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Grimes live review – big bass, even bigger hooks | Musique Non Stop

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Saturday, March 12, 2016

Grimes live review – big bass, even bigger hooks

Canadian K-pop rave merchant Grimes’s astonishing live set feels like a storming of the barricades

It is only when you witness this much unfettered female joy on stage that you realise how rarely it is that you see it. Grimes’s feral K-pop rave is easily the best thing to be run through a mixing desk this year, maybe longer. It is every kind of awesome.

Shrieks greet the atmospheric introductory passage, Laughing and Not Being Normal, that opens Grimes’s most recent album, Art Angels, and her set. Grimes – Claire Boucher, on her passport – then lets loose the Japanese-themed melody from Genesis, off her previous album, 2012’s Visions. Flanking her are two fierce dancers, Alison and Linda, who recall the Security of the First World, Public Enemy’s old pseudo-paramilitary helpmeets, crossed with ninjas.

The martial rhythm section on Venus Fly is multiplied tenfold. The build is monstrous, the drop apocalyptic

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by Kitty Empire via Electronic music | The Guardian

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