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The Prodigy review – teeth rattled in dystopian breakbeat pantomime | Musique Non Stop

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Tuesday, December 19, 2017

The Prodigy review – teeth rattled in dystopian breakbeat pantomime

Glasgow Academy
Twenty years on from their multimillion-selling album The Fat of the Land, the Prodigy refuse to get nostalgic, nor reduce the energy levels below total pandemonium

In an era when memories can be monetised, most bands – active or otherwise – might hungrily eye the 20th anniversary of their most successful album as an opportunity to mount a special tour to shore up their legacy and top up their Isas. Not so the Prodigy, Liam Howlett’s tetchy but tireless road warriors.

As Britpop shrivelled, their third album, 1997’s The Fat of the Land, took Howlett’s uncouth youthquake of evil techno and hot-wired breakbeats to the world; an astonishingly successful incursion into the US arguably laid the groundwork for the recent EDM explosion. Two decades on, you could forgive these Essex boys a backward-looking victory lap to fatten the brand.

Related: The Prodigy: 'we should be as important as Oasis or Blur'

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by Graeme Virtue via Electronic music | The Guardian

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