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Tuesday, October 4, 2016

Dom Servini at The Bussey Building (London) on 25/11

The post Dom Servini at The Bussey Building (London) on 25/11 appeared first on Wah Wah 45s.


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Dom Servini at The Merchant’s Tavern (London) on 25/11

The post Dom Servini at The Merchant’s Tavern (London) on 25/11 appeared first on Wah Wah 45s.


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Dom Servini at The White Horse (London) on 19/11

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DIRTYBIRD CAMPOUT SELLS OUT FOR IT’S SECOND YEAR

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DBCO

Riding high off their mighty BBQ tour, the infamous Dirtybird clan has set their dials for full speed towards the 2nd annual Dirtybird Campout this weekend. With an all-star roster of friends and familiars from around the world, the 3 day excursion features summer-camp activities (you’re literally assigned a Dirtybird camp counselor), a comedy stage, after hours, endless BBQ, refreshments, and of course friends and familiar DJs from around the world.

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One of the best things about the campout is the the musically-educated crowd it attracts. As a festival celebrating the Dirtybird sound, fans flock from all over with a positive easy-going candor that reflects the music that will carry all weekend long. Needless to say, vibes will be 10/10.

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The Dirtybird campout has just officially SOLD OUT, but tickets may still be available if you know how to keep your ear to the ground. To get you ready for the madness, rinse through a selection of live sets from last years campout below!

Dirtybird Campout
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Monday, October 3, 2016

John Foxx's ambient playlist – with John Cage, Popol Vuh, Elgar and more

The singer and artist selects music from the tranquil end of the spectrum – from Erik Satie to Thomas Tallis via Virginia Astley and Aphex Twin

Brian Eno gave it a name and mapped much of the territory, an early recognition that the need was already in the air – a search for some new equivalent to classical music, but one more abstract and spacious, as well as intimate and modern, capable of providing a tranquil space in an increasingly crowded, pressurised world.

Jazz had fallen into its own set of cliches and conventions, classical constantly retrod old ground. Pop and dance music both tended to grab you by the lapels. There was a need for something that addressed that other part of the spectrum – tranquillity.

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by John Foxx via Electronic music | The Guardian
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