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Gorillaz review – Damon Albarn refuses to be pigeonholed in hip-hop jamboree | Musique Non Stop

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Tuesday, November 28, 2017

Gorillaz review – Damon Albarn refuses to be pigeonholed in hip-hop jamboree

Brighton Centre
The Blur frontman brings his animated band’s world tour to the UK, and it’s the house vocalists – such as Peven Everett and Jamie Principle – that really shine

The first Gorillaz tour in seven years is an event that arrives in Britain trailing a certain degree of hype. It is apparently the fastest-selling tour that Damon Albarn has been involved in: not even the re-formation of Blur shifted tickets around the world so quickly, testament perhaps to the fact that, initially at least, Gorillaz achieved the kind of multiplatinum success in the US denied to Albarn’s original outfit. There has been much talk of the vast, continually rotating cast involved: in addition to Albarn, a band that features in its ranks two drummers and six backing vocalists, there’s the ever-changing menu of guest stars to contend with. Over the course of its American leg, the Humanz tour variously featured appearances from Carly Simon, Kelela, Hypnotic Brass Ensemble, Yasiin Bey, Del Tha Funky Homosapien, Little Dragon’s Yukimi Nagano and Savages’ Jehnny Beth, while last weekend’s shows in Paris brought Popcaan to the stage for an encore of Saturnz Barz.

Tonight, however, the Jamaican MC is merely on a big screen at the rear of the stage, while Chicago brass bands and indie frontwomen are noticeable by their absence. The supporting cast is stripped down to something approaching a skeleton staff: depending on your taste in hip-hop, the biggest names present are either Long Beach rapper Vince Staples or two-thirds of De La Soul, the latter performing a rapturously received version of Feel Good Inc. The visuals featuring Jamie Hewlett’s familiar animated figures are strong, but not quite as eye-poppingly innovative as the show’s excitable advance billing might have led you to believe – amid the synched videos and interstitial cartoons, there’s nothing quite as visually arresting as the moment during their 2005 shows when the children’s choir who sang on Dirty Harry unexpectedly broke first into synchronised dance moves, then gleeful body-popping.

Related: Gorillaz, Oxfam and a tarot fool: the art of Jamie Hewlett – in pictures

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by Alexis Petridis via Electronic music | The Guardian

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