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Organ Reframed review – kitsch, rapture and white-knuckle intensity | Musique Non Stop

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Sunday, October 15, 2017

Organ Reframed review – kitsch, rapture and white-knuckle intensity

Union Chapel, London
Indie rockers joined doyens of the electronic avant garde for a festival of new music exploring the otherworldly sounds of the pipe organ

In the last few years it has become fashionable for electronic musicians to renounce their computers in favour of the pre-digital delights of 60s- and 70s-style modular synths. Evidently, the next logical step is the reappraisal of the pipe organ – for what is a pipe organ but the original synthesiser, its array of keyboards, knobs and levers designed to produce an awe-inspiring barrage of otherworldly sound? This is the thinking behind Organ Reframed, a festival of new works for pipe organ by doyens of the electronic avant garde (plus the odd intrepid indie rock band), now in its second year at Union Chapel, London.

Along with the flamboyant recitals of Cameron Carpenter and its appearance on acclaimed experimental releases by, among others, Kara-Lis Coverdale and Tim Hecker, it seems that the organ might be having a bit of a moment.

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by Sam Richards via Electronic music | The Guardian

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