Housing hundreds of working and often rare synthesisers, the Melbourne Electronic Sound Studio allows anyone to come in and play on machines such as the CS-80, that was used by composer Vangelis for the Blade Runner soundtrack, or the Fairlight CMI – used by Kate Bush and Peter Gabriel – or the ARP 2600, which provided the voice of R2-D2 in Star Wars. It’s a space dedicated to inclusion and access, specifically for those underrepresented in electronic music.
Camilla Hannan follows three people with a passion for synths to create a sonic portrait of the studio
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Continue reading...by Presented by Laura Murphy-Oates with Camilla Hannan. Produced and sound designed by Camilla Hannan. Series producer Ellen Leabeater. Executive producer Laura Murphy-Oates via Electronic music | The Guardian
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