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Monday, November 21, 2016

Röyksopp's vocoder playlist: Transvolta, Laurie Anderson, Kraftwerk and more

Among the group’s top five vocoder tracks are a Belgian disco stomp from the 70s, Anderson’s O Superman, Kraftwerk’s Robots, and a slice of fine Italodisco

This Belgian disco number is a fine example of the vocoder’s primary usage in the 1970s – particularly in disco. Nothing says unearthly, futuristic and robot like the fine-tuned waveforms of a vocoder. Should you like this track, be sure to check out Dan Lacksman’s other, perhaps better-known project, Telex.

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by Svein Berge and Torbjørn Brundtland via Electronic music | The Guardian

Friday, November 18, 2016

AM Only Announces “A Positive Spin” Charity Event

Property of Gotta Dance Dirty

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AM Only presents its’ second annual fundraising event A Positive Spin, hosted at The Roxy in Los Angeles on Saturday, December 18. 100% of the party’s proceeds will be donated to Inner City Arts, an arts education provider in the heart of Skid Row that offers hands-on instruction in visual, performing, and media arts.  Tons of GottaDanceDirty pals will be performing, so make sure to make it out to this one for some grooves for a good cause!

“I’m really excited to work with A Positive Spin again. Last time I got to see first hand the huge interest kids have in music and how little amount of resources they have to learn about it. LA Food Bank and Toys for Tots are important charities especially this time of year, so it’s great to be able to help them get what they need.” – AC Slater

Buy Tickets Here

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[GDD™ PREMIERE] Clarian – Acid Moon

Property of Gotta Dance Dirty

In an attempt to “Derail The Reptile Revolution,” Clarian has slung together scintillating mini-album set to be released November 21st on LA imprint, Culprit. Featuring intergalactic tech and warp speed acid undertones, the project serves as a lethal reminder of our lurking lizard overlords. We premiere “Acid Moon” for you today in advance of the release, a hearty chunk of lunar goodness with an acid flair for the dark side of the moon. Enter Clarian’s universe with the below stream and keep your eyes peeled for the project’s release later this month.

The five songs, each with distinct personality, are inspired by California desert mirages, neon Hollywood glow and faded sunsets over the Pacific. Neo-Future meets vivid Retro Analogue dreams…David Lynch’s “Dune” with the ghost of Hunter S. Thompson fully present.

Cosmic post-disco joins slow-burn techno, adorned with bits of New Wave, futuristic acid house and layers of celestial melodies that make for one-of-a-kind journey through space and time.

FOLLOW CLARIAN:
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Thursday, November 17, 2016

Various: PC Music Volume 2 review – the smartest gang in British pop

(PC Music)

Related: PC Music: the future of pop or 'contemptuous parody'?

PC Music first presented its ridiculously saccharine and relentlessly weird dance-pop to the world three years ago, and were greeted with a mixture of fervour, revulsion and skepticism: was it a deliberately crap parody or digital music taken to bracing new extremes? It never quite disrupted the mainstream, but has made inroads into proper pop through collaborations with artists such as Carly Rae Jepsen and Charli XCX. Now, with the hype muted, this second compilation provides an opportunity to appreciate the music on its own terms – and it feels more beautiful and progressive than ever before.

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by Rachel Aroesti via Electronic music | The Guardian

Justice: Woman review – funky electro return is light on bangers

(Because Music/Ed Banger)

As any genre’s unofficial 10-year grace period allows, it is now acceptable to be nostalgic for mid-2000s electro, which exploded around the time of Justice’s first album, Cross, in 2007. It had its lineage in Daft Punk’s filtered house but added the brash swagger of rock. Justice’s remix of Simian Mobile Disco’s We Are Your Friends defined nightlife; their Parisian label Ed Banger was the hippest crew. After a lukewarm second album, Gaspard Augé and Xavier de Rosnay are back with their vacuum-packed leather jackets and porno taches, now creating the sweeping soundtrack to a 1970s erotic film by way of Tron. Funk, disco, gospel, soft rock, prog and (that old chestnut) “cinematic” synths mingle in their newly refined pop laboratory: Safe and Sound puts their love of a choir to good use with a mercuried slap bass; Pleasure has another cracking, crotch-thrusting bassline and dreamy falsetto; Randy is perhaps the best running track released this year. And yet, Woman is surprisingly banger-lite, a totally serviceable one-night stand rather than a torrid love affair. Maybe give it another 10 years.

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by Kate Hutchinson via Electronic music | The Guardian
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