(XL Recordings)
Låpsley’s second album is stripped of collaborators, but its clean aesthetic highlights the scars of real experience
On her 2016 debut, Liverpudlian electronic pop singer Låpsley worked with a brains trust of songwriters and producers to try her hand at chart anthems, trip-hop and – in the joyful Operator – a disco track that ruled festival season. For her second album, she seems to have brushed away the lint left by an excess of collaborators, instead writing and producing everything herself with input from a sole engineer, and honing in on a singular, clean aesthetic.
Continue reading...by Ben Beaumont-Thomas via Electronic music | The Guardian
No comments:
Post a Comment