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Sampa the Great: The Return review | Musique Non Stop

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Friday, September 13, 2019

Sampa the Great: The Return review

(Ninja Tune)
She’s charismatic and her challenges to western orthodoxy are welcome, but Sampa needs to find a fresher sonic palette

Over the past decade, hip-hop has relaxed its borders - welcoming in a flood of new styles, characters and concepts. One thing that still unites most rappers, however, is braggadocio; the aggressive, occasionally tiresome boasting that stems from rap’s battle past. As a Zambia-born, Botswana-raised, Australia-based woman, Sampa Tembo belongs firmly in rap’s inclusive modern age – but as her moniker suggests, she’s no stranger to a spot of rampant egotism. “I’m boutta blow up soon / I ain’t wasting time chilling with you”, she crows on Grass Is Greener, before describing herself in more biblically bombastic terms – as “The end / Beginning and on / and on” – over the intricate percussion of Dare to Fly.

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by Rachel Aroesti via Electronic music | The Guardian

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