always create work from this black woman’s body
Related: Solange: When I Get Home review – lose yourself in Knowles' hazy vision
Continue reading...by Britt Julious via Electronic music | The Guardian
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